Sueno del Mar, 1980

Sofía Bassi (1913-1998) was a Mexican surrealist painter and writer known for her dreamlike and introspective paintings, liquid and mysterious, often featuring ethereal anthropomorphic creatures and darkly fantastical landscapes, lost in space and time. Sometimes referred to as “magical impressionism,” Bassi’s work is often described as being both lush and unsettling and was praised for its originality and imagination. The artist herself observed that art was an elixir that she wanted to drink until the end of her career, to keep from dying.

Embarking on a path as exceptional as her artistic visions, Bassi was born into a wealthy family, but she rebelled against her upbringing and pursued a career in the arts. The free-spirited painter was married twice, but apparently, romance was not a priority, or she married a couple of duds, or maybe other people’s marriages are not my business, so I shouldn’t speculate, but whatever the case, both marriages ended in divorce. In a shocking incident that rivaled the plot of popular police procedural programs or true crime podcasts, she was convicted of murdering her son-in-law (some theorize that she took the fall for her daughter Claire, read more here) and sentenced to several years in prison.

While incarcerated, Bassi passionately continued painting, including her first-ever mural–painted on the walls of her own cell, and her works from this period are remembered as some of her most renowned, reflecting the darkness of her troubled state of mind. In 1969, Bassi was released from prison and wrote a book about the experience in 1978, and in January 2011, a documentary was released in Mexico titled “Acapulco 68,” which also recounted the incidents. In the ensuing years, the artist frequently participated in round tables and conferences, appearing on radio and television to discuss artistic and academic topics. Receptive to inspiration and generative energies to the end, she painted and exhibitedt her work until her death in 1998.

A creative force who lived a life that was both unconventional and tragic, Bassi’s story is a fascinating one– her work, a testament to her creativity and her resilience.


Angel de la Fecundacion, 1983


Al atardecer, undated


Mujer, 1976


Viajeros, 1969


La lágrima del mundo


Autorretrato, 1982


Mano Santo 1970


Luna migrante, 1969


Sin título


Sin Título , 1977


Te Estoy Mirando, 1970


Ella partirá volando, 1988


Polvo al polvo, 1968


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Robert Adam Gilmour says

Very underrated artist, thankyou

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