Archive of ‘art’ category

Will Errickson’s resplendent horror fiction reviews

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(Originally posted in 2011 over at After Dark In The Playing Fields)

Perhaps a month or so ago whilst puttering around on the internet late at night, a memory, unbidden, came to mind. A book I had read when I was younger.  Though I could not recall much of the plot (except that it was a riveting combination of almost-unacceptably-unbelievable and strangely compelling),  or the story details, or even the names of the characters – the cover, and the title were for some reason burned indelibly into my brain.

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On a whim, I thought I might poke around to see if what, if anything, other readers had to say about The Manitou, and it was then that I stumbled onto Will Errickson’s Too Much Horror Fiction blog.  Will’s sharp, smart, and endlessly amusing synopsis of the story and review of the book compelled me to dig deeper into his site, and in doing so I came across many strange, moldering titles that I had not thought of or seen in years…some I barely remembered and some which were so bizarre that I actually thought I  had dreamed them up. Before I knew it several hours had passed and it was 2:00 AM in the morning; I was exhausted but full of a sort of demented exultation –   I think it is safe to say that I have never in my life been excited to stumble across a corner of the internet as I was when I discovered Will’s blog, which is dedicated to “reviewing and collecting horror literature and celebrating its resplendent paperback cover art”.

Will graciously agreed to do a bit of a Q&A with us over at After Dark in the Playing Fields; read on for, among other things, his thoughts on terror in the formative years, his picks for a compellingly horrifying read and a top ten list of his favourite deranged horror fiction book covers!

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Mlleghoul: To quote you, paraphrasing Poe and Lovecraft: “Horror… is that singular frisson of terror itself”. Can you hearken back to the time when you first experienced that dread feeling and share with us the details surrounding that, and the myriad ways it has manifested in your life up to this point?

Will Errickson: I’ve tried before to nail down early moments of fear and horror from when I was a kid, and I just can’t. All I can really say is that growing up in the 1970s and early ‘80s there was no lack of spooky stuff on TV that you couldn’t avoid, whether it was IN SEARCH OF… or a commercial for movies like SILENT SCREAM, THE PROPHECY, THE SHINING and ALIEN. I remember finding a horror movie magazine that a teenage relative had that completely freaked me out; I couldn’t even look at the cover. Christopher Lee’s Dracula was pretty impressively scary at that age. Of course JAWS was inescapable, but once I actually *saw* the movie when I was 8 or 9 I became obsessed with it. Can’t quite remember how I began reading horror, because those trashy old paperbacks with skulls on the covers unsettled me. Think I just picked up one of my mom’s Stephen King novels when I was about 13 or so. So ever since I was a kid I’ve been into horror as well as the people who create it.

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Back to the above referenced paraphrasing – what are some of your favourite books or stories that evoke such a feeling for you?  I believe I culled the quote from your post on The Black Dahlia by James Ellroy, so I imagine that might be one of them?

Several of Ellroy’s novels have been disturbing, not just BLACK DAHLIA but also L.A. CONFIDENTIAL–the parts that *didn’t* make it into the movie version. Books such as DRACULA and THE AMITYVILLE HORROR were perhaps the first scary things I read; later Lovecraft’s “The Dunwich Horror” and various stories/novels by King (especially “The Mist”) and Peter Straub. SONG OF KALI by Dan Simmons, THE CIPHER by Kathe Koja, FINISHING TOUCHES by Thomas Tessier, THE SEARCH FOR JOSEPH TULLY by William Hallahan. I read tons and tons of short stories in different anthologies as a teen and in my early ’20s; some of my favorites from that era are “Night They Missed the Horror Show” by Joe Lansdale; “His Mouth Will Taste of Wormwood” and “Calcutta, Lord of Nerves” by Poppy Z. Brite; “Dread” by Clive Barker; “Old Man and the Dead” by Mort Castle; “Sticks” by Karl Edward Wagner; “Orange is for Anguish, Blue for Insanity” by David Morrell; “The Answer Tree” by Steven Boyett; various Shirley Jackson and Thomas Ligotti tales. It’s difficult to pin some down. Rereading them now is cool because many hold up and are still effective. I’m slowly making my way through the two-volume Library of America’s AMERICAN FANTASTIC TALES… Short stories really show the horror genre in its best light. There are great novels, of course, but short stories… yeah. I’m sure I’m forgetting some right now.

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In this vein, what is your general criteria for a satisfying read?  Can you give some examples of the books which might fit this criteria?  And this may be a silly question, but how much does the cover art play into this for you?

Pacing is probably the single most important aspect. Atmosphere is great too. I don’t need great writing but it does have to be good. A lot of ’70s horror novels, and even going back further, had a real professionalism about them; you knew you were in the hands of masters. But by the ’80s more horror glutted the shelves so many, many books were very poorly written and edited and conceived. You can forgive a lot if the author is sure of himself, which is the case with Graham Masterton’s THE MANITOU. It was rather ridiculous but his conviction carried it. THE AUCTIONEER by Joan Samson is a wonderful example of strong writing and story, as are Michael McDowell’s works. You can’t ever go wrong with Shirley Jackson. I loved THE HOUSE NEXT DOOR by Anne Rivers Siddons. Fritz Leiber’s OUR LADY OF DARKNESS was excellent as well. ALL HEADS TURN AS THE HUNT GOES BY by John Farris. THE RATS by James Herbert. As for supernatural violence and the like, I like a quiet chiller as much as a gory thriller. Joe Lansdale’s THE NIGHTRUNNERS blew me away back in the day but I haven’t read it since. As for cover art, it doesn’t play into my interest in reading a book; I’ve gotten past that these days and if the books has a truly terrible cover, I try to imagine I’m reading it in manuscript form! So yes, I guess cover art can color your imagination as you read.

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You reference John Farris’ Son of the Endless Night as a quintessential 80’s horror novel, with its “blurb from Stephen King and a review quote comparing it to The Exorcist, and its artwork of both a scary-looking young girl as well as a black-winged demon” –I’d be interested in hearing more about this idea of a quintessential 80’s   horror novel.  Also, do you feel there are elements of the story itself that make it a prime example of the decade’s horror offerings?  So…what would be a quintessential 90’s horror novel?  70’s?  60’s?  Ok, I’ll stop there.

1980s horror to me is big and badass, influenced by more graphic horror movies. Huge set pieces of bizarre horror carnage, lots of characters, a go-for-broke attitude. Another cool ’80s novel is THE SCREAM by Skipp and Spector: big, bold, vivid, outrageous, energetic. A bit dated in a fun way. Let’s see… for the ’60s I’d say ROSEMARY’S BABY by Ira Levin: ironic, cool, blackly comic, lightly satirizing modern mores. The ’70s quintessential horror would probably be ’SALEM’S LOT, but I think an argument could be made for HARVEST HOME or THE OTHER by Thomas Tryon. Quieter and more reserved than King, but still creepy; a mainstream bestseller kind of vibe before the paperback horror boom of the ’80s fractioned off the audience. For the ’90s, that’s tougher, because I stopped reading contemporary horror in about 1993 or ’94. Kathe Koja’s THE CIPHER turned horror around by taking the focus off “regular folks” as it’d been in the ’80s and made it about artists, slackers, young people on the fringes of society. What can I say, I identified!

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For as long as you’ve been running your blog, what would you say are the top 10 most ridiculous/absurd/batshit insane horror novel covers you’ve featured? 

NIGHTSCAPE by Stephen George

ROCKABYE BABY by Stephen Gresham

SANDMAN by William W. Johnstone

DEW CLAWS by Stephen Gresham

SEE NO EVIL by Patricia Wllace

DEAD TO THE WORLD by J.N. Williamson

TRICYCLE by Russell Rhodes

LURKING FEAR & OTHERS by Lovecraft

WAIT AND SEE by Ruby Jean Jensen

RESURRECTION DREAMS by Richard Laymon

But there are still many, many more out there! I will always be on the lookout to feature them on my blog…

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What is your opinion of “pulp” and what purpose it serves–what can we learn from it about our culture that isn’t a part of canonical literature? “Pulp” novels are considered low-end and sort of disdained, but obviously they are popular to read.  What about the lurid themes found in them resonates with the reader? 

When it comes to the worth of any kind of pulp or genre fiction and its status, I like to turn it around and posit that lots of literature, the high-end, culturally-sanctioned stuff, isn’t nearly as profound or insightful as some people like to think it is. There is just as much cliche, lack of imagination, and poor–as in pretentious–writing in that kind of fiction as in pulp or genre fiction. Writers who began in the pulp fields are now considered major American authors, crime writers like Raymond Chandler as well as a horror writer like H.P. Lovecraft. Horror fiction deals with the same themes as any other kind of fiction: families, history, love, sex, death, violence, grief, guilt, etc. Sure, a horror novel might accentuate the less savory aspects of these themes, but I’d say a classic writer like Dostoevsky, for instance, is also exploiting them as well. I *think* that literary critics these days are little more amenable to that idea, anyway.

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Finally – The Nursery, by David Lippincott (a cult favourite here at After Dark in the Playing Fields) – any opinions?*

I’m unfamiliar with that title but the cover art is awesome! Added to my to-be-read list.

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A heartfelt thanks to Will Errickson for taking the time to answer our questions and share his thoughts!

 

this, that, & the other thing {xxiii}

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Witch Series, Camille Chew

The new-to-me art of Camille Chew; a fanciful take on modern witches

 

A poster for Häxen. (Image: Cornell University Library)

A poster for Häxen. (Image: Cornell University Library,

Take a Peek at the World’s Greatest Witchcraft Movie Poster Collection

 


I’m absolutely enthralled with this beautiful, grotesque trailer.
Are you as excited for Tale of Tales as I am?

Forces that we cannot contain: The cosmic horror of the nuclear age

Why The Fly is possibly the very best body-horror film ever made

This Perfume Smells Like the Apocalypse: artists capture the heady scent of the end times

10 of the most disturbing folk songs in history

The H Word: The Monstrous Intimacy of Poetry in Horror

Is the Hum, a mysterious noise heard around the world, science or mass delusion?

Sorcery and Sex Appeal: Kristen Korvette Discusses Slutist’s Legacy of the Witch Festival

Anohni Finds Hope in Hopelessness: The iconoclastic artist on her politically-minded new album

The Gnostic World of Antti-Jussi Annila’s Sauna

The Dark Tales of the World’s Most Epic Sleep Talker

Links of the Dead {4.22.16}

Art by Noah Scalin

Art by Noah Scalin

A gathering of death related links that I have encountered in the past month or so. From somber to hilarious, from informative to creepy, here’s a snippet of things that have been reported on or journaled about  related to matters of death & dying & mortality.

Previous installments:
Links of the Dead for March 2016
Links of the dead for February 2016
Links of the dead for January 2016
Links of the dead for December 2015
Links of the dead for November 2015
Links of the dead for September 2015
Links of the dead for August 2015

Dearly beloved, with heavy hearts that we mourn the loss of Prince…

💀 No Doves Cry Here: Prince Retrospetive

💀 A Look Back At Prince’s Unfiltered And Unapologetic Style

💀 His Music Does The Talking’: Manager Owen Husney On Prince’s Legacy

…and elsewhere

💀 Graveyard Botany: Patricia Lundy writes on haunting flora which festoon final resting places.
💀 Speaking with the Dead: Life and Learning in a Cadaver Lab by Madeleine LeDespencer
💀 A list of valuable Grief Reads, via Modern Loss
💀 Literal Heartbreak: A Spouse’s death can make your heart skip a beat
💀 Six Feet Over helps people who’ve lost loved ones to suicide through funerals & more
💀 The Complicated Wallpapers of Grief: A review of the film Midnight Swim
💀 Pain Is Not Redeemed by Art: Grief, Loss and Creative Practice
💀 Beverly Hills of the Dead: Luxury Tombs complete with Kitchens & Air Conditioning
💀 Most Distinctive Obituary Euphemism for ‘Died’ in Each State
💀 5 things you can do to join the Death Positivity movement and value life more

Currently {4.13.16}

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This has been a strange month.

A few weekends ago, on a trip up to North Florida on a rainy Saturday morning, we ended up on the side of the highway, sinking into a ditch.  A massive white pickup truck (I have dreamed about this truck multiple times since then, and I always see it when I close my eyes now) began to merge into our middle lane without looking or realizing we were there. In avoiding a collision with him, we shifted back to an empty lane on the right, but began to hydroplane on the wet roads. At that point, I closed my eyes and began to brace myself for impact.  I don’t know exactly what happened after that, but we were basically all over the road–facing oncoming traffic at one point–and seconds later we ran into a small copse of trees and a swampy ditch in the median between the north and southbound traffic.

I remember looking at the branches scraping at the windshield, noticing our miraculously unspilled coffees and thinking How are we even still alive?

In some parallel universe where my partner keeps a less cool head, this situation could have ended quite differently. The alternate reality us may have ceased to exist that day.
I  don’t care to dwell on that overmuch.

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Giles by Goblinfruit Studio

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Alholomesse by Robert Kraiza

My art gallery is ever expanding.  I could lie and tell you that I purchased these things as balm for my fractured soul after the above-mentioned incident, but the truth is that I ordered these things before that. I have long admired Carisa Swenson of Goblinfruit Studio’s works–her curious creatures and aberrant animals have been delighting me for years!  I decided it was the right time to provide a home for one of them, and so in the top photo we have Giles in his jaunty blue waistcoat keeping company with other various treasures

In the second photo is Alholomesse by Robert Kraiza. I consider myself a person of hushed passions, silent desires, but I’ll admit, gazing upon these wildly ecstatic women whips me into a bit of a maelstrom. I am so thrilled to have these witches dancing on my walls! Well, eventually. We all know how long it will take for this to happen.

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It’s summer wardrobe time!  And summer wardrobes, as we all know, consist of interesting, dark-themed tee shirts. Right?  Well, that’s what mine consist of, anyhow. Much….like the rest of the year, I guess. Hm.

Black Sunday shirt $19 // Cat Coven Feminism shirt $25 // Vampirella shirt $23

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Reading:

The very excellent Sabbat Magazine’s Maiden Issue, which is full of magics from some of my favorite artists, writers and visionaries. A++ 5 stars would be ensorcelled again.

X’s For Eyes by Laird Barron. This took a chapter or two to catch my attention, but I’m glad that I stuck with it, because X’s For Eyes is a lot of fun.  I am about two-thirds of the way through (it’s only about 100 pages or so) and it’s like…a pulp-cosmic-noir adventure with Hank and Dean Venture except less incompetent and more demented.

Giant Days Vol 2. I’ll just come out and say that I will always support anything John Allison has a hand in. His webcomic Bad Machinery (formerly Scary Go Round and Bobbins) is the only webcomic I still read…and it’s the one that I actually started reading many years ago that got me into webcomics in the first place.  I even got to interview him once! That was a total dream come true. And once he mentioned my polyvore stuff on his blog, or in the comments of his blog, as inspiration for some of his character’s fashions! Which…that makes me sound totally stalkery, so we’ll move on. Anyway, Giant Days is also a lot of fun, following Esther, Susan, and Daisy through weird, slice-of-life college life adventures.

The Beauty: I haven’t actually started this one yet, but doesn’t this sound intriguing? “Modern society is obsessed with outward beauty. What if there was a way to guarantee you could become more and more beautiful every day? What if it was a sexually transmitted disease? In the world of The Beauty, physical perfection is only one sexual encounter away.”

Listening to Mamiffer’s The World Unseen. I’ve loved this experimental duo since discovering them quite by accident back in 2010 or so. This new effort flickers with loss and light and is described as an “exploration of subconscious and psychic bonds between the past and present” and an “eight-song aural lexicon that vacillates between Arvo Pärt’s delicate minimalist beauty, Thomas Köner’s narcotic pulses of noise, and Richard Pinhas’ sublime textural patterns.”

Watching: The Fly and Angel Heart.  Can you believe I had never seen either one of those movies?  I enjoyed them both immensely.  That was obviously the role Jeff Goldblum was born to play and it was nice to see Mickey Rourke looking like a dream boat before his face became the unfortunate plate of wet cat food that it is now.  (Sorry, Mickey Rourke).

Doing: Saw a live taping of NPR’s Ask Me Another, attended a They Might Be Giant’s show, gardening, and knitting all of the things that gave me trouble last year.

What about you all?  What have you been up to lately? Seen anything fun? Reading anything interesting?  Had any near-death experiences?  Fill me in!

this, that, & the other thing {xxii}


Kulning: The haunting, beautiful Swedish herding call that’s also a song

 

800px-Old_Winnetka_Log_CabinTypes of American Folk Magic From New Orleans to the Ozarks

 

here-is-the-scariest-urban-legend-from-every-state_1The Scariest Urban Legend From Every State

 

whatisawitch_456x608-456x600 (1)“What Is A Witch” an illuminated manifesto on witchcraft by Pam Grossman & Tin Can Forest

 

gothic-to-goth-4“Gothic to Goth: Romantic Era Fashion & Its Legacy”

 

Medusa-Delville-LThe Flowers of Evil: Satanic Feminists of Bohemian Paris

 

Poison-catsNoxious Dollops and Opium Tonics: Poisonous Victorian Home Remedies

 

MourningPortrait1 (1)Michael Berkowitz Mourning Portraits

 

girl-who-stood-on-grave-e1458051452386The Monster in the Mirror: On Horror, Disability, and Loving Both at Once

 

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Great Moments In Historical Sluttery: Aphra Behn, The Mysterious Exploits of Agent 160

Embracing the nightside; An interview with My Love Haunted Heart

1(Originally posted in 2011 over at After Dark In The Playing Fields)

On a day nearing the end of summer, during a violent late afternoon thunderstorm common to east coast FL that time of year, I took refuge in a dim corner of the library. I was 9 or 10 years of age at the time, and I had wandered away from the young adult section where I usually selected the books I would read for the week.

I distinctly recall finding a small, worn paperback nearly hidden between two rather bland tomes of adult literature; the cracked spine laced with embossed vines and thorns had caught my attention and I gingerly drew it forth for closer examination.  The shadowy darkness of the tattered cover provided the backdrop for a beveled tower, back lit by the moon and away from which a pale faced and wan young woman fled, her ruffled peignoir trailing and tangling behind her.

Though my choice of reading material was never censored at home I instinctively felt that this mysterious book would prove to be not quite… wholesome – corrupt, even. That there was something inexplicably illicit contained in the tale told within.  And with that, even before the first page was turned, before the first word was read – I had discovered a great literary love.  I’ve long since forgotten the name of the book and the details of the story, but I will always remember how my heart pounded to see the sheer terror conveyed on that woman’s face and wonder breathlessly…what was she running away from?

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Ghosts, phantoms and strange sinister spirits. Abandoned monasteries, isolated castles. Brooding, mysterious gentleman. Wild, turbulent love and bitter betrayals.  Fearful family curses.  Dreams, illusions, obsessions, murders.

This is just a small list from the top of my head of the themes I’ve since encountered in these gothic tales of romance and for all I remember, she could have been fleeing any number of them!

Sara over at My Love Haunted Heart is “crazy about vintage gothic romance”; she is a connoisseur and collector of lurid paperback novels and shares my passion for these torrid tales.  When I found her blog with hundred of scans of bewitching, beguiling cover arts and detailed descriptions of the stories, I knew at once I would have to reach out and say hello.  It is always intensely fascinating to run into someone who shares an obsession held dear to one’s heart – wouldn’t you agree?

Sara kindly agreed to answer some questions for After Dark in the Playing Fields which I have posted below, as I am sure many of our readers share a similar passion for these books.  Included are several gorgeous scans of the books mentioned herein.  Enjoy!  And thank you Sara, for your time and indulgence.

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Mlle Ghoul: As you’ve stated yourself, on your “about” page – these “small, usually unappealingly moldy smelling paperbacks” are a guilty pleasure for you.   I imagine the same could be said for many people – why do you think that is, what is it about the Gothic romance that draws people in? Does the appeal have more to do with the bewitching covers, or the terrible deeds hinted at within?  

Sara: True gothic romance is all about engaging the nightside of your brain, and the best gothics can’t help but fascinate. Who doesn’t like being frightened or love romance? So right there, having that blend of sexuality and suspense is irresistible – for me anyway.

And, certainly a good cover helps! Most of the gothics I write about come from the 60’s & 70’s when an explosion of mass produced paperback fiction hit the shelves, so I guess there was a lot of competition to attract readers. Many of these books are beautifully illustrated by some amazing artists. From the feedback I get on the blog, a lot of people collect these books for the covers.

On the other hand… writers such as Tania Modleski (Loving With A Vengeance, Mass Produced Fantasies For Women) and Joanna Russ (Somebody’s Trying to Kill Me and I Think It’s My Husband: The Modern Gothic), explore the appeal of gothics within the context of female paranoia and a woman’s ambivalent feelings towards marriage. Both cite Terry Carr, a former editor at Ace books, who is credited with explaining the popularity of these gothics as:

“The basic appeal… is to women who marry guys and then begin to discover that their husbands are strangers… so there’s a simultaneous attraction/repulsion, love/fear going on. Most of the “pure” Gothics tend to have a handsome, magnetic suitor or husband who may or may not be a lunatic and/or murderer…it remained for U.S. women to discover they were frightened of their husbands.”

I’m not so sure about this! I was hooked on gothics long before I even thought about getting married. But yeah, that love / fear combination is a pretty heady brew…

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Tell me about how this fascination began? 

Well I have always been interested in horror, the occult, witchcraft etc. Why? Who knows?  My mum was a fan of historical / gothic romances penned by writers like Victoria Holt and Anya Seton and the first gothics I read were hers.  I was lured in by the covers and by the shades of mystery and the occult that were alluded to in these works.

Though I read a lot of horror as a teenager, I didn’t read much fiction of any kind in my twenties. I was more into music. But I still collected my gothics – in particular the Dark Shadows books by Marilyn Ross. I think it was something about the covers and the almost chaste, low key approach to ‘nameless terrors’ or ‘unmentionable evil.’ They hinted rather than screamed and as such left more room for my own imagination to play.

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What are the top 5 titles you would recommend for someone interested in reading these books?  Are there any so awful, so atrocious that you would caution against reading them?  Feel free to include those as well!

The best gothic romance writers are the ones who obviously love the genre themselves, or at least aren’t afraid to embrace all the tropes that make gothics so special. In particular, I’d recommend:

Virginia Coffman’s Moura, Victoria Holt’s On the Night of the Seventh Moon, Mary Stewart’s The Ivy Tree, Daphne du Maurier’s Jamaica Inn, and Rona Randall’sKnight’s Keep.

The gothic romances that became very popular in the 1960‘s -1970’s were churned out in the thousands. Because so many were produced to meet the demands of the readers at the time, publishers became a little ‘creative’ with using the word gothic and it can be a bit of pot luck what you get – though this can be part of the appeal of collecting and reading them nowadays.

So, for books that stretch the definition ‘gothic romance’ to breaking point but are nevertheless fantastically weird and wonderfully twisted, I’d recommend: Seed of Evil by Petrina Crawford, The Black Dog by Georgena Goff, A Woman Possessed by Christine Randell and any of the Dr Holton series by Charlotte Hunt.

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What are some of your most loved novels in this tradition?  Some of your favorite covers? Do you find the cover influences/sways your opinion at all?

The gothics I keep coming back to tend to be the classics – Wuthering Heights, Uncle Silas, Jane Eyre. Unfortunately most publishers tend to reprint these with fairly boring covers – one welcome exception being the Paperback Library Gothic series, who published quite a few classic gothics with some gorgeous cover art. Their reprint ofUncle Silas is one of my favourites; another cherished gothic of mine is my Classic Pan version of Wuthering Heights.

In the 60’s & 70’s, the archetypal gothic romance cover featured the beautiful young woman in a filmy nightgown running from a foreboding house with a single lit window. It’s a combination many fans of the genre love and no wonder, as some of the artwork is breathtaking – in particular the houses! Diamonds may well be a girl’s best friend but the real love affair in a gothic is between a woman and her house and the detailing that goes into some of these ‘gloom-ridden’ mansions is superb! Without a Grave by Poppy Nottingham (artist unknown) and The Bat by Mary Roberts Rinehart (Dell 1969, cover art Hector Garrido) are just two examples.

I’m also a big fan of graveyard settings – The Yesteryear Phantom by W.E.D Ross (artwork Robert Maguire) and The Love of Lucifer by Daoma Winston (artist unknown) are both gorgeous.

Trees are another subject that makes for great gothic artwork – check out Lodge Sinister by Dana Ross (cover Hector Garrido) and the spooky hidden tree in To Seek Where Shadows Are by Miriam Benedict (artist unknown).

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I imagine it must be difficult to track down the illustrators responsible for creating the cover art, but do you have any favorite artists? 

Unfortunately, many of the artists just aren’t credited on the covers so it can be very difficult finding out who the artwork is by. I have spent a lot of time squinting at book covers trying to match indecipherable signatures to some sort of name via various internet search engines. I am very lucky that a lot of people who know far more than I do about this subject contact me via my blog with information, for which I am eternally grateful!

Victor Kalin is one of my favourite artists, again for the beautiful attention to detail and gorgeous recreation of mood and atmosphere. His daughter emailed me a link to a site of his artwork over at http://victorkalin.shutterfly.com

 It appears from your site that the stories you favor are from a certain period of time –60’s, 70’s, early 80’s?  Do you read much in the way of early Gothic/Victorian Romantic Literature? Do you read any contemporary Gothic fiction?  How would you say the genre has changed or evolved through the years to suit a modern audience?  

I constantly read and reread Poe. Others might disagree but for me, gothic romance begins and ends with Poe. Vernon Lee (Violet Paget) is another treasured writer of mine. I’m also a big fan of Victorian ghost stories, Dickens and just about anything from any of the Bronte sisters.

The Castle of Otranto by Horace Walpole is widely ascribed as being the first gothic ever written and for anyone new to the genre, you could do a lot worse than start with this since it’s very short, wonderfully bonkers and I’m pretty sure you can download it for free over at Project Gutenburg.

The classic gothic romance of old usually featured an imperiled young woman, recently married or working as a governess somewhere in the middle of nowhere – far from family, completely at the mercy of her tall, dark and brooding husband or employer. This was very relevant in the days the early gothic romances were written, as it was not unusual for women to end up marrying virtual strangers, setting up home miles from family, socially isolated and financially vulnerable.

Modern gothics recreate this sense of isolation and vulnerability in a variety of ways. It helps if the protagonist is an orphan and many a gothic heroine shares this fate – (a fair few also end up married to their cousins, interestingly enough). It could be that she needs to recover from a broken relationship or bereavement and so accepts a job as secretary on an isolated estate somewhere.  Or simply that she has travelled abroad on holiday to an unfamiliar place and has stumbled into the wrong kind of trouble.

A common theme for many modern gothics is the one where the heroine suddenly inherits a huge old house from a distant relative, or is invited to stay with family she never even knew she had. Of course, these unexpected windfalls come at a price!  One of my favourites of this type is A Touch of the Witch, by June Wetherell, in which our leading lady wakes up in the middle of her first night in her new mansion, only to discover a black magic coven hosting an orgy in the basement!

As for anything written this side of the millennium, well, I don’t read much contemporary fiction so I can’t really comment. That’s not to say there aren’t some great books with elements of gothic romance being published – The Thirteenth Tale by Dianne Setterfield, The Lace Reader by Brunonia Barry, The Poison Tree by Erin Kelly,Affinity by Sarah Waters and The Angel’s Game by Carlos Ruiz Zafon are a few that spring to mind.

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Map out your ideal story for me, (let’s say you were going to try your hand at it) – from the heroine, to the villain, to the setting, the plot, etc.  What part does evil play in a gothic story? Is the supernatural needed or desirable to enhance it?

A historical gothic romance would require far too much research, so ‘my’ gothic would be set in the here and now. I like damaged heroines, people with a bit of a past, so perhaps she’s just come out of prison or is on the run from someone. In any event she’s ended up in an isolated town, under an assumed identity, with no family or friends to fall back on.

I live by the sea in a place rumoured to be riddled with underground tunnels used by smugglers. I like this idea. Lots of gothics use disused tunnels and mines for people to fall down and get lost in. So my gothic would be set somewhere by the sea. The seacoast also makes an ideal setting for stormy sea-swept clinches – with the added advantage of having some treacherous cliffs for people to hurl themselves off of when it all goes horribly wrong.

My heroine would need a job and so would end up working in The Big House on the Hill. The really old, really crumbly big house peopled by characters who are all just a little bit strange… I love horses and all things equestrian so perhaps she ends up working in the stables there or something. (Unlike the house, the stables would not be old and decrepit but state of the art – like many aristocrats, my master of the house would indulge his horses far better than he does his own family).

Many gothics employ two leading men in their stories – a villain, with whom the heroine initially falls in love but who is all wrong for her – and a hero, striding in at the last chapter to save both her heart and her soul. I’m not such a fan of this. I prefer exploring the dynamics within twisted, tortuous relationships so my leading man would be both hero / villain with his own dilemmas and choices to make.

My leading man owns the big crumbly house on the hill and is irresistibly handsome of course, but sad. His twin sister died a few months back from a mysterious wasting disease – caused by an ancient family curse. He keeps her body embalmed in an upstairs bedroom and spends an inordinate amount of time in there, grieving over her beautiful corpse.  When he isn’t locked away in the bedroom with his dead sister, he’s researching dusty old grimoires, reciting unholy incantations during depraved rituals in the family mausoleum, desperately trying to invoke a demon with the power to bring the dead back to life.

Sure enough, my romantic leads can’t help but become attracted to each other, growing closer and closer with each new chapter. But, as the demonic forces gather and swell around this accursed place, strange events start happening. I like the idea of my heroine being plagued by nightmarish visions so maybe the ghost of the dead sister is becoming restless and is haunting her.

Anyway, as Halloween draws nearer, we learn the ultimate sacrifice is needed to bring the dead twin back to life. So… just how far can our heroine trust the man she has come to love?

I have no idea how it would end but I tend to prefer the not so happy endings.

10

Where are your favourite haunts for searching out these titles?

I can’t walk past a charity shop or second hand book store without going in and having a look. And I’m lucky to have quite a few near where I live!

Rainbow Books in Brighton is a regular of mine, though it’s not the best place if you’re at all OCD about neat rows of books! The horror and romances are stashed in big piles in the basement and the romance pile in particular gets in a terrible state!  I nearly got locked in one night – but for a stack of books falling on top of me and making enough noise to wake the dead, the owner had thought everyone had left and was just about to shut up shop for the day…

Thanks again, Sara for taking the time to answer all of my nosy questions and for sharing your love of the paperback gothic romance novel with us!  Be certain to check in at My Love Haunted Heart for more reviews and Sara’s flickr page as well for a great deal more beautiful cover scans!

11 12 13

Caligula Imperatore Insanum

828883_de5b550c204a4ee1a093b874b90a72e1

First, a little back story. Christie Shinn of HoraTora Studios and I became acquainted, through, of all things, my Skeletor is Love project that I did back in 2014 or 2015 or whenever that was. Turns out that a mutual love of that bone-headed weirdo and his journey toward positive mental health is a great thing to bond over and a lovely start for a friendship!

I loved her Personal Monsters book, which features the darker sides of human nature (often the ones we wish we could deny in ourselves) and was thrilled to learn of a new project wherein she and writer James Kelly partnered to tackle the subject of Roman Emperor Gaius Julius Caesar Augustus Germanicus, or Caligula.

A tale of cruelty, sadism, extravagance, and sexual perversity? Oh yes, please.

“Caligula was cruel, vicious, depraved, greedy, arrogant, narcissistic, cowardly, paranoid. But was he insane? Less than 4 years after the death of Christ, the burgeoning Roman Empire is rife with intrigue. A young boy from the Royal family of Caesars has seen his father, mother, and his two brothers killed before he was 13. Now, the young prince Gaius, known by his nickname of “Little Boots” or Caligula, has been given absolute power of the entire Roman Empire. How will the young man deal with managing such a massive empire with no political experience and a lifetime of trauma? Follow Caligula into the madness of the 1st Century of Rome.”

Caligula_Page24Not totally familiar with the history of Caligula, except, of course for that one notorious film–you know the one–I found James Kelly and Christie Shinn’s Caligula Imperatore Insanum a fascinating, horrific and yes, tragic peek into his story, as well as a fascinating study of the human psyche. And really, just an extraordinary history lesson! For those, that is,  who like their history liberally peppered with murder, incest, and lunacy–and let’s be real, who doesn’t?

To set the tone: In 37 AD, the young Gaius Caligula is the heir apparent to become the Emperor of Rome. Unfortunately, every single day may also be Caligula’s last. The old and paranoid Tiberius has wiped out Caligula’s family and has invited the young prince to his “Pleasure Palace”.

I love Christie Shinn’s art–the bold strokes and jagged edges really do add to the insanity and sometimes frenzied feel of the story…and what a story it is! I’ll admit a little confusion when trying to follow along at points, especially with the time jumps, but I honestly chalk that up to my own ignorance.  James Kelly’s strong voice and clear prose guide the narrative along just fine–and there’s certainly enough sexytimes business and violence to keep things interesting!

I found Caligula Imperatore Insanum Volume I to be an engaging and thoroughly compelling read and I am so excited to see the madness that ensues in Volume II.

If you are curious about the creators of Caligula Imperatore Insanum, here are two great interviews with Christie and James, over at FanGirlNation, and in the meantime, be certain to pick up a copy of the book for yourself.

Find Christie Shinn: 
http://www.HoraToraStudios.com
Instagram: @HoraToraStudios
Twitter: @HoraToraStudios

Find James Kelly:
Instagram: @Jamesthecomicswriter
Twitter: @SSVEGEROT4EVR 

Links of the dead {February 2016}

Life preserving coffin in doubtful cases of actual dead

Life preserving Eisenbrandt coffin in doubtful cases of actual death

A gathering of death related links that I have encountered in the past month or so. From somber to hilarious, from informative to creepy, here’s a snippet of things that have been reported on or journaled about in or related to the Death Industry recently.

Previous installments:
Links of the dead for January 2016
Links of the dead for December 2015
Links of the dead for November 2015
Links of the dead for September 2015
Links of the dead for August 2015

Oh For Goodness Sake – Stand At My Grave and Weep Already!

Coffins, Crape, and Other Victorian Omens of Death

The Wills Party

4 Ways To Think Outside The Box When Honoring A Loved One

A touching handdrawn animation about the day Death fell in love with Life.

How to Transform Our Discomfort Around Death and Loss

Necrophiliacs Are People, Too: New Book Humanizes This Misunderstood Taboo

The living paths of the dead

The ‘Funeral Clothes Project’

5 books explore the ways that we are shaped by the knowledge of our mortality

Mysteries of Vernacular: Hearse

The Rebozo: Fashion, Feminism and Death

Our Strange, Unsettled History of Mourning

The Role of Death in Finding Meaning in Life

aromatherapy for grief & loss

Facing Mortality Through A Lens

The Science of Life and Death in Mary Shelley’s Frankenstein

The Dark Mysteries of Professor Jack

Jack Shear, artist's rendering

Jack Shear, artist’s rendering (Artist: Tenebrous Kate)

Ha!  I used a Gothic novel generator for the title of this interview, it’s pretty cheesy, but I kind of love it anyway.  As opposed to another one I picked out: The Bitter Vengeance of Professor Jack…which is maybe potentially slanderous?

Or …is it?

Read further and determine for yourselves my dear innocents, and learn more of this mysterious gentleman and his dark obsessions.  His fascinations align closely with many of my own, and, I suspect yours; I invite you to partake in the insights and secrets that he has been gracious enough to divulge today, and I pray that we do not live to regret this beautiful, terrible knowledge.

Jack and I began our correspondence in the winter of 2010.  It could have been any time during that year, but for dramatic purposes we will say that it was in bleak midwinter, the landscape treacherous, hardened by a killing frost;  a moonless night, an unexpected, brittle rap at the frozen windowpane…

(Except in this case, it was an unexpected email from an intriguing stranger who wanted to chat about a mutual love of music! It was actually a pleasant thing—and a welcome diversion,  and the beginning of a lovely friendship.)

Jack actually teaches Gothic and Decadence literature–that part was not just mentioned for drama and intrigue–and is also a published author of several RPG related materials. I had so many questions for him, and I am certain that the answers are of keen interest to the folks who read my ramblings here; if you have a love for Gothic tropes, for horror fantasy games, for dark music, film, and literature, you are certain to enjoy the following transcript.

Thanks, as always, for reading, and Jack–thank you for indulging me. You are a gem, and I am pleased to know you!

Jack Shear

Mlle Ghoul: Your answer to what is best in life differs slightly from that of our favorite barbarian: “What is best in life? To drink poisonous liqueurs, hallucinate fabulously about dancing girls, and engage in triumphant saber duels with your enemies!” I’d love to know what you get up to in your spare time and how closely it mirrors the duels and dancing girls that I like to envision.
Prof. Jack: Credit where credit is due: that bit of “biography” was written for me by my longtime friend and frequent collaborator Tenebrous Kate. She knows me far too well; I think she really captured the main points of my personality and predilections there. To be honest, I used to get out a lot more in my younger years, but these days I prefer a quieter kind of decadence: a nice intoxicating beverage, a beautiful bit of prose or cinema to get lost in, and a night in with my charming companion is my current preference.

As for saber duels, it’s probably fair warning to anyone who makes an enemy of me to note that I always triumph in the end.

I am intensely curious (read: nosy as hell. I am very nosy) about young Jack! Can you pinpoint a time in your childhood wherein you developed a fascination for the Gothic novel or gothic tropes/conventions? Can you talk about how it led to your current career path and the other writings that you do?
I actually remember my first exposure to the Gothic: my aunt bought me a couple issues of the comic book The House of Mystery, and by some stroke of fortune those issues featured J. M. DeMatteis’s ongoing “I…Vampire” story. “I…Vampire had Gothic conventions written into the plot an characterization as flavor, and the covers of those issues were rich in the Gothic aesthetic; it was all candelabras and crumbling castles. I could not get enough of it.

As for how that early exposure to the Gothic shaped by current career path and the kind of creative work I do, I can tell you that when I find pleasure in an aesthetic I get absolutely fixated on it. I don’t just want to indulge in it, I want to overindulge in it! I moved on from those early Gothic comics to checking out Poe, Stoker, and Shelley from the library; from there I delved into the lesser known Gothics. I never burnt out this fascination I have for the genre. If anything, over the years it has only intensified.

When I started taking academia seriously, I knew I wanted to share my passion for the literature with young, impressionable minds who maybe hadn’t dove into those dark waters yet. And so here I am, teaching an introductory course on Gothic fiction, as well as similar classes on the literary impact of the Jack the Ripper murders, the recent (and archly Gothic) television series Penny Dreadful, and Decadent literature.

Gothic shelfie

Gothic shelfie

Can you speak to your favorite elements of a good gothic tale? And for those reading who have been hesitant to jump in to this particular genre, can you recommend a reading list of few decent “starter” gothic tales? (Perhaps a few advanced for those whom this is old hat?) Are there any so awful, so atrocious that you would caution against reading them? Feel free to include those as well!
My favorite elements of any Gothic tale are the moments of absurdity. Horror tales are a dime a dozen, but what sets the Gothic apart is its propensity to get really weird, to skirt the line between sublime terror and overwrought, and potentially laughable, excesses.

If someone were new to the Gothic, I’d recommend Mary Shelley’s Frankenstein. Everyone thinks the story will be familiar, but Shelley’s novel has depths that are often missing from our “pop-culture” version of the Frankenstein story. Following that, I’d point people to a few Poe short stories (“The Cask of Amontillado” and “The Black Cat,” especially) or Oscar Wilde’s peerless The Picture of Dorian Gray.

I’m always pushing people who are already familiar with the main Gothic texts to read Charles Brockden Brown’s novel Wieland. It is amazing and like nothing else written. All I’m going to say is this: the plot revolves around religious mania and ventriloquism. You want to read that, right? James Hogg’s Private Memoirs and Confessions of a Justified Sinner is another Gothic novel that too many people sleep on.

As for Gothic texts I’d warn people away from, there is a reason that the more obscure Gothic novels remain obscure. For example, Valancourt Press does tremendous work bring forgotten Gothic novels back into print, but I generally wouldn’t recommend them except to other fanatics who share my tastes. There are good books in their catalog, but a lot of them are fairly derivative. [Editor’s note: Valancourt Press brings many more recent horror titles back into print as well, and is definitely worth checking out if you have a love of Gothic or Horror. I have an entire shelf dedicated to beautiful Valancourt editions.]

The Martyr’s Kiss from misterguignol on 8tracks Radio.

We first connected, I believe, through a mutual love of music over at 8tracks, wherein you note that you like music made by artists who “live in their own weird little worlds” and list preferred genres including “spectral folk, murderous americana, doom balladry, dustbowl country, fin de siecle cabaret…”. I’d love to pick your brain regarding your current favorites in this vein! I am also intensely curious as to your musical journey (as a listener and an appreciator) and how you came to listen to this type of music?
It’s funny, I think I went from not being interested in music to being utterly obsessive about it in my early teenage years. Part of it was that I discovered that there were alternatives to what I had been hearing on the radio. Finding bands like Joy Division, Siouxsie and the Banshees, the Cure, and Bauhaus was a revelation—a revelation that turned me into the kind of questing fool who went looking for obscure records made by maniacs and who spent far too much time in dank goth clubs, but it was a revelation none the less.

As for current favorites, I’ve been spending a lot of time with Batushka’s Litourgiya, a startling debut that mixes black metal with Eastern Orthodox spiritual music. My girlfriend gave me a copy of an Anna & Elizabeth album that is really nice Appalachian folk. The new Hexvessel is captivating. Aside from newer stuff, I’ve also been revisiting Aghast’s Hexerei Im Zwielicht Der Finsternis, a dark ambient record that is about as soothing as the sounds of a witches’ sabbath.

The Hallow, poster design by ArtMachine

The Hallow, poster design by ArtMachine

We often correspond back and forth with film recommendations and such. Is there anything you’ve watched recently that you would suggest to like-minded folks? And what was it about them that appealed to you?
I love horror films, but I’m also extraordinarily hard to please when it comes to movies. According to a lot of people I quite like, It Follows is a modern classic of the form, but I have to admit that I thought it was amazingly mediocre and frequently silly. It feels like I have to watch a pile of movies before I finally strike on something that feels worthwhile. The last movie I really enjoyed without much reservation was The Hallow. I liked the way that The Hallow reworked the themes and imagery we usually associate with “folk horror.” It felt like a fresh take on that niche. The performances were strong, and I admired the creature design.

"Wraith", Jack Shear

“Wraith”, Jack Shear

Your Tales of the Grotesque and Dungeonesque blog is a wonderful resource for fans of horror fantasy gaming and has been praised by bloggers as an “output of depraved creativity” and for your valuable insight. Can you talk to the circumstances under which the blog was originally created and it’s purpose/intended direction? What are some of your favorite topics to blog about over there?
I think most blogs are conceived out of boredom, and mine was no different. I had started reading a few gaming blogs and thought that it might be a nice gesture to put my Gothic-inflected game material out there in case anyone could find a use for it in their own games. It grew from there, but I can’t say it has ever had an intended purpose or direction.

If I had to nail down a motive, it would probably be that I wanted to show people that even an idiot like me could put their stuff out there with a minimum of fuss, that doing-it-yourself was actually viable, but mostly I just post things that interest me.

It’s odd; a lot of people who blog do so because they crave community: they want to be part of a conversation, they want to grow an audience and have fans, they want to find like-minded folks, they want to network, etc. Blogging can be a great venue for that, but I’m so antisocial that it’s never really factored into what I do. I put my stuff out there and if people like it—great!—but if not I’m just going to keep doing what pleases me. It is nice, though, when people go out of their way to tell me that they liked something I wrote.

"Midnight in Krevborna", Jack Shear

“Midnight in Krevborna”, Jack Shear

You have published a number of original titles under the umbrella of Tales of the Grotesque and Dungeonesque Publications. Your first offering, I believe, was Tales of the Grotesque and Dungeonesque itself, “a Gothic Fantasy Supplement for old-school fantasy role-playing games”, and which has expanded to include additional world building manuals, as well. I don’t want to presume that you love your Gothic baby best – what can you tell us about your other titles? Which is your personal favorite to play (or DM is your bag, I guess)? Have you had great successes with these offerings? Which seems to be other folks’ preferred fantasy setting?
My favorite is always the thing I’m playing or running right now—which, in this case, is Krevborna, a Bloodborne-inspired Gothic setting I wrote to get a sandbox game going using 5th edition Dungeons & Dragons. I am absurdly proud that I did all the art in the pdf myself. I also really like the setting in Jonathan Harper’s Blades in the Dark game; I had a blast exploring the setting in a campaign ran by Andrew Shields and I’m really looking forward for that game to pick up where we left off.

As for other settings, I’ve done things inspired by post-apocalypse trash culture like Planet Motherfucker and my Gothic-in-Spaaaaaaaaaaaaace setting Colonial Ethersea. There’s a lot of unpublished setting work kicking around as well; someday I should do something with the Edward Gorey-esque Slithdale Hollow. Overall, I’ve had far more success with my publications than I would have ever suspected—I thought I would only sell a few copies to close friends, but I sell a small pile of them every month. I have a strange aversion to profiting off my hobby, though; the money I make on my game books gets donated to worthy causes. This is the saddest mark of my success: I’ve actually caught people ripping off my material and claiming it as their own. That’s when you know you’ve arrived.

I think the vast majority of gamers prefer a more standard fantasy approach when it comes to settings for their games. There’s a reason why Wizards of the Coast has really been pushing the Forgotten Realms (a very “vanilla,” semi-Tolkien-esque fantasy setting) as the backdrop for the new edition of D&D: it’s got the recognizable fantasy tropes and is appealingly neutral in tone and flavor. Frankly, it’s an easy setting to understand and fit fantasy ideas into. In contrast, the DIY D&D scene seems to go through cycles. “Gonzo” settings were all the rage for a while, but right now “Weird” crapsack settings (settings where everyone is miserable and everything is grimdark and soggy) seem to be on trend—which is funny because if everything is “weird,” nothing is actually weird. Also, I think those settings are more talked about than played when it gets down to it.

You are also a contributing editor over at Heretical Sexts, a micro-publisher of niche, print material focused on the dark and the bizarre. I hear tell that there is a fantastic Gothic ‘zine currently in the works, which, I imagine, you must have a heavy hand in. What can you tell is about it, what can we expect?
I’m not sure if I have an exact job title at Heretical Sexts, but I think we’ve joked around that my job is “Enabler” or something along those lines. Heretical Sexts is really Tenebrous Kate’s baby, but I’ve always made myself available to workshop ideas, give editorial assistance, and provide writing for some of the collaborative Heretical Sexts ‘zines. It has been wonderful watching Kate’s project grow; I adore seeing my friends develop their artistry and put their lovable weirdness out there into the world. I suppose that is what makes me an enabler.

I believe that the forthcoming Gothic ‘zine, Morbid Fantasies, is the first Heretical Sexts publication that has been wholly written by someone other than Kate. I’m beyond flattered that she offered to put out a lovingly-crafted book of my thoughts on Gothic literature.

Morbid Fantasies is a response to a problem I have with the way that Gothic literature is usually presented. At its inception, the Gothic was a popular genre—it was fiction meant to be read and enjoyed by anyone with an inclination to dark or mysterious content. But somewhere along the way the Gothic became a genre sequestered by scholarly study—talk about Gothic literature was relegated to obscure academic journals instead of it being a literary form for devoted readers. Morbid Fantasies aims to change that. It’s a book that wants to help you learn to love Gothic literature. It gives a brief history of this amazing aesthetic mode, suggestions for what books you should read and what you should be looking for as you read them, and an exploration of the conventions, tropes, and imagery most often found in the literature. It’s a reader’s guide to the Gothic, and I can promise you that it will help you on your way if you are totally new to the Gothic or deepen your love of dark, passionate fiction if you’re already exploring Gothic texts.

Are there any other upcoming projects you can share with us?
Well, I do have a bit of eldritch fun in the Occult Activity Book [Editor’s Note: This is sold out for the time being] that you and Becky Munich just put out! Other than that, I’ve been writing a thing (I’m not sure if it is a book or what yet) about horror and philosophy—something inspired by E. M. Cioran, the Graveyard Poets, and doom metal, mostly. It’s the kind of thing I might finish and then never show anyone.

Miss Vanessa Ives, as illustrated by Caitlin McCarthy

Miss Vanessa Ives, as illustrated by Caitlin McCarthy

Finally–Eva Green: Discuss.
We all need a muse, don’t we? Joking aside, Vanessa Ives is easily my favorite character on television at the moment, and I genuinely feel indebted to Eva Green for making that character possible! Season Three of Penny Dreadful can’t arrive soon enough for me.

This, that, and the other thing {xxi}

Shirley Jackson

Shirley Jackson

Literary Witches – A New Comic by Katy Horan and Taisia Kitaiskaia

 

Sand Magnified by Yanping Wang

Sand Magnified by Yanping Wang

Sand grains magnified 110-250 times reveal each grain is unique.

 

MapsBailey Henderson Sculpts Mythological Sea Monsters from Medieval Maps

 

margaine-1The Belle Epoque Body-con Dress that was too Sexy for Paris

 

wrinkleHow does A Wrinkle in Time look on a map?

 

Hagg Lake

Utterly enchanted by the works of Nightjar Illustration, aka Adam Burke

 

 

 

 

Simpsons Search Engine Matches the Perfect Screencap To a Quote

Chelsea Wolfe performs on NPR’s tiny desk concert

MCSWEENEY’S ALTERNATIVES TO RESTING BITCH FACE

Dark Crystal coming to POP! Funko!

Gravitational Waves Detected, Confirming Einstein’s Theory

AND LASTLY…!
There are still Occult Activity Books & Deluxe Activity Book packs available! Be certain to grab your copy before they have all disappeared!

 

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