This was the copy I had for years before the tattered cover fell off. It has since been rebound.

I recently had the pleasure of appearing on the Paperback Perfumes podcast, where I was given an intriguing challenge: to pair a book with a perfume. My choice? Daphne du Maurier’s timeless classic, Rebecca. In the promotional materials, Claire used an older portrait of me, several hair colors ago. In it, my head thrown back, I am cackling into the void. That photo is so ridiculous, and I love it so much.

Anyway. Rebecca. As I revisited this beloved novel for what must be the dozenth time, I approached it with a new perspective – one focused entirely on the sensory experience, particularly scent. What struck me most was the sheer abundance of olfactory references throughout the book. Du Maurier’s prose is rich with descriptions of smells, from the natural world of Manderley to the more subtle, character-driven scents that permeate the story.

Curious about my chosen fragrance pairing? You’ll have to listen to the Paperback Perfumes podcast to find out! But in the meantime, I’ve compiled a comprehensive list of every scent reference I could find in the story. It’s a fascinating journey through the novel’s sensory landscape, one that adds depth to an already multilayered narrative.

 

Rebecca rebound by McCall Co. Bindery & Book Arts (photo: Nate McCall)

Below, you’ll find my catalog of scents from “Rebecca,” organized by category. As you read through, consider: what fragrance would you pair with this gothic masterpiece?

Nature and growth:

“Nature had come into her own again”
“Monster shrubs and plants”
“This jungle growth”
“Choked wilderness”
“Unnatural growth of a vast shrub”
“Garden had obeyed the jungle law”

Earth and moss:

“The smell of wet earth”
“Sour tang of moorland peat”
“Feel of soggy moss”
“Dank rich moss beneath our feet”

Water and sea:

“Rain and the lapping of water”
“Mists of autumn and the smell of the flood tide”
“Murmur of the sea below me, low and sullen”
“Smell of damp salt and seaweed”

Flowers and plants:

“Daffodils… stirring in the evening breeze”
“Crocuses… golden, pink, and mauve”
“Primrose… vulgar, a homely pleasant creature”
“Bluebells… smoky, rather bitter smell, as though a wild sap ran in their stalks, pungent and juicy”
“Great branches of lilac… filled the house with a wistful, poignant smell”
“Azaleas and rhododendrons… The air was full of their scent, sweet and heady”
“Magnolia scent… faint, soft”
“Sweet lilac in the vase… mauve warm scent filling the room”
“Hydrangeas… somber… funereal”

Food and drink:

“Dripping crumpets… Tiny crisp wedges of toast, and piping-hot, floury scones”
“Sandwiches of unknown nature, mysteriously flavored”
“Angel cake, that melted in the mouth”
“Marmalade, and coffee, and that tangerine”

Indoor spaces:

“Old quiet smell about the room”
“Ancient mossy smell, the smell of a silent church”
“Queer musty smell”
“Wardrobe smelt stuffy, queer”

Seasonal changes:

“Smell in the air of mist and damp, the smell that comes with the first fall of the leaf”
“Rain smelt of moss and earth and of the black bark of trees”

Specific Rebecca-related notes:

“Vanished scent upon the handkerchief… same as the crushed white petals of the azaleas”
“Azalea scent… turned stale inside the wardrobe, tarnishing the silver dresses”

Miscellaneous sensory descriptions:

“Manderley stood out like an enchanted house, every window aflame”
“I knew the scent she wore, I could guess her laughter”
“Smell of mud and rust, and that dark weed that grows deep beneath the sea”

 

If you enjoy posts like these or if you have ever enjoyed or been inspired by something I have written, and you would like to support this blog, consider buying the author a coffee?

…or support me on Patreon!

 


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