Unquiet
Things

Some distressing news: The Art of the Occult has been somewhat hard to find since about mid-December, when a shipment of books was lost at sea. Ok, maybe that’s not totally accurate, but it sounds more romantic and mysterious than “storm-damaged.”  I just received word from my publisher that there won’t be more copies available until 3/29 at the earliest. Until then, please enjoy my favorite page of the book.

“Giovanni Domenico Valentino (1630–1708) was an Italian painter of the late-Baroque period who specialized in a mix of genre and still life painting. In this particular alchemical scene, we are so focused on the jumble of shining copper laboratory instruments and implements, that it would be easy to miss the alchemists busy at work in the background. At the forefront, a cat perches atop an indistinct object, both alert and idle, as only cats can be. ‘Fuck this thing in particular,’ it seems to say, regarding the toppled container at its feet.”

Hungry for more peeps inside The Art of the Occult? Perhaps these links will tide you over, or else whet your appetite!

• Unboxing and flip through video
• Interview with Artist Gina Litherland
• Interview with Artist Carrie Ann Baade
• Interview with Artist Susan Jamison
• Interview with Artist Rik Garrett
• Interview with Artist John Coulthart
• Interview with Artist Sveta Dorosheva
• Eyeball Fodder: Art of the Occult Edition
• Get the look for The Art of the Occult

 

And finally, a look at the art of Rosaleen Norton, who, sadly, is one of the artists not featured in The Art of the Occult. There are many reasons that a piece of art that you might expect to see in a publication celebrating occult works of art was not included, and for the most part, I can assure you, it’s not because they were overlooked.

There are so many steps involved with a book like this that you might not have thought about! I never did, until I had to do it myself. Gathering ideas of the art, getting the publisher to agree with the art you’ve chosen, tracking down and finding, and then introductions and communication with the artists (or galleries, or estates,) securing permissions for the work, and jumping through all of the hoops that entails, and finally, obtaining viable images that are actually appropriate for a print medium. Something could break down at any point in that checklist! And frequently did. There’s a lot of things that authors have no control over–especially first-time authors, such as myself.

So before you complain that your favorite artist was forgotten, please know that it’s entirely possible that they were not–either the author presented the artist and the publisher was like, “nah,” or they tried to get ahold of the artist and the artist never responded, or if they did respond, they may have declined, or if they worked with a very amenable artist who was happy to be included, but oops, a file was corrupted, and they don’t actually even have that piece of work anymore! Before you complain about a book cover, please know that the artist may not have had anything to do with it, the cover might have been chosen and set in stone before the author was even brought on board! Before you  knock off a couple of stars on your review because the book was “too short”, please remember that authors have word count parameters that they have to work within.

Ok, with that tirade, I think I hit on all the dumb things people tweeted @ me on Twitter or the reviews on Amazon that irked me. Not that there is/was not a lot of that sort of thing! But you know how it is. Even one or two instances of people being shitty and snarky, it stings!