I don’t know what I can even say about this interview up over at Haute Macabre this week with the brilliant, extraordinary Han of Handsome Devil’s Puppets. It’s so special to me for so many reasons .Just read it! Maika and I worked very hard on it and I hope it will be the first of many such collaborative interviews in the future.
I have been fascinated with the powerful symbolism and deep sense of spirit, energy, and connection in Rik Garrett‘s art, since maybe even before the release of his incredible Earth Magic book (from which a stunning Witches Sabbath print sits on a shelf in my office and delights my dark, wild, secret heart every day) so it was such a thrill to catch up with him about his recent work and inspirations for our interview over at Haute Macabre this week!
This week at Haute Macabre, an exclusive album download of Bye Bye Banshee’s Deathfolk Magic, and an interview with its gifted creator, Jezebel Jones. Inspired by magic, myth and folklore, Bye Bye Banshee is Jezebel Jones’ musical project exploring death and grieving from a feminine perspective, and I was beyond thrilled that she took the time to chat with me and share both her vision and music with Haute Macabre readers!
At Haute Macabre today, the collection about which I wait impatiently all year to write–our year-end Needful Things! I mean, we write seasonal versions of Needful Things too, so it’s not like it’s been a whole year since I’ve shared the stuff and things I love, but…whatever! I’m still excited to share!
2018 was a year of ugly, escalating anxiety for me; every time I thought I had a handle on my worries; they shape-shifted into a dreadful something else for me to panic about. I often got myself so worked up that I couldn’t have even told you what I was panicking about – there were just so many things plaguing me, they had begun to coalesce into a massive rat king of dread and torment.
And so my assortment of Needful Things that I share today are the small things, not even necessarily tangible things, that induced calm in my heart while the rest of my world was in turmoil; the things, however small or seemingly inconsequential, that relieved worry or distress in some small degree, or introduced a modicum of peace and stillness when everything felt like it was falling apart. The things I employed or enjoyed during this past year that made life feel, while not “fixed,” or “perfect,” but rather just…better.
Just in time for Jólabókaflóð* (which I am told by an actual Icelandic person, “is sort of a thing, but not really a thing”–but whatever, who needs excuses to read books on Christmas!) our Haute Macabre staff reads for the past month!
I may have read more nonfiction in the past two months than I have in my entire life, and though I’m never going to adore the true life telling of a thing as much as I do a rousing tale of high fantasy, I have come to realize its vast importance, and it is a practice I hope to keep up with in 2019 and beyond.
* RE: Jólabókaflóð. I first began seeing mention of this in 2013 or 2014; it’s purportedly the beloved Icelandic tradition of the “Yule book flood”, wherein everyone retires to their separate corners of the home on Christmas eve to read the books they’d just gotten for Christmas. RIGHT ON. Except not so much, in my (admittedly limited) experience. My partner is Icelandic, and his mother and brothers and Icelandic; I have spent every Christmas with them for the past seven years and not once have I experienced this phenomena. We all just sit around and socialize for about 48 hours straight. I feel terribly cheated, because in that time frame, I could use a moment or two with a quiet book! My partner, as I mentioned above, says, “..well, it. s sort of a thing, but not really a thing. Sort of like how at Thanksgiving people talk about how they are going to eat so much that they will fall into a “food coma” but that’s not really a proper tradition. It’s just the way people talk about it.
However, I just read this NPR article from 2012 where they talk about the concept of Jólabókaflóð having to do with the surge in book sales from late September to November, or most likely, the purchasing of books as gifts. This explanation sits better with me, because I can see evidence of it. Everyone disappearing with their books on Christmas eve and leaving me the hell alone? Not so much.
Image by Caitlin McCarthy
I know in many places you’re getting snow and blizzards but closer to the equator, we’re just starting to experience autumn’s chill. A perfect time to review Solstice Scents Fall 2018 collection! Peek over at Haute Macabre today for my thoughts on a handful of these seasonal fragrances, and leave a comment on the blog post to enter to win a FULL SIZE Bottle of one of the scents!
Today at Haute Macabre, some deep thoughts, keen insights, and incisive takeaways from my 31 Days Of Horror last month. Haha! Just kidding! You came to the wrong person for that sort of thing. Also I maybe failed at the whole “31 days” aspect of the challenge.
At any rate, I *did* watch a lot of horror, I discovered some hidden gems (and swept the duds back under the dirt), and as always, had fun! Maybe no more movies for a while, though.
Read more at Haute Macabre, today!
Spoilers! My two favorites this year were Murder Party and Satan’s Slaves, both pictured above.
Next up in our reviews of Black Phoenix Alchemy Lab’s archetypal adventure and tarot-inspired collection: The Emperor, at Haute Macabre today. It’s a bit of a last call, as well, for The Emperor’s stern countenance is only gracing the lab until 11/26/18 before he and his beard and the rams he rode in on rides off into the sunset!
This week at Haute Macabre, we indulge in the shadowy marvels of the “Darkness Within”, a new collection of art and objects curated by The Creeping Museum and inspired by Shirley Jackson’s The Haunting of Hill House.
The Creeping Museum’s new collection, “Darkness Within“ is inspired by Shirley Jackson’s much beloved novel, the exquisitely unsettling The Haunting of Hill House. Comprised of the works of twenty artists, each offering from “Darkness Within” artistically interprets various different eerie passages from the book for the collection, combining to create an “illustrated edition” of sorts.
Read more: Darkness Within At The Creeping Museum