Image credit: Don Maitz artwork featured in Worlds Beyond Time: Sci-fi Art of the 1970s

I am currently reading Worlds Beyond Time: Sci-fi Art of the 1970s by Adam Rowe and I am enjoying it immensely. Aside from being stuffed to the gills with phenomenal science fiction art–from the abstract and avant-garde to the trippy and surreal, from the murky and lurid to the vivid, vibrant, and hyperrealistic–on top of all that, it is written in exactly the way I want to read about art.

Well-informed, brimming with details, and powerfully engrossing sure, but Rowe’s voice is chatty, warm, and irreverent–like you’re being regaled by one of your smartest, funniest, nerdiest friends. You no doubt know of Adam Rowe from his Twitter and Tumblr accounts, where he shares otherworldly, alien retro sci-fi art on an almost daily basis…but while those are both awesome places to peek in at, it’s not the same as having this outstanding book at your fingertips.

Of course, the imagery he has curated is tremendous, but what makes this such a special collection is the enthusiasm, fondness, and overall spirit of curiosity and wonder that infuses every single word in this book. You never doubt even for a second that Adam Rowe is absolutely jazzed about these artworks–and he wants you to be, too.

I will probably write a longer review once I finish the book, and if I do a year-end round-up of gift book ideas, Worlds Beyond Time is going to be right up at the very top.

What does any of this have to do with 31 Days of Horror? Well, I just today finished the Monsters chapter in a section of the book, wherein artists “blend fiction and arguable fact, looking at how artists and illustrators reinterpreted old science-fiction tropes like creepy creatures and alien priests to represent the latest cryptid or mystic vision.”

I thought I might share two of my favorite works from this chapter, the first being Don Maitz’s 1977 cover for Eerie #91, and the second, Richard Hescox’s 1985 cover for Alan Burt Akers’s Omens of Kregen, featuring a final confrontation from the book, in which a bestiary of googly-eyed, wriggly-tentacled monsters have assembled to protect their queen. I know these guys are meant to be scary, but there’s something about this menagerie that tickles my fancy. The “weird and gross but adorable” fancy!

P.S. If you follow me and maybe you’re not a huge sci-fi art fan, but the name Don Maitz rings a bell, it’s because I am always sharing this image.

Image credit: Richard Hescox artwork featured in Worlds Beyond Time: Sci-fi Art of the 1970s

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