The heart wants what it wants, and sometimes it makes spontaneous decisions to purchase something kinda weird that it has been subconsciously been looking for, for a very long time.
To back up, just a bit: it’s true that instagram can be kind of not great for me (and my wallet); I’m always finding beautiful jewelry or makeup or other frivolities to fall in love with, and with which I desperately desire to fill my greedy hands. But then, when I peek over to see what @phantasmaphile (the luminous witch and wise woman Pam Grossman) is up to, I am always reminded of the things my heart wants….and these things usually have nothing at all do to with that itchy need to continuously fill my hands and closets and shelves with more More MORE.
This thing in particular, if you go by Amazon’s listing, is a “Dewi Rice Goddess Flying Hanging Mermaid Lady“, and I remember seeing their weird, wild likenesses flying from the ceilings of a store in St. Augustine, Florida thirty years ago. I’m sure I didn’t have the money to pay for one at the time, and I probably couldn’t have articulated to my grandparents why I even wanted it, I just knew that it looked beautiful, felt magical, and belonged close to me. I had forgotten all about it, or so I thought, until I saw a little carved wooden lady in one of @phantasmaphile’s instagram stories earlier this week. Her unblinking, expectant gaze immediately sparked this recollection for me, and over the next few hours my mind drifted back in time, to when I was eleven years old, wandering idly through a gift shop, trying not to break anything, and finally settling upon the first time I locked eyes with this representation of something far older and more wondrous than the tourist baubles I had expected to find.
What Pam shared in her instagram stories wasn’t the same exact thing I held dear in my memory, and I wasn’t even sure how to go looking for it. However, my Google search for “carved wooden mermaid flying goddess” eventually lead me to this Dewi rice goddess, and to be quite honest, I am not even sure if this if she is the right one. I think the flying mermaid goddess in my memory held a mirror and a comb, and now that I look again, I think mayhaps I purchased the wrong one. Too late to second guess now!
Well, but I mean, really, is it? I could always get her a friend…
Dewi Sri is the Balinese goddess of rice and prosperity and is believed to have dominion over the underworld and the Moon. I am not sure where or how she becomes a mermaid or a winged creature, but hey, she’s a goddess. They do what they want.
It’s a funny thing when you set out to track down and procure for yourself the things that have been haunting your dreams for over half your life, isn’t it? Are they at all the way we’ve perceived them when we finally get them? My goddess’ wing is not cut the right size for her wing slot, and so it sits a little crooked. I suppose that gives her a jaunty sort of charm. She seems to think so, if her arch smile is any indication. And she may already be bringing bringing me prosperity! She arrived yesterday, and just today we finally closed on the sale of my late grandparent’s house. Coincidence? Well…it was scheduled before I even ordered her.
What does your heart remember, and long for through the years? Did you eventually receive it/retrieve it, and was it all you had dreamed?
[UPDATE: CONGRATS TO GRACE, OUR WINNER! YOUR YARN HAS BEEN SHIPPED!]
Do you like yarn? And weirdness? Those are two of my favorite things! And when I found them marvelously combined in the gorgeous offerings from DyeForYarn a few years back, I knew I’d lost both my heart and my wallet to these wondrously strange crafters and creators.
With names ranging from the elegant and melancholic (“Rain In A Graveyard“, “Nocturnal Maelstrom“) to the silly (“St. Patrick’s day parade gone awry“) to the absurdly heartbreaking (“Giant clam closing forever“) and the frankly kind of gross (“Cat’s hairball problem“)–you’re almost tempted to spend all your time obsessing over these skeins’ enchanting backstories before you even look at the yarns, themselves! But–you should definitely look at these yarns. Stare long and hard into their subtle shifts and vibrant shades and luminous hues and become totally mesmerized by the outrageous array of options before you!
I’ve long wondered about the humans responsible for creating these silky, squishy, works of art, and was thrilled when, Nicole and Cordula of DyeForYarn agreed to do an interview with Unquiet Things and answer all of my nosy questions! Read further to learn more about the women behind the yarn, and leave a comment for a change to win “Gloomy View”, a gradient set of silk/cashmere lace yarn. ( I chose “Gloomy View” for you guys because I thought it would be appropriate! Right? I know I’m right. More details at the bottom of this post.)
In your former lives you were scientists for biology and molecular medicine at University Erlangen-Nuremberg. Obviously there must be a bit of science with regard to your current work and creating the colors for your yarns, right? (I only vaguely know how science works, haha). But seriously, I’d love to know how your former work in the lab might translate to your current yarn and craft-centric process and practices?
Yes, you’re right. We do benefit from the experience we gathered in different labs. For once we’ve been trained how to organize and optimize workflows. And we’re also trained to work very structured with having everything at hand when we need it. When we try new things like new yarn qualities, dyeing techniques or colors we usually create an experimental series to see how it might work best. Maybe our biggest advantage coming from a lab background, though, was the natural ease in handling chemicals safely. Of course that’s nothing you can’t learn during the process of hand dyeing itself, but it came in handy in the beginning and is still very useful.
THE BIG QUESTION I have been dying to ask for years is how do you come up with these wonderfully strange and unusual names for your yarns? They reference the esoteric and arcane, and the sublimely absurd…and it leads me to believe that between you, you must have incredibly fascinating and diverse interests when it comes to things like art, literature, cinema, music. Can you speak to that?
Basically we’re classic nerds. We love science, comics (in form of Animes), Fantasy and Science fiction literature and movies. We love music, although not the same genres. Nicole for example adores Amanda Fucking Palmer, Cordula loves Muse. These sources as well as our scientific past and the nature around us are a huge well of inspiration. The specific kind of names we use for our yarns originated in the “Dead parrot sketch” by Monty Python. In the sketch John Cleese tries to convince the pet shop owner, that the parrot he just bought
is dead (and was so when he bought it). He uses several synonyms for being dead which is hilarious. I (Nicole) am a HUGE fan of the troupe and thought that particular sketch very fitting for our natural black humor and our brand name DyeForYarn. So we decided to use these synonyms for yarn names: Ex-parrot, Raven being no more, Sloth in procrastinator’s paradise or Violet coming to dust. This led to names like Rotten chestnut cream macaron, Reaper’s kiss or Bat in a dark mood etc.
In that vein, one of my favorite colorways that you create is Very dead Norwegian Blue Parrot! Are there any colorways that seem to be clear customer favorites?
Ha, that’s actually the exact same parrot John Cleese bought in said sketch 😀
Very popular are saturated reds (one of our specialties), deep teals, greens and blues. But also our neutrals (we call them non-colors) and pastels as well as our almost-black shades are very sought-after. What we find very interesting is that over the years one can actually see some preferences between different countries. Germans like very bold, intense colors, Japanese very light pastels, for example.
And what are your favorites?
Cordula: Nocturnal maelstrom (intense dark teal), Fallen Dark Soul (deep dark red), Last Dance (almost black reddish purple)
Nicole: Dead Marshes (muted green-blue), Kingfisher pushing up the daisies (muted teal), Withering Lupin (muted gray-purple) and Rose which must not be named (muted purplish rose)
Do you see any trends in terms of colors that people are interested in? What’s popular now?
We sometimes can make out a correlation between current “in”-colors and what sells well, but
because our customers are from all over the world it’s not a very clear correlation. Currently we sell different shades of turquoise and deep blue plus more yellow than usual.
I have seen people who are not knitters (or crocheters) fall in love with your gorgeous yarns. Do you have any alternative craft ideas, incorporating your yarns, for people who do not wield the needles or hooks?
Definitely weaving! Both of us have an Ashford rigid heddle loom, which is very easy to handle and doesn’t take much space (you can hang it on the wall when not needed, even with the warp attached). The only drawback is that it doesn’t fit in a hand bag like a knitting or crocheting project would. We mostly use our Tussah silk lace and fingering, Merino/Silk fingering and Silk/Cashmere lace for our weaving projects, all suitable for warp and weft.
Nicole just finished several weaving projects with our Silk/Cashmere gradient sets. Her ravelry name is Kalessin, in case you need some weaving inspiration ;D
Is there anything else that you would like people to know about your yarns, or your process, or DyeForYarn/DyeForWool?
It’s important for us that our customers know that, even though knitters/crocheters all over the
world are familiar with our brand, it’s still just the two of us, Cordula and Nicole, who dye all the yarns you see in our two Etsy shops. Two days a week our lovely helper Silvia supports us with skeining and winding the hanks, hand-tagging them etc. and our husbands support us with their particular expertises as well. But basically nothing has changed much since we founded DyeForYarn back in 2011. Doing what you love and are passionate about is the best job you can have and we feel very blessed to be able to do that. DyeForYarn has made our lives so much richer and fuller and we hope to get that feeling transferred into our colors.
And you have no idea, what a great and crazy feeling it is to know, that there are actual, real human beings on all (habitable) continents who create wonderful things with the yarns we dyed.
Thanks for your time, Nicole and Cordula, and for putting your exquisite creations out into the world!
Info from DyeForYarn: “Gloomy View” is a gradient set of silk/cashmere lace yarn. You get a total of 5 Silk/Cashmere Lace skeins (50g each), one of each color, as pictured. All skeins together add up to a total of 1670 yds (1525m), enough for practically any large shawl (or two regular sized shawls, for that matter). Together they give a very muted and dark gradient from bluish green over blue and purple to cacao brown, each color itself being solid to slightly semi solid.
I don’t think I have the words available to share with you my intense delight regarding the arrival of the newest member of my ghoulish menagerie, brought to uncanny life by the wonderfully talented hands of Han of Handsome Devils Puppets. But I am going to give it a try….
I have long loved the writings of Sei Shōnagon: her elegant lists, her acerbic observations, her beautifully intimate and wonderfully catty diaries–all of her anecdotes and opinions and inner dialogue, from the excruciating minutiae of everyday life, to the exquisite poetry she composed connecting and expanding these trifling, fragmented instances to the broader aspects of lived human experience; these strangely random and tangential stories have informed and inspired my own writings for many, many years now.
Translator Meredith McKinney writes in her intro notes to her translation of Shōnagon’s infamous Pillow Book, “she so engages us because she engages *with* us, we meet her eyes across 1000 years,” and I think that assessment of her ability to connect with us, now, today, through vast stretches of time–a totally different time than that in which she lived– is so eerily and excellently spot-on.
Sometimes, though, I can’t meet my own eyes in the mirror after reading a selection from The Pillow Book. McKinney further writes of the “spontaneity and intimacy” of Shōnagon’s writing, that “…draws the reader into a warm complicity, even when we find ourselves appalled at her frequent snobbery and occasional cruelty.” Shōnagon is basically a Heian era Mean Girl blogger, you know? And as someone who considers themselves to be “a very super nice person”–probably too nice for their own good– it is this mean streak that appears throughout her beautiful, clever writings that fascinates me endlessly.
Is that weird? I don’t understand the mindset of the mean. Except…I suppose…when I do. I can be rather scathing in my own thoughts about something I didn’t enjoy, or someone I don’t care for, and I must often remind myself that while cleverness is an admirable trait, cleverness can often come at the expense of kindness…and even if I didn’t say whatever means-spirited thing aloud, I still thought it. Or wrote it. Even if no one saw it.
And perhaps Shonagon thought that her writings, her pillow book, would never see the light of day? I don’t know. So while I started this rumination up on my high horse, with the statement that I find such cruelty and unkind thoughts alien to my personality…perhaps in exploring it a little, Sei Shōnagon and I are more alike than I would care to admit, and it is less a fascination with behavior foreign to me, and more that I am recognizing a kinship.
There’s not a great deal of imagery to be found with regard to Sei Shōnagon, and so we took some liberty with her appearance, adding some subtle, gothy touches to her sweeping robes, instead of what otherwise might have been a more brightly colored ensemble. I think she is utterly, gloriously perfect, from her lips and brows and inky cascade of hair, to the tips of her tabi-socked, be-sandaled feet, I am awestruck at the thought and research and inventiveness that went into her creation.
Shōnagon wrote of “Things That Make One’s Heart Beat Faster”, and the rare beauty of this marvelous, hand-sculpted, one-of-a-kind piece of art is most certainly at the top of my list of such things. Thank you, Han. She is amazing, in the truest sense of the word.
We had such a blast sharing our year-end favorites with you, that we decided to make a quarterly(ish) thing of it, wherein we chat about the assortment of odds and ends that we currently love and recommend.
This is a series that I am super excited about; I love suggestions and recommendations from like-minded folks, I think that’s so much more useful and valuable than just a random link-dump of stuff that looks pretty but with which the sharer has no experience, you know?
At any rate, Maika and I have the floor today, so be sure to peek at our current Needful Things, and check back for Sam’s and Sonya’s selections later this afternoon!
Pictured above is not one of my Needful Things, exactly…it’s a dress that I was able to shove myself into after donning one of those Needful Things. I got it from eshakti, and I am not sure if it is still in stock, but lordy be–they have so many amazing black dresses!
I’m testing out shoplook.io. I signed up for it a few weeks ago, but I guess I was too heavy-hearted to give it much of a chance. On a whim, I logged in this evening to poke around a bit, and here’s my verdict thus far: it’s not perfect, and it’s not got all the functionality that polyvore had, but…it’s a start?
They do have the option to add your own images, which is good, because I almost never want to use the clothing and brands that are readily available on these sites. Does that make me a snob? Maybe? I just happen to like the offerings from lots of indie designers and artisans and I like to support their efforts and creations whenever possible. Also, the ambiguity of adding “an image” means that it can be things other than straight up fashion–like, perfume for example. Or maybe a photo or some art? I haven’t tried that yet, so I will have to get back to you. I often feature art in these sets I put together, so that’s kind of important. The downside is that since you are just adding your own images, it doesn’t create a link back to the item, for shopping purposes (like polyvore’s “clipper” function did). This could be something they are working on, though, as it looks like they are acknowledging there’s a lot of polyvore folks who are looking for a new home, and I think they want to accommodate that.
Some other things of note: the cropping function is not perfect. It doesn’t white out backgrounds like polyvore used to do (when the backgrounds were greyish or mostly white), and for some reason, it doesn’t want to save every single image that you are using. Still. It’s a start! ALSO, something else they have done is given use the option to upload that polyvore content download zip file that we all asked for into your account at shoplook. You can see all of my former polyvore sets here, from my profile page, of you click the “polyvore” link.
If you’ve got any questions I will try to answer them, but this is only the first set I’ve made, and I am still feeling my way around. And if you are already using it, please tell me what you think of the platform! Also, if you’re over there already, let me know! I don’t know how to add friends yet (or even if you can?) but I will see what I can see…
A Walpurgisnacht agenda: fly east from the dying sun over spring fields to conduct unholy business under the deepest shroud of darkness. Rule the night skies with an unruly entourage of familiars, demons, and unbaptized children. Gather at Brocken’s peak for nameless rites and deeds, review and/or renew a pact with The Devil, flood surrounding forests with wild magicks, terrorize ignorant villagers. Check, check, check.
…hold up. Drop that sacrificial baby. What’s this? Are we dancing naked around this goddamn bonfire? Are we frolicking frockless? What the actual fuck, Satan? Were we not promised we’d live deliciously? Did you not specifically spell out that we were to have new dresses?
Listen, witches. Walpurgisnacht is an important event on your calendar and it just won’t do to go starkers, no matter what those antiquated copper etchings and Faustian carte-de-visites reveal. Don’t wait for Lucifer to deliver on that dress promise; that guy is the prince of lies, you know that. A witch worth their salt has got to make this shit happen for themselves–I mean, what’s witchcraft for, if not extravagant sartorial gain?
Mirror the cloak of night in your evening’s ensemble, festoon yourself in potent symbolism, swath your bod in shadowy silhouettes. Accessorize with winged creatures and woodland-inspired jewels. Leave an infernal fragrance, redolent of spices, herbs, and venom in your wake. Incorporate the sabbat’s myriad magical motifs, as seen below, into your ensemble and next year you’ll be sure to bring the Hexennacht hotness to your wicked Walpurgis revelries.
Ciao Lucia dress // Alaia laser cut sandals // Gucci dome bag // Christian Dior Aurora palette // Underprotection bralette and panties // rings: Atelier Narce, Jamie Joseph, antique cameo ring, Maiden Voyage // Jennifer Behr circlet // Jacquie Aiche necklace // Jimmy Choo sunglasses // Marissa Zappas Flaming Creature Eau de Parfum
Kiki de Montparnasse silk slip dress // Jimmy Choo Koko snakeskin lace-up heels // Fleur of England briefs // Maison Michel lace veil hat // MYKITA Eartha sunglasses // Manokhi lace-up leather gloves // Astara & Tone rings from Unearthen // Desire Inner Glow Pigment from Rituel de Fille // Prada Cahier Moon & Stars velvet crossbody bag // Polly Wales Snaggletooth skull ring // Loree Rodkin snake ring // Bloodmilk Weeping Woman mourning strand // Black Phoenix Alchemy Lab Hexennacht perfume oil
Ann Demeulemeester Short Dress $235 // Mise en Cage Ionesco High-Waist Harness Brief $148 // Mise en Cage Aldridge Soft Bra $112 // Sergio Rossi Elastic corset suede thigh high boots $1145 // Zana Bayne SS15 Mini Signature Bag $575 // FabMeJewelry 3D Printed tiara $50 // Burial Ground Pentacle pendant from $45 // Kathula blackened ring by BlueBayerDesignNYC $100 // Burial Ground Seer ring $165 // Kat Von D Everlasting Liquid Lipstick in Witches $20 // UNUM Symphonie Passion perfume Extrait de Parfum $220
Elie Saab Lace-paneled silk-blend georgette gown $3450 // Damaris Da Vinci High Waist Knicker $100 // Damaris Da Vinci Triangle Bra $140 // Fluevog Pilgrim $299 // Derercuny chain clutch $890 // Elaine Ho Brutalist pendant $90 // Ann Demeulemeester 5 Signet ring set $730 // Dolce & Gabbana Satin-twill and lace veil $966 // Urban Decay Moondust eyeshadow $21 // Serge Lutens La Religieuse $150 // HVNTER GVATHERER Sybil necklace $250 // HVNTER GVATHERER X Lycanthea cuff (limited) // Rituel de Fille Forbidden Lipstick in Shadow Self $23
BONUS ENSEMBLE (sorry for the lack of details, blame polyvore*)
(This content was originally published at Dirge in 2016. The site no longer exists.)
A gathering of death related links that I have encountered in the past month or so. From somber to hilarious, from informative to creepy, here’s a snippet of things that have been reported on or journaled about in or related to the Death Industry recently.
Drawn to the fringes of the odd and the mundane, Tom Blunt is a brilliant writer, producer, and performer who was absolutely instrumental in the recent reprinting of the outstanding memoir, Elsa Lanchester, Herself. Head over to Haute Macabre for Tom’s wonderful insights into this striking and unusual Golden Era entertainer and his quest to ensure that so many decades later, she finally finds her people.
Read the interview and be sure to leave a comment at hautemacabre.com for a chance to win a copy of the book as well as some tie-in scents from Black Phoenix Alchemy Lab! ⚡️