How Sweet To Rest by Ally Burke
How Sweet To Rest by Ally Burke

A gathering of death related links that I have encountered in the past month or so. From somber to hilarious, from informative to creepy, here’s a snippet of things that have been reported on or journaled about in or related to the Death Industry recently.

This time last year: Links of the Dead {February 2018} | {February 2017} | {February 2016}

💀A Whale’s Afterlife
💀How To Widow
💀Valentine’s Day When You’re Grieving
💀What Medical School Doesn’t Teach About Death
💀Letters To The Dead: Shadow Writing For Grief And Release
💀See a Rare Visualization of Grief in the Art of Jennifer Rodgers
💀Play This At My Funeral: Interview With Jezebel Jones Of Bye Bye Banshee
💀Once forgotten, this historic African American cemetery now houses a poignant memorial.
💀Academy Award-nominated film ‘End Game’ examines end-of-life care
💀A reminder that our definition of death is man-made.
💀Why you never really die: A microbiologist explains all the ways the body lives on

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00005-MONCLER-SIMONE-ROCHA-2019-READY-TO-WEARMoncler 4 Simone Rocha Fall 2019 Ready To Wear: a collection that gently encourages you to take off for the deepest, darkest wood you can reach on foot, and then, after catching your breath and spending a moment to locate just the right spot on the mossy forest floor, beneath a shadowy elm, near a patch of violets or lady’s mantle, you can take off your coat–which doubles as a luxe down comforter, or a satiny quilt, or your Aunt Franny’s ruffled heirloom coverlet–and have a lovely lie down. Sweetest dreams, fashion plates.

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Rik-Garret-Wonders-Of-The-Unseen-World3

I have been fascinated with the powerful symbolism and deep sense of spirit, energy, and connection in Rik Garrett‘s art, since maybe even before the release of his incredible Earth Magic book (from which a stunning Witches Sabbath print sits on a shelf in my office and delights my dark, wild, secret heart every day) so it was such a thrill to catch up with him about his recent work and inspirations for our interview over at Haute Macabre this week!

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Bye-Bye-Banshee1

Inspired by magic, myth and folklore, Bye Bye Banshee is Jezebel Jones’ musical project exploring death and grieving from a feminine perspective, and I was beyond thrilled that she took the time to chat with me and share both her vision and music with Haute Macabre readers!

Play This At My Funeral: Interview With Jezebel Jones Of Bye Bye Banshee

In a recent music roundup, I briefly mentioned that Bye Bye Banshee’s Deathfolk Magic was in constant rotation in my home and described its sound thusly:

“…is the ghostly melody, hushed and humming softly, ominously, as your rocker creaks a rickety midnight lullaby on the rotted wooden floorboards of a ramshackle cabin. Sleepless at the swamp’s edge, you rock, slowly, steadily on, shrouded in darkness, a shotgun slung across your lap. A loon’s mournful, wavering cry almost obscures a slithering rustle through the tall grass just beyond the crumbling front porch steps, and imagining cold, reptilian eyes, pitiless and patient, watching your vigil this night, you shudder, a moan trapped low in your throat. I’m not sure that’s exactly what Jezebel Jones was singing about, I mean it probably wasn’t… but her haunted, husky warble is so hypnotic and evocative you’ll forgive me for letting my imagination run away with me.”

I didn’t expect that my fleeting but fanciful take on the album would generate such spirited interest and such a grand flurry of questions, but in light of curiosity piqued and excitement aroused, I thought it only fair that we take a deeper dive into both the haunting music and its enduring themes, and better get to know the gifted musician responsible for its creation.

See below for a thoughtful, revealing, and deliciously life-affirming chat with Jezebel Jones,  an eclectic songwriter who mixes americana, jazz, classical and rock to create genre-defying music that is unique, emotive and socially conscious. Bye Bye Banshee is her musical project exploring death and grieving from a feminine perspective. It seeks to undo some of the fear associated with dying and to acknowledge death’s purpose and place in our lives.  Inspired by magic, myth and folklore, Bye Bye Banshee employs a unique blend of styles to create a musical memento mori, a remembrance that life is fleeting and the mysteries of death will embrace us all.

And should you require a sonic companion for our interview, Jezebel Jones and Bye Bye Banshee have generously shared an exclusive Deathfolk Magic download link for Haute Macabre readers!

 

Haute Macabre: Please tell us about the name and concept of your musical project, Bye Bye Banshee.

Jezebel Jones: The concept started to come together about five years ago when I was living in Texas, but the seeds were planted earlier, when I lost my house (and nearly my life) in a fire back in 2010. The experience forced me to wake up….and I started writing a song or two about death. But the new music seemed to have a life of its own and so I created a side project of all death-themed songs because that’s what was inspiring me at the time. Death is a muse, I guess. The Bye Bye Banshee name itself emerged from my subconscious. I’d been researching Irish banshee folklore and I’m a sucker for alliteration and sing-songy repetition, so…

 

Your music is crafted with “myth, magic, and folklore”–I’d love to hear about your inspirations in this vein, where they began, how they took hold, and how they’ve informed your worldview and songwriting?

When I was younger, I was very afraid of death due to the link between death and the devil, a link that was created by many sermons of damnation, “scary” end-of-times propaganda films, even the Bible itself. Since I’m no longer an evangelical Christian, I wanted to explore other folklore and myths and see if I could discover a new way to look at death that was less fear-based and more inclusive. Living in south Texas kicked off my intensive research phase – I began learning and participating in different cultural approaches to death, including the beautiful customs around the Mexican holiday, Día de los Muertos. Often song lyrics just flow out of me–like magic–but those seeds are planted during research, physical experience and reflection. I feel transformed by the process of writing and performing this music; I hope people will feel comforted and transformed by listening to it.

I often check the tags on places like last.fm to see how a certain musician is classified (and I’ll admit, the weirder and lengthier the tag, the more excited I get!) I know that some reviewers and listeners might tag you as #americana, #folk, or #truedetective (!!) How might you classify your music? Gimme some hashtags!

Great but difficult question! Hmmm…maybe…. #psychfolkrock #playthisatmyfuneral #weirdmusicforweirdpeople #creepybeautifulsongs #dirgeAF

 

Your latest album, Deathfolk Magic, boasts an incredible cover. Just absolutely lovely, the colors, the sense of place and atmosphere, and that gorgeous dress! What can you share about that photoshoot, about that day, about the feelings you were attempting to evoke with that imagery?

Awww, thank-you. Sure, first of all, I have to give props to my photographer friend Lars Kommienezuspadt. He’s just an incredible artist and loves–and gets–my music. We were going for a very earth-goddess vibe for the shoot. He came up with the perfect location, a long-abandoned munitions factory in rural Minnesota; we both brought props including my favorite animal skull and his adorable tarantula–she was a rock star! It was cold and rainy the day of the shoot and we decided to just go for it–I’m glad we did because the sky was moody and perfect. The vintage silk chiffon dress was an amazing find at a Seattle thrift store years before–I think I paid less than $15 for it–can you believe that? I’ve always had thrift store magic…

And of course Deathfolk Magic is more than just a beautiful album cover; it includes four eerie elegies examining death from a feminine, pagan perspective: “If I Die In My Dreams,” “Bye Bye Banshee,” “Psychopomps,” and “Skull Rattles”. These songs explore ideas ranging from our fear of death being linked to our fear of the Devil, to an expression of gratitude to spirit guides surrounding and comforting dying persons as they transition into the land of the dead, and a celebration of natural burial as our final gift to the earth. How do your beliefs, feminist, pagan, or otherwise, aid, or assist or even inspire you in writing/singing about themes generally considered melancholy, mysterious, or morbid (which is a term I personally hate to use but I know that lots of people might view these subjects in such a way!)

Wow–grappling with this a bit. My beliefs aren’t rigid anymore, though I find myself drawn to paganism and Wiccan ritual. I’m agnostic I guess (don’t believe in a deity, per se), but open to exploring our spiritual connections, including our connection to the earth and other animals. It saddens me that in much of the Western world, people avoid having conversations about death because we’ve been raised to fear it. Avoidance doesn’t change the fact that we are all going to die; addressing mortality in a healthy way reduces pain and suffering and can encourage us to live more fully. Bye Bye Banshee uses primarily female characters to tell these stories because I believe in the power of women to change our world. As a side note, I’ve always been a “morbid” child and was obsessed with murder mysteries, the supernatural and mortality for as long as I can remember. This project brought me back to some of my childhood interests.

 

Bye Bye Banshee participates in–and supports–the Death Positive movement. Can you tell us what death positivity means to you and your craft?

I think death positivity means addressing mortality in a healthy manner. For some, this may mean educating yourself on death and grief, asserting your rights by creating a will or health care directive, and/or simply by promoting conversations about end of life with friends and loved ones. For me personally, the exploration that went into the writing process freed me from some of my former beliefs and opened up my mind to other possibilities. I hope the music will make listeners FEEL something…whether it’s a feeling of fright (“If I Die in My Dreams”), peacefulness (“Psychopomps”) or surrender (“Skull Rattles”); there was a lot of emphasis on capturing emotions during the recording process.

 

If someone wanted to do some “further reading” regarding the idea and issues covered in Deathfolk Magic –both general and specific–what books/films/music/art/? might you point them toward?

If someone is interested in the overall topic, a good place to start might be the Order of the Good Death website or checking out Caitlin Doughty’s books or Ask-a-Mortician videos on YouTube. If you’re more interested in the folklore–and/or social justice–aspect, I’d recommend following death positive activist Sarah Chavez on Twitter or Instagram. Finally, if you’re seriously interested in banshee folklore, I’d recommend tracking down the book, The Banshee by Patricia Lysaght. It’s pretty scholarly but is full of facts and stories of the Irish death messenger.

 

Can you tell us about any upcoming projects? Appearances? Tour dates? What’s next for Jezebel Jones and Bye Bye Banshee?

Well, I just moved to Nashville recently, so I’ve been busy trying to get settled here. But I’m writing a lot of new music, too, mostly for my main project (Jezebel Jones). This new music is rebellious, female-focused and powerful…while it’s still heavily influenced by bluegrass, country and blues, it’s definitely more rock and roll. I have most of the songs written for the upcoming record, which I’ll be recording sometime this year. The plan is to hit the road this summer/fall to support the new album, including dates in Europe for both Jezebel Jones and Bye Bye Banshee. For the latter, I’ve put together a theatre-style show format that includes 12 songs woven together by spoken word pieces. Looking forward to 2019!

Find Jezebel Jones and Bye Bye Banshee: Website // Facebook // Instagram // Twitter

 

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You Do Not Have To Be Good from ghoulnextdoor on 8tracks Radio.

Feel Nothing by Health | Glass Candy by Naked City | Bury A Friend by Billie Eilish | Alone Together by Ritual Howls | Concerning The White Horse by Jozef Van Wissem & Jim Jarmusch | Gorgon Madonna by Yugen Blakrok | We Appreciate Power by Grimes | Buried In The Sand by HÆlos | Hope Is A Dangerous Thing For A Woman Like Me To Have But I Have It by Lana Del Rey | Be Still, My Tongue by Snorri Hallgrímsson | Burning Sea (feat. Tomasz Mreńca) by Daniel Spaleniak | Adorations by Burial Hex

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cheese sammie 2

Last week I resigned myself to paying $5.99 for the privilege of watching 2018’s Suspiria film on Amazon. When I first heard about the remake, what feels like ages ago now, I struggled with the idea of it. The original holds a special, lurid, hyper-saturated place in my heart, and though I’d only seen it once and didn’t recall many of the details, I held its memory close, a hazy, disturbing delight.

The more I began to hear about this new version, though–the swoony addition of Tilda Swinton to the cast, the eerie soundtrack by Thom Yorke, the sharp focus on the art and ritual of the dancing, itself–the more intrigued I grew. I’ve a funny relationship with reboots of beloved stories, anyway; part of me always wants more of a thing I adore, but the other part of me is skeptical that you can really bring anything new or more perfect to the table, where these beloved celluloid favorites are concerned. I was conflicted, as I am sure many folks, were, but I’d heard enough hints and whispers and seen enough teasers to allow myself to become convinced.

Well. I won’t spoil anything for you, but I did not love this new Suspiria. It’s as if they took the parts and pieces from the old Suspiria that the film didn’t really focus on or spend much time examining or exploring: the dancing, for instance; the era, the current events at the time, a good look at the witches and their intentions, maybe even the city of West Berlin itself. And they somehow took all of these elements, which could rightfully be very fascinating – – I understand why someone would want to take them and play them up or play them against each other – – but they somehow made them all very seem very dull.

So much was I not enjoying all of these, in fact, that it took me about three hours to slog through the first bland fifty minutes, and three days later when I tried to pick up where I left off, I became aware of Amazon’s rental policy wherein once a movie is rented, it is only available for three days. So I was cut off before I even had a chance to finish it! But…that’s OK. I had seen enough.

I will say, though, the one character I was rooting for was Dr. Klemperer’s omnipresent cheese sandwich, which stole the scene in at least two instances, and for all I know, could have saved the entire film (had I been able to finish watching it.) Thanks for that, Amazon. Anyway, little cheese sammie–as far as I am concerned, you were the star of the show!

For as perfect as the original film was, it surely did not boast a cheese sandwich!

cheese sammie 1

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10 Feb
2019

Coming Home

categories: bookish

RP

For the winter holidays this past year I suggested to my baby sister that if she wanted to get me something in addition to the planner that you’ve all heard so much about recently, why not one of her very favorite books? The sort of comfort read that she might return to year after year, savor time and time again. She presented me with Rosamunde Pilcher’s Coming Home.

“Against the backdrop of an elegant Cornwall mansion before World War II and a vast continent-spanning canvas during the turbulent war years, this involving story tells of an extraordinary young woman’s coming of age, coming to grips with love and sadness, and in every sense of the term, coming home…”
I hadn’t yet started the book, but I learned that Rosamunde Pilcher passed away yesterday, so I thought I’d begin reading it this very afternoon in honor of both the author and the story that so captivated my sister. And in honor of the one who so thoughtfully gave me a tiny piece of her history to cherish, I thought I would dine on what I imagine one of her favorite snacks used to be at the time she discovered her love for this specific book: a generous helping of bright orange Cheezits. To sip, a serving of delicious diet chemicals, which I do not believe she ever developed a taste for.

And you? If you were to gift a loved one with your most beloved, returned-to-time-and-time-again story, what would it be? Do you recall where you were in your life’s path when that book became so vital to you? And of course, it’s always helpful to pair a special snack with your comfort reading–what would you recommend your loved one to pair with your book?

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Johan Deckmann, 2018
Johan Deckmann, 2018

A few months ago a friend asked me if I make money with my blog, and if so, how. They followed it up with the statement that they “can’t imagine” that I don’t.

That’s hilarious! Because I surely do not!

I have been writing online and off, for most of my life. I have never been paid to write anything. I might be given a gift or a freebie for something I have written, after the fact. I might be supplied with products that I did not have to pay for, in order to write reviews about them.  These things happen occasionally, and I’m generally not one to turn down free stuff! I also feel compelled to mention that almost 100% of the time, these are places I have already purchased items –perfumes, tee shirts, candles, soaps, whatever–from, previously. I would certainly never write about stuff that I would not actually use my own money to buy. But back to the “getting paid” part– I cannot think of one single time when one single person* has paid me one single, solitary penny for something I have written or to write something for them.

…and if I am being honest, I wouldn’t want them to.

I am coming from a place where I feel like when I start accepting money for something I enjoy doing, that’s going to create expectations and obligations and it’s going to cast a grim pall over the very thing I enjoy. And I very loosely use the word “enjoy” here. I do not really take pleasure in writing. It’s uncomfortable and sometimes downright agonizing for a number of reasons. One, I’d really prefer to be doing anything but writing. Sure, I’d rather do the fun things I love, like knit, or read, or watch a movie– but sometimes I am avoiding the writing process so intensely that I will manufacture chores and tasks and errands which don’t even need doing, let alone doing now, instead of writing whatever it is that I am supposed to be writing, Also, it’s a mortifying, humiliating process. There’s nothing like seeing the nebulous thoughts and ideas and emotions that have been percolating murkily in your brain, exposed to the light and pinned down to the page or the screen in front of you…and then realizing that those unwieldy, imprecise words don’t match up with anything you thought you were thinking, and don’t even begin to convey any of the rich nuances of your, you know, really important opinions. And then of course you compare yourself to others, and you say cruel things to yourself, and it’s just this entire process of dashed expectations and self-loathing, and it’s all rather fraught, and dammit, you knew you should have been scrubbing that toilet, why did you even sit down to write in the first place? So I guess, if I were being honest, I would probably rather be doing anything but writing.

Which is funny…because I simply cannot remember a time when I wasn’t writing. As a child I often wrote stories about a girl my age named Jenny. She didn’t have adventures, she didn’t get into scrapes. She woke up for school in the morning, she played with her dolls (these stories had …just bizarrely elaborate lists detailing Jenny’s Barbie doll collection), she planned parties; Jenny was incredibly dopey and boring, but hey, those were the things that interested me at the time. As I grew older, I would write many unfinished horror stories in the style of Stephen King, and in my late teens and early twenties, I fancied myself a bit of a poet. In between those years there were always journals and diaries and letters and notes passed back and forth in high school, and let me tell you, my notes were epic. God help the poor boy who had to respond to one of those.

Though I haven’t been blogging at Unquiet Things for a long time, I have been weblogging for a long time. Maybe not as long as some, granted. It took me a long time to be OK with, and not freaked out by, computers and the internet. It wasn’t until a job I had while I was in college that I began to get comfortable with typing my thoughts as opposed to scribbling, which was pretty great timing, because this was in the latter half of 1999 and Livejournal had been founded earlier that year. Also in attempting to pinpoint a date just now, I am looking back and realizing that I graduated high school in 1994, and four years later, in 1999, I was still in community college. Full disclosure: it would be another three years before I actually graduated with my two-year degree. Yep.

Livejournal took my obsession with journaling to a new and interesting level. I never diaried my thoughts hoping to keep them private–I actively wanted people to read them. Sadly, no one actually wanted to, or cared about my not-so-carefully concealed notebooks. And why should they? It was, at its basic level, just highly legible but profoundly mundane personal drivel and daily gripes that were interesting only to me. But now, people all over the world were going to read my dumb thoughts and opinions–and they did! And they commented on them! It was everything I ever wanted.

My interest in fiddling with the LJ code to customize and tart up the look of my page led to me learning some html–nothing fancy, just enough recognize the basics and be able to tweak things if needed, which was especially useful when website design software like Dreamweaver became available to me. So now I could build my own website and blog! And I did! I even called myself myself an amateur web designer and I built a website for that purpose, too (and believe it or not, I made some money doing it, but that is a super weird story for another time.)

My blog has gone through many iterations over the years, beginning as a small purple thing on geocities, which few but a certain gormless ex-boyfriend may remember, as I had built a little [name redacted] insult generator on one of the pages as a spiteful side activity. And over the years it’s had many names…I was akissofshadows (Anita Blake shoutout!) on LJ, along with myblogskip, and then several other Lovecraftian or MRJamesian names that I’d cycle through in order to escape detection by another ex, this one must nastier and more awful than the previous, and who monitored my online activities like a hawk, because was a a snoopy asshole. And no, that’s not even fair to the snoopies out there, it was more than that; he had no sense of boundaries or privacy and thought he was entitled to every piece of me. Nosiness is one thing. His abusive behavior was something else.Yeah, I’m still mad about that. Never not gonna hate that guy.

Anyway! I digress! The point is, I have had a lot of journals and blogs over the years. But I never started writing with the idea that I think a lot of bloggers have now , a sort of “I’m going to make a living off of this! Where my sponsors at??” type of mentality. Hey, if that describes you, great. Good luck to you, and I wish you much success. But that was never me. I don’t write for money, I don’t have sponsors, I don’t have ads on my sites, I don’t even have a “donate” button, for pete’s sake. Never have, never will.

I have never struggled with my site’s image or branding. I know many bloggers who have started their site focusing on one type of thing, and perhaps they’ve built their whole personal brand or whatever around it. But then they become burnt out, or their interests change, and then they experience a great deal of angst and teeth-gnashing when it comes to blogging about something different or shifting their focus, and subsequently feeling the need to change the whole look and feel of their blog/website and online presence. I have never experienced this. I write about the things that I think are weird, or sad, or funny, or beautiful. That’s basically all it is, and it encompasses a broad spectrum of things–I will never be at a loss of food for thought and the resultant blog fodder. And even if, let’s say, I made a big change, like a super major change, say, oh, I don’t know–maybe I wanted to start writing about Christian parenting and scrapbooking. So what? What’s to agonize over? This is my space on the internet, no one is paying me or expecting things from me, so I can write about whatever shit that takes my fancy!

And that’s another thing. Sometimes I will see bloggers post things like “what do you guys want to see more of on the blog this year?” Fuck that shit. I don’t really care what anyone wants to see. They’ll see what I write about, that’s what they’ll see. And I know that sounds a little harsh, and I don’t mean to sound unkind or like I don’t appreciate all of the folks who have tuned in over the years (I love all 5 of you!) but I think that if you have followed my writing for any amount of time, whether we are real life friends, or if you know me from LJ or tumblr or polyvore or from my time writing at Coilhouse or more currently at Haute Macabre–I think you understand where I am coming from, and have a basic idea of what I’m about. And you probably don’t care! So if I don’t care and the people who count don’t care, then I’m not particularly worried. Everyone else can either get with the program or peep on over at another blog! The internet is pretty great like that.

So, no. I don’t make any money here. I don’t actually make any money writing anywhere else, either, and I never have. Ever.  And that’s OK! I have a full time job. I don’t love it, I don’t even particularly like it, but I’ve never been under any illusions about the the need to like what I do for a living. That’s crazy talk. Work is dumb, don’t fool yourself into thinking otherwise. I work to make the money to be able to do the things I really want to do. Which brings me back to a point I was initially making, which was this: I do not necessarily want to get paid to write. I reserve the right to change my mind about this one day, but when someone says they want to pay you to do something**, they will of course have certain expectations of you and your work product. And then you feel obligated to meet those expectations. Do I want to feel obligated to work on something I am doing in my spare time, in my not-work time, in my obligation-less time? Fuck no. FUCK NO.

So this is my ridiculously lengthy answer to what might appear at the outset to be a very simple question. Anonymous friend who initially asked this question, I hope that you do not take this response as a personal attack or perhaps me passive-aggressively fuming about an innocent question that you had asked two months ago. It’s not like that at all! And, I promise, you’re not the only one who has asked this***. You were just the one who inspired me to type out this massive dump of rambling thoughts about it. I bet you’re sorry you asked, though!

*I do use Amazon associate links from time to time in my blog posts; every once in a while Amazon will send me a $5 gift card. Does that count? I don’t really think it counts.)

**Although if someone wants to pay me for something I have already written, that’s cool.

*** Who does she think she is, even writing this response, you might be wondering. No one even cares, no one thinks you SHOULD be paid to write anything! You may be right to think so. You probably are. I’m the little person, a nobody. Just one among millions of mediocre bloggers. I am not pretending otherwise. But more than one person has asked me this question, I swear. Maybe even three or four! But probably less than ten.

 

 

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5 Feb
2019

S.At Haute Macabre today, the collection about which I wait impatiently all year to write–our year-end Needful Things! I mean, we write seasonal versions of Needful Things too, so it’s not like it’s been a whole year since I’ve shared the stuff and things I love, but…whatever! I’m still excited to share!

2018 was a year of ugly, escalating anxiety for me; every time I thought I had a handle on my worries; they shape-shifted into a dreadful something else for me to panic about. I often got myself so worked up that I couldn’t have even told you what I was panicking about – there were just so many things plaguing me, they had begun to coalesce into a massive rat king of dread and torment.

And so my assortment of Needful Things that I share today are the small things, not even necessarily tangible things, that induced calm in my heart while the rest of my world was in turmoil; the things, however small or seemingly inconsequential, that relieved worry or distress in some small degree, or introduced a modicum of peace and stillness when everything felt like it was falling apart. The things I employed or enjoyed during this past year that made life feel, while not “fixed,” or “perfect,” but rather just…better.

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If you ever had wanted a runway/haute couture installation version of Tale of Tale’s eerie video game The Path, (an interactive, and relentlessly unsettling retelling of Little Red Riding Hood) …

…I believe that witnessing the gothic-folkloric-with-a-rebellious streak fantasy of Ulyana Sergeenko’s Spring 2019 collection* debut in Paris under the direction of Ellen Von Unwerth will, in a vague way, scratch that strangely storied fairy tale forest itch.

SU show

the20path_characters

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*So it’s apparently inspired by Nobel prize winner Mikhail Sholokhov’s epic novel And Quiet Flows the Don,a story of Cossack women set during the dramatic days of the revolution and civil war in the early 20th century–but even if just for a moment as they circuitously gathered on the gloomy forest path of that cleverly designed stage–I saw what I saw!

In actuality, though, I suppose the garments resemble nothing even close to the casually dressed shadow-chic of The Path’s characters, nor it’s bleakly beautiful, forbidding atmosphere. Someone needs to make that collection happen!

Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019
Ulyana Sergeenko Couture Spring 2019

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