I have been meaning to read Tananarive Due’s The Good House from the moment that I closed the last page of Ghost Summer, which I thoroughly, delightedly enjoyed. My review for Ghost Summer wasn’t super in-depth or intensive, but about the book, I wrote the following:

These engaging short stories by Tananarive Due tick every box for what I want in a summer read. (I think I read this in September, so that still counts, as far as I am concerned!) A vast spectrum of supernatural business, characters that I care about, masterful writing that is emotive and nuanced but not super dense or difficult or inaccessible. It’s got everything!

Ghost Summer was previously my only experience with Tananarive Due’s writing, and though I believe that it was published more than a decade after The Good House, which I just read, it had all of the hallmarks that I’ve now come to expect from her work. I feel like it’s almost trite to say that a story or a book has “a lot of heart”…I mean, I say that a lot, but what does that mean, anyway? It’s the first thing that comes to mind when I think of this author’s writing, I am tempted to say “horror with a lot of heart.” I suppose what I’m trying to get across is that her stories seem to be written through an empathetic, compassionate lens. That her characters are fully fleshed out, down to their annoyances and imperfections, and their stories are treated in such a way that they’re wholly, profoundly human, and we really grow to care about them.

Also, Tananarive Due writes in such a way that you don’t feel punished for having read and connected with the work. I sometimes feel like a certain subset of writers must really hate us, the reader. That’s probably not true, but it’s easy to feel that way when you see your favorite, beloved characters brutally dismembered on the page before you. I just…never get a sense of that with Due’s writing. Of course, in her books, there’s horror and heartlessness and heart-stopping moments…but there’s also hope. I love that she gives us that, too. I guess that’s what I mean when I say a story “has heart;” that no matter what else transpires, no matter how big and expansive the horror and heartbreak is, she leaves the door open for goodness and hope, as well. I come away feeling good about what I read.

The Good House (unlike the House movie that I wrote about yesterday) is actually a pretty scary story in concept, and I did find myself a little freaked out while reading it. The home that belonged to Angela Toussaint’s late grandmother is so cherished and revered that the local townspeople refer to it lovingly as the Good House. All of this changes one summer when a terrible tragedy takes place during a Fourth of July celebration at the house, and both the Toussaint’s family history and its future is irrevocably altered. Two years after,  following her son’s suicide in the house, Angela returns and finally starts to unravel what happened and put things right.

Masterful storytelling combining multiple perspectives across different timelines, witchcraft and family curses, the burdens of inherited guilt, trauma, rich history, and mythology, and an overwhelming, palpable sense of stomach-curdling dread present from almost the very first page made this a vividly enthralling read and an intense page-turner, and I’m going to make it my mission in life to read everything author has every written.

Speaking of houses and homes–what’s more homey than a cozy bowl of porridge? Or steel-cut oats, to be more specific!
Here’s a little oatmeal bar I set up yesterday, with all the fixings: dates, pumpkin seeds and almonds, apricots, cream, and sugar. It was perfect for our 70-degree morning…which, if you live in Florida, you know that’s practically freezing, and about as close to autumn as we are likely to get! The little Halloween ramekins were a lovely surprise from Yvan, who picked them up for me from Le Creuset! I can’t seem to find them on the Le Creuset site (though he assures me there were quite a few in stock at the actual store and they weren’t exactly flying off the shelves) but if you are looking for them, it’s this set.


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