A new mix for late night summer shadow dreamers. Image: James Abbott McNeill Whistler
“So that our dream might reply to the sky’s questioning stars with one key, one door closed to shadow…”
Track list:
Malachite, Jakob | Butterfly Meets Mountain, Xu | Whenever, Endless Melancholy | Wolf Teeth, The Pines | The Sunken Land, The Ashes Of Piemonte | Pearl Bone Guill, Celestino | Isostatic Lift, Faures | Rising Dark, Slow Dancing Society | Evenings Wait; The Morning’s Break, Twincities | MEDUXAE, The Thing With Five Eyes | We Held Our Breath Until Our Hearts Exploded, Beneath The Watchful Eyes | The Black Sea MMXIV, thisquietarmy
Image: Falling in Love No. 36, August 1960 via comicslams.tumblr.com
The most glorious thing in the world! Goodness.
I have often found that the wanting of things is actually far superior to the obtaining of the things. There is this breath-catching feeling of anticipation and hope and wonder when one ponders upon the things one desires…but when said thing actually comes into your possession, it’s sort of…depressing, isn’t it? Like “…yeah…okay…this is a nice thing. Ho hum. Next thing, please!” If only we could reconcile that dreamy, ecstasy of wanting something to the boring reality (I imagine it’s sort of like coming down from a high, but I don’t know, I’ve lived a life of deprivation) of having it. What a world, eh?
Unlike our outerwear-obsessed young woman above, I cannot profess to get all swoony and ecstatic over the thought of a coat, but I’ll admit that fine fragrances and strange baubles cause my heart to quicken a beat.
Additionally, I am a bit besotted by Relique D’Amour Eau de Parfum by Oriza L. Legrand, described thusly: “The smell of an old chapel in a Cistercian abbey. Cold stone walls covered with damp moss. Waxed wood of altar and old pews ornate with carvings. Linseed oil in lamps. Incense and myrrh discernible in the air.” How can I resist? This has me written all over it.
What lovely bits and baubles and fripperies are causing your heart palpitations lately? Do tell!
I don’t like to to dwell in the past. That was then, and this is now. You can never go back. All those other phrases that good writers don’t use because they know better than to employ tired cliches which mean nothing at all – but I’m a mediocre hack at best so I figure I can get away with it.
I am very happy to be where I am now. That is to say, back in Florida, living near my family and friends and in a healthy relationship with a wonderful person. The time I spent in New Jersey was a strange, sad period in my life and I don’t wish to go back -ever- but there are some things I find myself missing. I don’t know if this was true or not, but I do really feel as if I were utterly alone there. And it’s funny, as I child I do remember that being my dearest wish – that people just live me alone. In peace. To read, to daydream, it didn’t matter…I just wanted to be left to my own devices in my own company. And it was during my years in New Jersey that I got that wish and it was more lonely and more terrible than I could have realized. I have never been good at making friends and the situation I was in made it even harder than it might have been otherwise. I had nothing, and for a time, no one. And for the time I had someone, it was the worst someone who could have happened to me.
As one could imagine, then. I had a lot of time on my own, And being a homebody by nature, I spent that time in or around my home. Experimenting in the kitchen, decorating (in my small, weird way) gardening, exploring my little neighborhood. I taught myself how to knit, I made butter from scratch, I photographed lovely things on long ambling neighborhood strolls, I grew vegetables, I became comfortable with myself and what I could do. I learned what I like away from external influences. The unhappier I was, the harder I tried to conjure those little magics which make life bearable.
I suppose it is the passing of the summer solstice yesterday without ceremony or ritual or so much as “how do ye do?” which causes me to realize how little time I spend in these pursuits now. I have social engagements and obligations, I have a home which is a secondary priority to the person with whom I am living in that home with, I read and listen to music and knit, yes, I do these things, but I feel like I am almost programmed to do these things now. I have done them so long so, I don’t feel a whole person without them. But those little things I sought out to elevate my existence to something more than survival…I seem to have forgotten how to do these things. Or they have lost their importance to me, buried under the responsibilities of a real person, whereas before, I suppose I felt as if I were a bit of a ghost; a being on whom no one relied or noticed. A sad, invisible, selfish thing.
I’d like to enjoy these things again, the seeking out and practices of little daily magics. My life is so much richer now, fuller and more exciting it ever was before. I think this is a perfect time.
How do you keep the little magics alive in your daily goings-on? How do you elevate your day-to-day existence to something beautiful, special, sacred, worth remembering and dreaming about? I’d love to know your secrets, if you are up to sharing them with me.
Music for hazy midsummer afternoon heartbeats. Image by Natalie Kucken.
“Love, we’re going home now,
Where the vines clamber over the trellis:
Even before you, the summer will arrive,
On its honeysuckle feet, in your bedroom.”
-Pablo Neruda
Track list:
My Brightest Diamond, Pressure | Little Claws, Savage Sister | Waltz, Aus | Goddamn The Night, Melt | West Coast (Radio Mix), Lana Del Rey | Thousand Eyes, Lia Ices | Moons of Jupiter, Tamed Animals | Eurydice (From Hell), Deaddreams | Beast (stay hungry), Lucy Kruger & The Lost Boys | Everything’s Coming Up Roses, Dear Plastic | Secret Place, The Zephyr Bones | Variations on an Anatolian Folk Song, Michael Muchnij | Moonbathing, Venus + Mars
Spurred by a conversation with a friend, I have been sorting through some art I have collected over the past 8 years or so. Sadly, this art is all unframed and stacked unceremoniously in the corner of a back room where the elegant photos are fading in the afternoon sunlight and the corners of intricate illustrations are curling relentlessly inward.
I am a horrible collector.
I am also fairly awful when it comes to matters of decorating and interior design and all of that nonsense. I know what I like, sure, but I have no clue what goes where or how this complements that or where any of it should go. Hell, I can’t even properly frame the art, let alone get it up on the wall.
Here is a small smattering of some things languishing about, waiting for me to get on with it and frame them up. Apologies to: Annie Stephens, Caryn Drexl, Kelly Louise Judd, Jasmine Beckett-Griffith and the lovely illustrator over at beautymarkings, I forget what her name is. These wonderful pieces deserve better treatment than I have provided thus far.
In addition to the above, I have some rather sizeable pieces that I really have no idea how to go about dealing with. Two from mizenscen‘s ‘Bride’ collection (and I’d love to round it out with a third….
As well as this colossal print from Sofia Arjam, I mean wow. This thing is huge.
I am not even certain that I have the wall space for all of these things but as I am covetous and miserly, I just keep collecting more (I’ve got some on the way) and I couldn’t bear to give any of it away!
I’d love to see some framing solutions (the more frugal, the better!) or groupings/displays of art in real people’s homes to point me in the right direction. Any suggestions, thoughts, or ideas?
I recall seeing this pattern (“Celestarium“) published in an online knitting magazine a year or two ago, and though I thought it was a neat idea to capture the constellations in a knit to sweep across one’s shoulders, I honestly wasn’t moved enough by the pattern itself to want to knit it.
I won’t say this was a light-hearted, mindless knit (though it is a great deal of monotonous stockinette); it certainly gave me an issue here or there. First with the really fiddly cast-on: a circular cast on is tricky enough, but when you add beads in to the mix it becomes twice as challenging. My circular cast on is pretty flawed, as you can see, but I can’t be bothered with absolute perfection. I like a little bit of wabi-sabi in my knits.
Up until now I had left the beads off all of my knitted projects – I was much too intimidated to give it a try. And after finishing Celestarium, I realize it is really quite simple! I think there are a few ways to do this, but I place each bead on the yarn as I knit along, using a tiny crochet hook. There are a few videos on youtube that do a pretty good job of showing the way.
I had been knitting steadily on this, a bit every day (whilst binge-watching Hannibal…oh what a lovely, baroque, grotesque show!) and in time I finally reached the bit of the pattern where the edging is begun. It slowly dawned on me that I am 2/3 through my last skein of yarn…and there may not be enough to complete the project. At this point I am prey to the most dangerous kind of wishful thinking, “oh yes, yes, I am going to make it, there is enough yarn& etc.”…and as a friend perfectly summed up…watching the yarn run down as the project grows is like playing the *slowest* game of chicken. And you will always lose.
Of course, I am a terribly loosey-goosey knitter and never knit to gauge (gauge swatches? pffft!!) and it was inevitable that I did indeed run out of yarn. If you are the same sort of …hm…freespirited(!) knitter, and you are knitting with modifications, I might suggest ponying up for an extra skein of whatever yarn you are using. Luckily, it was easy enough to find more of what I needed and though I know it was a different dye lot, I can’t tell the difference at all.
And so, with very little fanfare I finished Celestarium after watching a movie about moon Nazis last evening, around midnight. This morning I woke with the sun, gave her a soak and pinned her out, and that is that.
To what far reaches will this starry space babe travel? I wonder….
Details: Pattern: Celestarium, by Audrey Nicklin
Yarn: 3 (and very little of a 4th) skeins of Madelinetosh merino light in “dirty panther”
Needles: I switched back & forth so many times, I cannot remember. Sizes 2-4
Started: March 28, 2014
Finished: June 7, 2014.
