Good lord. There is no one, NO ONE who writes Southern small-town nastiness like Michael McDowell. McDowell was a novelist and screenwriter whom you may or may not have heard of depending on how much into horror you are. You may have read The Elementals (that’s the last book I read that kept me up until 4 o’clock in the morning!) or Gilded Needles or his Blackwater series. Or if those don’t ring a bell, you may be familiar with the screenplay he wrote for a little movie called Beetlejuice.  He was in the midst of writing the screenplay for Tim Burton’s Nightmare Before Christmas when he died in 1999. Horror fans, I know you already know this, but this is for the people who are hearing it for the first time. Oh yeah, McDowell, also wrote the novelization of Clue!

From the first 30 or so pages, you would not think this book will go as hard as it does. Absolutely dialogue-free and exquisitely methodical in its descriptiveness, it sets the tone and the atmosphere in the town of Pine Cone, Alabama, a town “proud of its population of two thousand, and it might well be since there is nothing to keep them there except stubborn civic pride, overwhelming inertia, or a perverse moral self-discipline bordering on masochism.”

But, our narrative gleefully divulges, ” it can also be said that there is a great vitality in the mean-spiritedness of the town’s inhabitants. Sometimes they are creatively cruel to one another, and there were seasons in which Pine Cone was an exciting place to live–if you were a spectator and not a victim.”

The events of The Amulet most assuredly take place in such a season.

Sarah Howell finds herself trapped in a nightmare. Her husband, Dean, had a rifle blow up in his face during a training exercise before he shipped out to Vietnam. He’s been horribly disfigured (the extent of which we never even find out, he’s swaddled in bandages like a mummy through the entirety of the book) and more or less left a living corpse. Sarah is forced to care for him, while also enduring the scorn of her hateful mother-in-law, Jo. Jo is truly one of the most awful fictional characters you will ever encounter.

Dean’s friend Larry pays a visit, hoping that he is doing the right thing by stopping in, but is feeling terribly guilty and uncomfortable about being there. Larry was unable to secure a job for Dean at the rifle factory in town, which led to Dean ending up in the army. Jo has a laundry list of grievances about everything in general, but she especially blames the town for her son’s circumstances, and Larry in particular. Jo sends him away with an unusual amulet to take home as a gift for his wife Rachel.

That night Larry and Rachel’s house burns down, with them and their three children inside.

The amulet inexplicably passes from one hand to the next, wreaking havoc and leaving extraordinary carnage in its wake. Not even a quarter of the way through the book, the undertaker is running out of coffins! And no one is safe–while it may have started with someone linked to Dean’s accident, it doesn’t limit itself to locals with those sorts of ties…a poor woman passing through town with her husband gets her throat torn out by her own hogs when the amulet makes its way into her possession.

Sarah begins seeing a connection in the string of bizarre deaths and becomes convinced that somehow, the trinket is involved. As the body count rises, Sarah realizes that she must somehow stop the amulet before it’s too late. But how can she defeat an evil she can’t understand or even hands on–especially when no one believes her?

I literally exclaimed OOOOOOF aloud when I finished this book. GOOD LORD.

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Abby and Hope’s father disappeared several years back and their mom hasn’t been quite right ever since. It’s safe to say almost everyone who lives in Doubtful has suffered a similar tragedy, whether it’s a family member or friend, most residents of this haunted town know someone who has been taken by The Stitcher. Or worse, who has been returned by The Stitcher, chopped and mangled and sewn back together, hideously mutilated and utterly unrecognizable. More often than not, these grotesquely damaged corpses are missing several parts.

Things go weird before The Stitcher strikes. Technology becomes unreliable and stops working altogether. The animals begin acting in odd, disturbing ways. In their homes, many folks have increasingly horrific nightmares. This is when following the rules becomes especially important. Never be outside after dark. Never walk through town alone. And keep far, far away from Charles Vickers, a bizarre and unpleasant man who most suspect of being behind the murders, and who seems to obscenely revel in the accusations. Vickers always has an alibi and the police haven’t got anything on him, though–so maybe there really is a supernatural, monstrous entity behind the killings, after all?

Abby and Hope aren’t alone, though; along with loyal friends Rhys, Riya, Connor, and Jen, the new girl who refuses to believe in town conspiracies or things that go bump in the night–they comprise The Jackrabbits. A jackrabbit never drops its guard, it’s always ready to run–and run fast. And most importantly, it survives.

And then Hope gets taken. From her bedroom, in the middle of the night, without a sound. Desperate to find her sister and to find answers, Abby will stop at nothing to get Hope back–and her friends are with her every step of the way.

This book was freaky as hell! I worried though; in stories like this, I feel that freakiness is unsustainable because it massively hinges on the unknown. When we’re left to our own devices to fill in the blanks in a horror story, almost everything we come up with is going to be scarier than the actual answer, whenever the author reveals it. Even if it’s tremendously horrific! Because as soon as we know it, the power of that fear is taken away.

I will say that even though that may be the case in Where He Can’t Find You, when the story pivots in that direction it becomes something else entirely: a high-stakes adventure where everything–the lives of friends, family, even the fate of the town of Doubtful– is on the line.

Where He Can’t Find You by Darcy Coates is available on November 7, 2023. I grabbed an ARC from NetGalley and got to read it a bit early–and it really was a great read for Spooky Season.

 

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2 Oct
2023

photo (and encouragement!) via Florence Welch’s instagram

Below are all the books I read July-September of this year; the first twenty or so reviews a bit more in-depth (whether because they are thoughtful and nuanced or I just tend to ramble idiotically, you can decide) and everything that follows is just some brief thoughts on each book. Hopefully, you will either find something that you’ve been curious about or that will pique your interest!

I had this blog post ready to go last week, but in double-checking my Goodreads stats, I discovered an extra nine books that I had forgotten to include here. I didn’t feel like writing reviews for these stragglers (though some of them are definitely deserving!) but I did go back and add them to the various sections below.

Jo Nesbo’s The Night House was a quick, fun read that had a YA haunted monster house vibe…until it abruptly didn’t, and it cycles through a few of those “…until it didn’t” iterations throughout the story. It was the sort of read that you munch cold pizza and guzzle icy diet cokes with on summer vacation while inhaling as many trashy paperback novels as your part-time babysitting money will buy from the musty beachside bookstore in your town with the amazing horror selection. In this story, 14-year-old Richard goes to live with his aunt and uncle after his parents have died in a tragic fire. Coming from a big city to a small town, Richard is lonely and bored on top of grieving the loss of his mom and dad, and is angrily acting out by bullying his classmates…who then begin disappearing in ways that he can’t even begin to explain to the authorities (because they are getting sucked into telephone booths and being turned into cicadas and other such horrifying things.) These disappearances also involve a house deep in the woods and a mentally unstable black magic-wielding individual, and the whole thing feels like maybe the whole town has gone a little nuts, or else the whole thing is happening in Richard’s head. or maybe, could it be that all of these things are true at once?

The Centre by Ayesha Manazir Siddiqi Anisa is a 35-year-old translator getting along in a somewhat privileged and rather aimless way, translating Bollywood films and living on her family’s money when she learns of an institute called The Centre where one may learn a language in the span of ten days through some sort of very hush-hush, esoteric immersive technique. Dissatisfied with her life, and bored and frustrated with her lackluster relationship with Adam (from whom she learned of The Centre), she commits to spending a week at The Centre, figuring that learning a European language like German will lead to her becoming the serious translator she’s always wanted to be. The whole place has a weird vibe, it’s all very creepy A24 energy, lots of meditation and seclusion, but hey, the meals are tasty and top-notch, so it’s not all bad. Nothing’s clicking language-wise until Anisa suddenly realizes she’s absorbing the lessons, and five days in, she understands every word of German; it’s wild! Outside The Centre, she goes on to translate a book that hadn’t previously been translated from German into English and makes a small name for herself and realizes that even as she’s become a more “serious” translator, she’s neither satisfied nor happy, and goes back to The Centre for more lessons. As she undergoes this immersion for the second time, she is becoming more friendly with the woman who manages the place, Shiba, an individual who, culturally, and perhaps in many other ways, Anisa has much in common with. And Shiba. as it turns out, is eager to share The Centre’s secrets. But is Anisa really ready to hear it? There are a lot of ideas to engage and negotiate with in this book, in exploring these characters’ relationships with each other, in how they treat language, but also in terms of feminism and friendships, class and conformity, power and consumption. I think what I found most interesting is how this author doesn’t give you a clear answer about anything, at the end, of course, in the treatment of the “big reveal” but also just in how mutable a character Anisa is. She’s really a cipher. I did not know what to make of her at all! And I really loved that.

At the End of Every Day by Arianna Reiche I am not sure if this is a book that rewards your patience or punishes it… and if I’m honest, it was a bit of a slog to get through, but then again, I can’t stop thinking about it or talking about it. This is one of those books where the author seems to have had a lot of different ideas; this could have been many separate stories, but somehow they all came together in a deep dive into the minutiae of behind-the-scenes amusement park engineering and separately, neon glass crafting? As well as old-world superstitions and modern-day celebrity worship, but not just that, really, how cults and religions are built around these things, and not just cults and religions but maybe entire experiences like movies and theme parks that shape generations and entire cultures? And there’s something about twins and doppelgangers and echoes, and oh yeah, L.A. is burning, and what if it’s not just L.A. –is there even a world outside at ALL anymore? This book is getting a lot of low reviews, and many folks are saying, “I don’t have the patience for this,” but people. You gotta. I need someone else to talk about this with. Have the patience. It’s not rewarded in the end, not really. But I think it the reward comes somewhere beyond that in some other story. I don’t know what I mean by that, but that’s why we keep reading, I guess. I’m still giving this book five stars. Don’t ask me to explain it.

Beholder by Ryan La Sala Did Ryan La Sala scour my brain for all my favorite stuff and weave it all into an electrifyingly imaginative horror adventure just for me? Threads linking the sublime nature of art and beauty, weird occult practices and secret power struggles at the heart of the elite art world, the startling and tragic connections between what we create and what we destroy, hallucinatory wallpaper (!!), and how beauty too dreadful to behold could be lurking behind any and every mirror–or, perhaps, inside the person gazing into its surface.

Midnight Showing by Megan Shepherd Take all of the bonkers ideas and concepts in Malice House – a horror/fantasy/thriller with an MC who, in the process of clearing out her estranged father’s house after his death, encounters more and more increasingly weird stuff and is eventually led along a horrific journey ending with the knowledge she is of a lineage whose artistic talents, either writing or art, brings monsters to life…and then drop this story in LA with creepy movie sets and haunted films and Hollywood urban legends and even more weird magic, murder and mayhem. Very into this series, wherever it heads next!

Let Him In by William Friend The atmosphere in this book of a father handling the tragic loss of his wife and the monstrous manifestations of his twin daughters’ grief was utterly exquisite. Combine the timeless melancholy and *extremely British* autumnal glooms of The Haunting of Julia (even the sunny scenes in this book felt remarkably bleak) with the “creeping dread in dark corners of a broken home at midnight” factor of Hereditary, and it made for a book that I couldn’t put down—an absolute stunner of a story.

The Clinic by Cate Quinn is one of those books that you can see it happening on screen in your mind’s eye, a story that seemed like it would be wildly popular as a ridiculously fun, twisty, and binge-able murder mystery series on Netflix. Strung-out Meg works undercover at a casino in L.A., catching cheaters, loan sharks, and related nogoodniks. Upon learning that her famous, manipulative rockstar twin had died after having checked into a remote, luxurious rehab facility and that the death is being passed off as a suicide, Meg decides to check herself in and investigate, believing that her selfish narcissist sister would never do such a thing. Also, Meg is in desperate need of a detox herself. The story unfolds both through Meg’s perspective and Cara’s, an individual who manages the facility and prides herself on the orderliness and beauty of the resort…and with whom Meg immediately butts heard. Meg learns the stories of the other residents, all of whom could be suspects, as well as the shady tactics of the clinic’s head psychologist and doctor, all the while Meg is struggling with her own addiction and finding herself quite against her nature, making friends and becoming vulnerable. I understand that the author struggled with addiction and has her own experience to draw from in terms of rehab and what may go on there, but I oftentimes found myself struggling with the book’s explanations of trauma and addiction and how it talked about sociopathy. From an outsider’s POV, I don’t know how much I can comment on it, but some of it felt a little irresponsible. Then again, this book was pretty absurd overall, so maybe I am overthinking it. Still–it was one of those compulsive, impossible-to-put-down reads, so maybe just don’t get caught up in the details.

The Heiress by Rachel Hawkins  spins and churns with secrets and scandal, centering on the wealthy McTavish family and its notorious matriarch, Ruby, who was kidnapped as a child and miraculously returned to her family only to grow up and develop an infamous reputation for very different reasons than her childhood disappearance (she was widowed four times over!) The story takes place in past and present timelines, spilling through a dead woman’s lips in the form of revelatory letters from Ruby about her storied life as well as the current circumstances of Ruby’s adopted, estranged son Camden. Camden wants nothing to do with his family, but his wife Jules is weirdly obsessed with getting Camden back into the familial fold despite his reluctance to reconnect with his shady relatives and tragic legacy…and, of course, claim his sizeable inheritance. Although Camden and Jules are clearly devoted to each other, you learn that they are both withholding secrets from each other and while that would seem like the worst time to reconnect with your despicable cousins in their creepy old mansion and attempt to stake your claim on the whole den of vipers, we probably wouldn’t have much of a story if they didn’t, right? And it was a pretty twisty, captivating story too, right up til the end, which I thought was exceedingly clever.

Ripe by Sarah Rose Etter was a panic attack on speed. This story, both all-too anxiously, heartbreakingly real, and yet vaguely, weirdly magical realist, follows Cassie from the cruelly competitive environment of her Silicon Valley tech/marketing job to her home life, which includes toxic, terrible friends, an occasional lover that technically belongs to someone else, and a long-distance relationship with her parents that does more harm than good. And while we follow Cassie, so too does the ever-expanding black hole that’s accompanied her for her whole life. Cassie’s loneliness and desolation –and that of the city she lives in–are captured in the author’s lush, dreamy prose and passages in which I forgot for a moment that I was reading about profoundly unhappy characters who deeply hate themselves. At this story’s heart is the question, “How does anyone bear themselves?” And the end shows us, in the starkest manner possible, that they simply don’t.

The Trap by Catherine Ryan Howard Told from multiple points of view, The Trap explores the circumstances of three missing women in Dublin and the people who are resolved to find them and/or decipher the mystery of their disappearance. There is Lucy, the sister of Nikki, who had gone missing the year before and whose life is on hold, unraveling with the unknowing. There is Angela, a civilian working in the Missing Persons Unit who hasn’t yet passed her physical but is determined to prove her worth, and, unexpectedly, the killer himself, who shares their history of urges and crimes. Though I found the premise and the individual stories intriguing, as the story unfolded and the twists were revealed, it felt like the story fell apart with the decisions and behaviors of the characters not making much sense at all. I had a lot of fun with and quite enjoyed Run Time and 56 Days by this same author, but I’m not so much a fan of this title.

In Delicate Condition by Danielle Valentine, Anna, an actress approaching middle age who has finally secured the role that’s put her on the map, is desperate to have a baby with her husband Dex. She has undergone several painful rounds of IVF to achieve this dream and finally becomes pregnant. For what should be a joyous time, however, the pregnancy is immediately fraught. Everything feels “off”, Anna is experiencing much more pain and discomfort than is normal, and there are strange and unsettling occurrences happening around her. It seems that externally, someone–perhaps a stalker?– does not want her to have this baby, and internally, the baby seems…well, rather monstrous. In this twisty, creepy thriller, nothing is quite as it seems for either Anna or those of us following along …is someone threatening Anna and her unborn child? Or trying to warn her of the danger posed by what she carries inside her? I kept shuffling this one to the bottom of my TBR pile, and shame on me for that because it’s intense and atmospheric and SO GOOD. CW: lots of pregnancy body horror and scenes of miscarriage.

The Followers by Bradeigh Godfrey As irritating as I find social media influencers, I am also hopelessly fascinated by them, so I don’t think I’ll ever get tired of seeing them as characters in mysteries, thrillers, and horror novels. At their best, we’ll get to see their humanity and a peek behind the “highlights reel” of their life, and at worst, well…perhaps they’ll get what they deserve. Mommy influencer Molly Sullivan is more or less a good egg and in the former category, and we read of her struggling to find like-minded friends in a new town and balancing a new marriage to a Scott, a private, introverted fellow, with sharing her life on social media, maintaining engagement with her followers and making good in her promise to always let them in on her authentic life journey. Meanwhile, she does make a new friend. A young woman named Liv, who is temporarily living locally to Molly and who thinks that Molly’s husband is actually the man who killed her sister and kidnapped her niece over a decade ago. As Molly and Liv’s friendship deepens, Liv is increasingly convinced that she has tracked down the right man…but then, who is the stranger creepily sneaking around and watching all of them? I don’t love romance mixed into my thrillers and there is a lot of that in this one but it’s not shoehorned in or handled sloppily, so it’s tolerable in a story that’s fast-paced and a lot of fun.

Never Whistle At Night: An Indigenous Dark Fiction Anthology  From the beautiful cover art to the exciting line-up of authors and the enthusiastic forward by beloved contemporary master of horror Stephen Graham Jones, I had high expectations of this right from the start–and I was not disappointed. Never Whistle at Night is an outstanding gathering of eerie stories that speak to an expansive range of indigenous experiences, exploring the darker aspects of their history and culture. This felt like a thoughtfully–even lovingly–curated collection of tales involving both everyday, mundane horrors of colonialism, identity, and power dynamics as well as fantastically supernatural curses, creatures, and monsters–the monsters calling from both within the house and outside in the darkness. Though there were some offerings I liked more than others, I enjoyed almost every single one of them, with a good handful of them I would have liked to have seen in longer form because they were just that incredible. But I say “almost every single one” because there was one that bored me stiff after a few pages, and I gave up. That story aside (and who knows, I may give it another try), this was a phenomenal anthology.

The One That Got Away With Murder by Trish Lundy What are the chances of becoming involved with not one–but two– suspected murderers when you’ve transferred to a new school to run away from your own checkered past and all its demons? Lauren and her mother move to the idyllic-seeming town of Happy Valley, Pennsylvania, after a fiery incident that leaves her a mentally and emotionally scarred social pariah. Things aren’t looking so great in her new school, either, when Lauren’s classmates and soccer teammates begin avoiding her and harassing her when they realize she’s hooked up with local-rich-boy-with-a-bad-reputation Robbie Crestmont. Folks in the town blame Robbie for the death of his girlfriend, and funny enough, Robbie’s brother Trevor also has a relatively recently deceased girlfriend himself. In desperately trying to unravel the mystery of the murders and the family at the heart of them, Lauren is also tangled in the guilt and grief from her own past–which may be blinding her to dangers that are much closer to her than she can even conceive. I read this propulsive thriller pulsing with secrets and twists over the course of a single evening, and it was a great time all the way through.

Green Fuse Burning by Tiffany Morris Struggling with grief after the death of her father and coming to terms with the unsaid but inevitable dissolution-in-progress of her current relationship, artist Rita is primed for my favorite horror subgenre of a story: “artist goes off to create in seclusion; weird shit ensues.” Spending a week at an isolated lake local to where her father grew up, Rita takes advantage of her girlfriend having forged her application–and having won– an artist’s residency complete with a creepy cabin in the woods, with some local folks behaving weirdly, as an extra treat. Rita begins to experience strange visions/hallucinations and possible instances of lost time or what might seem to be out-of-body experiences, and her resulting artworks reflect both her mood, the atmosphere, and her either literal or metaphorical (both? neither? not sure what was going on, really) journeys and experiences while exploring the land and the lake around the cabin. Morris’ writing is breathtakingly gorgeous, from the descriptions of the landscape to the artful essays detailing each painting, in the voice of an art critic. Overall, I’m not sure I completely loved the story but I definitely appreciated the lens of beauty, terror, and decay that it was written through

Mary: An Awakening of Terror by Nat Cassidy This is a title that had been languishing in my TBR pile for a year or so, and man I really slept on it. Turns out that middle-aged, menopausal Mary is probably my all-time favorite character and I am sorry I waited so long to get to it! Hot flashes are one thing, but grotesque hallucinations, losing time, and homicidal urges? Mary’s pretty sure something’s not quite right but of course, her doctor just pooh-poohs her concerns. I know I haven’t said much but don’t want to say anything else and risk having said too much! This book is gross and fun and you might think “What business does a man have writing about a middle-aged woman?” I thought that, too. Make sure you read the Afterword.

Lapidarium: The Secret Lives of Stones by Hettie Judah.  Have you ever gazed into a stone and wondered as to the stories it stores? The powers it possesses? In her fascinating book, Lapidarium: The Secret Lives of Stones, Hettie Judah explores the hidden history of these lithic marvels, from their role in ancient cultures to their modern-day influences and uses. An absolute feast for the senses, the book itself feels very much like a collector’s treasure hoarded wunderkammer of mythic and mysterious curiosities. It is split into six sections (Stones and Power, Sacred Stones, Stones and Stories, Stone Technology, Shapes in Stone, and Living Stones), and each section reveals a chapter devoted to unearthing an individual stone with imaginative, artful descriptions and a pretty wild, or wildly fascinating story connected to each stone. It’s a stunningly presented and designed book, with color-coordinated pictures and beautiful illustrations by artist Nicky Pasterfield for each stone, evoking the charming pictures in old geological and scientific publications. Referencing science, history, chemistry, physics, literature, philosophy, and pop culture, Lapidarium is an extravagantly storied chamber of stones, the next best thing to having a secret sparkling cache of curios at your fingertips. Writing with humor, compassion, and wit (I cackled out loud more times than I can count), Hettie leads us sure-footedly on our craggy journey down a glittering path of 60 mineralogical eccentricities, ancient souvenirs of deep-Earth drama, and travelogues that cross the strata of time as well as space. I wrote an in-depth review of this book here on the blog earlier this summer.

Rabbit Hole by Kate Brody The older I get the more I devour stories about the messy lives of 20-somethings who seem to be perpetually teetering on the brink, or maybe perpetually trapped in free-fall. Wildly careening out of control, numbing with sex, drugs, and dangerous, stupid scenarios, it seems like they never quite hit bottom, yet it’s always too late to stop from tipping over the edge. They fixate and fuck up and fail spectacularly–out of school, jobs, relationships–they can’t seem to get a grip on the messiness of their lives and it spirals ever further into chaos over the course of the story. I might be so obsessed with these characters because, in my late teens and early twenties, my life was practical and predictable;  I held down jobs while attending school and paying rent. I didn’t always get it perfect and my family had its own issues, but my life looked nothing like these books. Then again, my sister did not disappear and eventually become an unsolved cold case, and my father did not die by suicide, consumed by grief and guilt, ten years later. That’s a lot of loss and trauma, and that is what our main character Teddy is grappling with. Teddy begins to piece things together from Reddit threads and accounts she finds on her father’s computer, she falls into an uneasy friendship with an amateur internet sleuth, and becomes involved in a fraught relationship with an older man that she suspects had something to do with her sister’s disappearance. Her job performance as a teacher at a local private school becomes more and more erratic and her life is basically going to shit –and she’s not doing anything to stop it. It’s such an uncomfortable, unrelenting study of a grieving person that it feels almost exploitative in a morbidly fascinated “I can’t look away from this train wreck” kind of way. It wraps up confusingly and abruptly, and I am a little embarrassed to say that toward the end I had no idea what was going on. It’s not that it seemed all that complicated or twisty, and yet I still couldn’t really figure out what was happening. Up until that point though, I couldn’t tear myself away.

 

MYSTERIES/THRILLERS

The Night She Disappeared by Lisa Jewell A young mother and her boyfriend go missing in an English village after partying with some friends. A year later, a writer moves into town and is drawn into the mystery thanks to some strange clues left on her property.  This was a thoroughly engrossing story, I’m learning that you simply cannot go wrong with a Lisa Jewell novel.

The Family Game by Catherine Steadman Novelist Harriet Reed is finally getting to meet her fiance’s wealthy family and soon realizes that there’s gonna be a lot of weird and dangerous hoops to jump through if she wants to be part of the clan.

The Hunting Party by Lucy Foley  A group of friends get together at an isolated hunting lodge during a winter storm, and the usual secrets and murders ensue. Lucy Foley’s always fun with multiple POVs and timelines that shift from the recent past to the heart-pounding present, and there’s usually never a dull moment.

I Didn’t Do It by Jaime Lynn Hendricks A murder at a mystery/thriller writer’s convention! Could anything be tackier or more sensational? If you think you know from the get-go what’s going on, you’re probably right.

The Vanishing Hour by Serafina Nova Glass After a horrifyingly traumatic experience, Grace has sequestered herself away from the world working at a small, coastal town bed and breakfast. As the season comes to an end for the summer, she is startled by a last-minute guest who brings with him the very kind of trouble she’s been trying to run away from. This is the second or third thing I have read from this author and while they all seem wildly implausible, they’re so well-written, I don’t care. (How are nit-picky details in a thriller more implausible than say, ghosts or vampires? Shut up!) On A Quiet Street x

The Last Word by Taylor Adams Even more implausible (but fun as hell so who cares) was this book about a woman staying at an isolated beach house who becomes the target of a stalker after she has written a negative review about a really terrible horror novel…and the author doesn’t much care for her opinion.

 

GRAPHIC NOVELS

Wonder Woman: Ars HistoriaThis story of how the goddesses of Mount Olympus were just fed up with men, and how the Amazons subsequently came to be, was breathtakingly gorgeous and a powerfully moving read.

Trve Cvlt by Scott Bryan WilsonWeirdly enthusiastic fast food employees get caught up in the lunacy of a satanic cult’s search for an ultimate weapon

Night Fever by Ed Brubaker This was a noir-type story of a middle-aged traveling salesman who gets caught up in a nightlife-fever dream of brutality and debauchery on one of his business trips abroad. A “shining the light on the violence within men’s hearts” series of vignettes.

Hauntology by Jeremy Haun An interesting diversion

 

POETRY

SUPERDOOM by Melissa Broder I did not love these poems nearly as much as I loved the title of the book. There was an unholy number of instances of the word “cock.” I like my poetry dickless, honestly.  Dick-free poetry only. No thank you and good day.

Small Crimes by Andrea Jurjević  An intimate wander through the horror and beauty in early 90s Croatia during the war, and then later in America, after the war. Raw and rich with hope amidst ugliness and despair,  dark with the scraped and scabby wit of a perpetually open wound, this collection affected me and resonated with me much more than the one above.

The Hocus-Pocus of the Universe by Laura Gilpin Unfortunately, I think the devastating two-headed calf poem gave me higher expectations than this book could ever deliver on. At this point to make such a reference is sort of low-hanging fruit, but there was definitely a Rupi Kaur-like quality to several of the poems, a bland vapidity that was so on-the-nose that nothing actually meant anything, everything felt shallow and empty. I was disappointed to discover that, because again–that two-headed cafe poem! I cry if I even think about it! The rest of the collection gave me nothing to think about at all. That feels like a really horrible thing to write. Let’s chalk it up to an instance of over-inflated expectations.

 

 

HORROR/FANTASY/SPECULATIVE

Lone Women by Victor LaValle Adelaide is an isolated homesteader making a new life for herself out west, and her story is one of monstrous secrets and terrible burdens and dark pasts, and there is an aspect of it that reminds me in a way of a book that I desperately want to mention, but I feel like if I do, that will somehow spoil a little something about both books. I’ll just say the book that springs to mind is by Terry Pratchett. If you’ve read both and somehow are reading my mind and the connections I am making, please tell me! At any rate,  never has a story drawn me in with such immediacy and immersed me so quickly and completely.

Weyward by Emilia Hart I had been putting off reading this for the longest time. The reason is that I kept seeing on friends book lists, and these are friends that I associate with Fantasy with a capital “F.” Which is all well and good for visual art and cinema, but as an adult, I like my fantasy a little more low-key, sneaking into the lives of regular people who are firmly rooted in my world. It turns out Weyward is more witchy than fantastical, following the lives of three women across multiple genergarions who are born with mysterious gifts, and who are either learning of, accepting, or dealing with the consequences of their remarkable powers. It’s a really lovely book, and if you dream of living in a lonesome little cottage with a garden just outside your window, where you hear lashes of rain in the springtime and birdsong in the summer, you will love this book as much as I did. As I am the last one in the world to read it, I am probably preaching to the choir here.

Camp Damascus by Chuck Tingle This is an unfair assessment, but I’ve never read Chuck Tingle’s books, only giggled at their silly titles. I was surprised at how…lucid… this story of conversion therapy via demonic possession was. I realize “lucid” is a very low bar for reading material.

We Spread by Iain Reid You never know what you’re going to get with Iain Reid but at least I didn’t want to hurl this particular book about an unsettling elder-care home and its appalling secrets into the sea, like I did with I’m Thinking of Ending Things. I’m afraid the title “We Spread” somewhat hints at the mystery, but even recognizing that, there’s still about about the story that I didn’t quite get.

Finna by Nino Cipri This was a quick little read about navigating codependent relationships and the messy breakups that sometimes follow…which is even worse if you have to work together. Even worse than that, when interdimensional wormholes open up at the  IKEA-esque superstore where you’re both employed. Very queer, weird, anti-capitalist fun.

The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix I loved Patricia, a gracious southern housewife whose family kind of sucks but who finds connection and kindred spirits in the women in her community and their unexpected book club. An interesting new element is introduced to the neighborhood in the form of James, a charmer under whose thrall the majoirty of the town eventually succumbs.  Patricia begins to suspect terrible things about James and this is where the book becomes massively uncomfortable for me. The gaslighting is off the charts, the community’s treatment of Patricia–even from her friends– and the way her husband and children behaved toward her, made me nearly physically ill. And these next issues are not typical of a Grady Hendrix story (at least not that I can recollect) but I hated the male gaze-y way the characters were handled; I am referring to scenes with both Slick and Patricia’s daughter, after their individual assaults. And even the fact that there were instances of sexual assault at all–I found pretty shocking. Not shocking for horror. Not shocking for horror written by a man. But shocking to have read it in this author’s books. It made me sad if I’m being honest. I expect all manner of marvelous, freaky ridiculousness from Grady Hendrix. But I don’t expect this.

The Watchers by A.M. Shine  This tale of a remote forest, the people who become trapped there, and the sinister inhabitants of its ancient realms is intense and creepy, but the writing is a bit weird. For example: our main character for reasons that sort of make sense as they relate to the story, gets lost in the forest with a parrot. The author frequently refers to it as “the yellow one”–not “the bird,” not “the parrot,” not even by its name. It’s one of those things that becomes stupid and annoying after a while and you’re just like, “WHY? and it begins to affect your overall enjoyment of the story. That twist at the end, though!

You’re Not Supposed to Die Tonight by Kalynn Bayron This was a lot fun

She Is A Haunting by Trang Thanh Tran I loved this one, recommend for sure

These Fleeting Shadows by Kate Alice Marshall I did not care for this one

Monstrilio by Gerardo Sámano Córdova This one was super interesting, highly recommend

Hidden Pictures by Jason Rekulak This was just sort of whatever

 

 

LITERARY FICTION (not trying to be pretentious here, but really didn’t know how to categorize these)

Lonely Castle in the Mirror by Mizuki Tsujimura  Middle-schooler Kokoro is shy and struggling and has not been to class in quite some time. Her classmates are bullying her, and what begins as anxiety and fear about going back to school becomes a phobia about even leaving the house at all. Her parents are frustrated and are seeking out alternative schooling options, but for the time being, they allow Kokoro to stay home while they work during the day. One afternoon, a portal appears in her bedroom mirror, and she enters to find herself in a castle …where six other kids her age have apparently found their way as well. They learn they have some interesting things in common and were summoned for a reason, but they only piece it all together over the course of getting to know each other and becoming friends. I loved this magical, heartwarming story, and guess what! It’s a movie, too!

The Subtweet by Vivek Shraya Two musicians connect, and briefly share a profoundly close friendship; fame, envy, self-doubt, and the internet ruins everything

The Guest by Emma Cline Alex is a hot mess express, pretending to be someone she isn’t at every turn, grifting and scamming her way through the Hamptons. I read this in an afternoon and was stressed out every second.

All-Night Pharmacy by Ruth Madievsky See above Rabbit Hole review re: chaotic 20-somethings and their messed-up, violent, strung-out, sexy lives. Sprinkle in complicated siblings, magical realism, mysticism, and a more satisfying (although maybe the slightest bit cheesy?) ending.

Maddalena and the Dark by Julia Fine  An atmospheric, dark academia(esque) fairy-tale (sorta) about the budding friendship between Maddalena, the daughter of a wealthy Venetian family, and Luisa, an orphan at the Pieta, where girls are schooled in the musical arts. At turns devoted to each other and obsessed with each other, the shifting power dynamics and feverish desire between the two will be the undoing of one of them.  Which is all to say…ooof, I hope you never have a friend like Maddalena.

Chrysalis by Anna Metcalfe Captivating and frustrating

The Vegetarian by Han Kang Skip it

Yellowface by RF Kuang Definitely do not skip it

 

I did not finish the following books. In the majority of these instances, I didn’t even make it a quarter of the way through. In a typical reading year, I might have been a bit more forgiving of plots that did not immediately hook me in, or whatever other various issues I had, but for these purposes, I figured I just didn’t have time to dick around if I am trying to reach a goal.

The Witcher this was gross and rapey, I’ll just watch the shows and play the games

The Force of Such Beauty Barbara Bourland this was taking to long to go anywhere; life is short and who knows how much time I have left

The Handyman Method under no circumstances will I partake in the tedium and existential angst of a long, boring trip to Home Depot

Everything the Darkness Eats sorry Eric LaRocca, I could not get into this at all

 

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At the start of September I was pretty bummed because Florida Septembers are not super magical.  I don’t know what it’s like where you’re at, but in Florida, autumn really seems to dither and dilly-dally and lollygag and all those funny old-fashioned words that mean something’s taking too effing long!

So I  just did all the autumn things I love anyhow, to make myself feel better and perhaps summon some autumn feels while I was at it… and I thought it might be fun to film them along the way for a MONTAGE. Who doesn’t love a montage?  So yeah, here’s 3 weeks of homebody autumnal stuff distilled into about 5 minutes worth of video.

My videos aren’t like the top quality or whatever, but I have fun making them, so I hope you will give it a watch! And as per usual, everything mentioned in the video can be found below.

🎃 wreath and felt woodland creature dangle from World Market
🎃 pumpkin spice creamer recipe
🎃 sourdough bread recipe 
🎃 pumpkin bread recipe
🎃 Dragonhoard yarn
🎃 Comfort Fade cardi pattern
🎃 Zoologist Bat https://www.zoologistperfumes.com/pro…
🎃 Chris Collins Autumn Rhythm
🎃 Solstice Scents Estate Carnation
🎃 Pineward Fanghorn II
🎃 bloodmilk x BPAL Owl Moon
🎃 Arcana Wildcraft Holy Terror 
🎃 BPAL Limited Edition Pumpkin Smut is not available but their 2023 Halloween collection is live!
🎃 Botanical Interest seeds
🎃 Camp Damascus by Chuck Tingle 
🎃 Lone Women by Victor LaValle
🎃 Let Him In by William Friend
🎃 Never Whistle At Night : An Indigenous Dark Fiction Anthology
🎃 Mary: An Awakening of Terror by Nat Cassidy
🎃 The Watchers by A.M. Shine

 

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Were you a youngster who was obsessed with the Golden Girls and the Guardians of the Gemstones toys, and did you long for one of those National Geographic rock tumbler kits? As an adult, did you fall wistfully in love with the colorful whimsy of Steven Universe and his staunch protectors, Pearl, Garnet, and Amethyst?

When visiting a natural history museum, do you make a beeline for the glittering treasures of the gem and mineral rooms? Is Splendor your favorite board game because you love hoarding the jewels like a greedy dragon, and truly you don’t give a fart about the mechanics and strategies of gem mines, trade routes, or gaining wealthy patrons? Is that too niche a reference? Are you still with me?

Smithsonian’s mineral and gem collection at the National Museum of Natural History. My photo.

 

Steven Universe, created by Rebecca Sugar

Have you ever gazed into a stone and wondered as to the stories it stores? The powers it possesses? In her fascinating book, Lapidarium: The Secret Lives of Stones, Hettie Judah explores the hidden history of these lithic marvels, from their role in ancient cultures to their modern-day influences and uses.

An absolute feast for the senses, the book itself feels very much like a collector’s treasure hoarded wunderkammer of mythic and mysterious curiosities. It is split into six sections (Stones and Power, Sacred Stones, Stones and Stories, Stone Technology, Shapes in Stone, and Living Stones), and each section reveals a chapter devoted to unearthing an individual stone with imaginative, artful descriptions and a pretty wild, or wildly fascinating story connected to each stone.

It’s a stunningly presented and designed book, with color-coordinated pictures and beautiful illustrations by artist Nicky Pasterfield for each stone, evoking the charming pictures in old geological and scientific publications.

 

Referencing science, history, chemistry, physics, literature, philosophy, and pop culture, Lapidarium is an extravagantly storied chamber of stones, the next best thing to having a secret sparkling cache of curios at your fingertips. Writing with humor, compassion, and wit (I cackled out loud more times than I can count), Hettie leads us sure-footedly on our craggy journey down a glittering path of 60 mineralogical eccentricities, ancient souvenirs of deep-Earth drama, and travelogues that cross the strata of time as well as space.

Amongst these essays exploring how human culture has formed stone and, conversely, the roles stone has played in forming human culture, one will read of the Meat-Shaped Stone of Taiwan, a piece of banded jasper that resembles a tender piece of mouth-watering braised pork belly, There is the soap opera melodrama of Pele’s Hair, golden strands of volcanic glass, spun into hair-fine threads by volcanic gasses and blown across the landscape. And not to mention the hysterical metaphysical WTFery of angel-appointed wife swaps in the chapter of alchemist and astrologer John Dee’s smoky quartz cairngorm, as well as, the mystical modern-day TikTik moldavite craze vibing amongst those of the witchy-psychic persuasion. I cannot even tell you how many times I paused in my reading to open a new Google tab and research, thinking, “holy fake crystal skulls/malachite caskets/pyroclastic flow rap lyrics! I gotta learn more about this!”

From the elegance of emerald moons to humble fossilized feces, from violent lunar origin stories to simple earthen pigments, Lapidarium is richly abundant with interesting facts, poignant stories, and weird anecdotes about stones. And though I read this book straight through from start to finish, this is absolutely the sort of bibliomantic tome that one might flip through at random, choosing a chapter based on mood or whim: learn a weird rock fact, let it lodge in your brain like a wayward pebble in your shoe, and allow it to guide your energies for the day.

 

 

After finishing Lapidarium, I realized I could have happily spent loads more time in the terrestrial spectacle of those enigmatic realms, but once you get to the acknowledgments, that’s pretty much the end of the line (I read them all, anyway!) Not yet ready to leave this post-book mental space now lit crystalline and glittering with the fruits of the earth thanks to Hettie’s heady prose, I thought I might ask the author and art historian a few questions–which she kindly answered for me, below.

Unquiet Things: I’m curious whether you started this book with a favorite gem or stone in mind, but after your research and writing, you perhaps had some markedly different favorites.

Hettie Judah: I guess when I started, I was thinking more in terms of stone objects and artefacts – I’d probably have told you my favourite stone was a black opal from Lightning Ridge in Australia. In working on the book I became more interested in the way stone forms not only landscape, but the cultural expression that has played out within that landscape – whether that’s the standing stones of Avebury and Stonehenge, most of which are huge sarsens that used to lie around that landscape like flocks of sheep, or the marble of Paros and Naxos that established a specific aesthetic for temple building in Ancient Greece. When people ask me my favourite stone I usually tell them it’s the limestone under the Yorkshire Dales, a beloved piece of the British landscape – beauty of a different order to that of a ruby or moonstone.

Unquiet Things: In the vein of your research, what was one of the most surprising or strangest things you learned while digging into mineralogical science, history, legend, and lore?

Hettie Judah: The quest for the mythic philosopher’s stone crops up in a few different stories in the book. Alchemists got up to some pungent activities – Paracelsus suggested you could grow a human being by ‘placing’ semen in a flask, then burying the flask in a pile of warm horse manure and, after a set period, feeding it with a specially treated form of blood. The alchemical language of proto-chemistry was very much one of sexual intercourse – the male element reacting with the female element to produce a new substance – some of the language we use today still derives from these ideas. We talk about finding a crystal in a rock ‘matrix’ – as though the plain old ‘mother rock’ had given birth to a gemstone.

I love the legend of the Indian Valley of the Diamonds, said to be an inaccessible crevasse, the floor of which glittered with gemstones. Diamonds are lipophilic – they stick to fat. So the legend went that gem hunters would lob pieces of fatty raw lamb into the valley, and eagles would swoop down to pick them up and fly back up to their nests with gems embedded in the fat. The eagles would eat the meat, leaving the diamonds, which the gem hunters later retrieved. The legend was so well established that the symbol for India on European maps used to be the eagles carrying diamonds up from the valley.

Unquiet Things: There were many times I found myself giggling at a playful turn of phrase or peculiar fact while reading; there’s nothing I appreciate so much as learning and laughing at the same time. Looking back, is there a particularly weird or wacky excerpt, sentence, or even an entire paragraph that you find yourself thinking, “Well, I never imagined that was a thing I’d write about rocks!”

Hettie Judah: The early 19th-century geologist and theologian William Buckland was a magnificent source of wild stories – he was zoophagous, and apparently attempted to eat his way through the animal kingdom (and once authoritatively identified bat dung by taste). He was also fascinated by coprolites – petrified poo – and commissioned a decorative pietra dura tabletop to be made from his collection of fossilised fish turds.

I was determined to get kryptonite into the book – how can you have a collection of stories about stones without one on kryptonite? My editor was adamant that I couldn’t include it because it wasn’t ‘real’. So finding a great story about moldavite – basically ‘real’ kryptonite – was such a gift. I really enjoyed writing that one.

Overall, in every facet, Lapidarium: The Secret Lives of Stones is a brilliant must-have for anyone who has ever been fascinated by stones, either as a child or as an adult today. And as it happens…I have an extra copy of Lapidarium and am happy to share it with one reader of this blog post.

Not that I believe you need any convincing at this point, but …

💎 If you love stones, then this book is a treasure trove of information about all sorts of stones, from their scientific properties to their cultural significance.
💎 If you’re interested in history, then you’ll love learning about the role that stones have played in human cultures throughout the ages.
💎If you’re looking for a book that will transport you to far-off lands,  Hettie’s stories will take you to the mountains of Appalachia, the beaches of South Wales, the caves of Mexico,  Russian palaces, and Brazilian churches–and everywhere between and beyond.
💎 If you’re longing for writing that will make you think, you will enjoy pondering the author’s explorations of the philosophical and spiritual dimensions of stones, and our relationship to the natural world.

If you would like to win this copy of Lapidarium, please leave a comment in today’s blog post with your favorite stone or “rock fact,” and I will choose one winner from amongst those comments on Friday, August 18th. Due to shipping costs, this giveaway is limited to US readers only.

[THE GIVEAWAY HAS ENDED AND THE WINNERS–DARLA AND HAYLEY– HAVE BEEN CONTACTED. THANK YOU EVERYONE FOR READING AND SHARING.]

 

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Summer is rough for me. Always has been. I know it is for a lot of people. From mid-June until late August, I feel like the human equivalent of a rotten, infected belly button, and the mere act of existing feels like an enormous effort.

As we’re getting into the part of the year when the seasonal ennui really gets its grip on me,  I’ll let you know that this installment of Stacked is very half-assed. Why bother at all, you might wonder? I’m wondering that as well. But if I don’t follow through on at least something, I will feel like an even lousier rotten belly button, so here we are.  While I’ll make sure to share all the titles of everything I read from April through June of 2023, not all of those books will get a review.

Here’s where I try to explain my process, how some of these things have reviews, and some don’t, even though some of them might actually have been more exciting or compelling reads. I try to be diligent about recording my thoughts pretty quickly when I finish a book I’ve read for NetGalley (I don’t want my rating to go down, hee hee!), and so once I’ve written it for Netgalley, I just put it in a draft here to hang out on the blog. But library books or items from my personal collection that there’s no urgency to review right away? If they are exceptionally blah, I’ll forget them in a day or two. And if conditions are right, like, say, I’m hot and tired and miserable? I’m apt to be forgetting the really good ones, too. Suffice it to say, there are a lot of Netgalley ARCS in this blog post, though it’s possible some of those ARCS are published now.

You might wonder how I grow my “To-Read” lists or where I get my recommendations. I was going to start that sentence, “People often ask me…” but that’s a total lie. No one ever asks me that. Sadie Hartmann has loads of horror suggestions over on Instagram, and on YouTube, Elizabeth has tons of thrillers and horror reviews at Reading Wryly, and Jen Campbell’s channel brims with lists of speculative and literary fiction as well as poetry.

When I was in elementary school, in the sixth grade, I was a bookworm. Are you shocked?? I hope you were sitting down for that!  I never really thought of myself as a nerd, though. Until popular mean girl Mary Josenhans told my sister (also named Mary), “Your sister reads ALL the time. She’s a NERD.” First of all, I don’t know why sixth-grade Mary J. was talking to my fourth-grade sister. Stay in your lane, kid! Secondly, she said “nerd” like it was gross, dirty, or bad. Like it was something to be ashamed of. Like my sister should have been ashamed of me.

I don’t think my sister ever was, but from that day forward, I harbored a fierce, fiery hatred in my heart for Mary J., for trying to make my sister feel something ugly about me. It was worse than making me feel directly bad about myself, see? And those feelings of shame and ugliness and uncoolness were wrapped up for me in nerdery and book wormery for the longest time. Not that it ever stopped me from reading or loving the things that I loved, but it sure put the kibosh on ever getting a sense of feeling …”cool” for loving any of it at all?

(Also, for the longest time, I dreamed about walking up to Mary J. and straight up punching her in her mean, stupid face.)

But yesterday, while exchanging book recommendations via Instagram DMs with one of the very coolest humans I know, it occurred to me…wait a second. This person is COOL AS HELL. And we are talking about books. One of my favorite things in the world. We are having a cool conversation about a cool thing. AM I A COOL PEOPLE???

Oh, fuck off, Mary Josenhans. Go read a book.

 

 

Linghun by Ai Jiang The grieving families who inhabit the neighborhood of HOME will go to unspeakable lengths for the opportunity to move into houses which *may* possibly be haunted by their loved ones. That’s what Wenqi’s parents are hoping for, the chance to connect with the spirit of their son, Wenqi’s older brother. Wenqi herself, as do many characters in this story, suffers from heartbreaking neglect– her parents and the other mourners are so obsessed with communicating with the dead and those they’ve lost, that they’ve nothing left to give the living.  An aching meditation on the unclimbable mountain, the unhealable wound of grief, and how the melancholy of loss makes for dolorous ghosts among the living, Linghun will surely haunt my heart for some time to come.

This Thing Between Us by Gus Moreno is another book about grief and loss, but this one gets really freaky, glitchy, and hallucinatory. Thiago tells us of his late wife Vera, her funeral, the day she died, the life they shared, the…haunted, or possibly possessed, or possibly interdimensional cosmic horror entangled smart home device Vera ordered and installed before her tragic demise. Anyway. Grief fucks you up.

A Good House For Children by Kate Collins is a spooky, spellbinding contemporary gothic haunted house story, following Orla, a former artist/current mother who acquiesces to her husband’s wishes that the family pick up and move to a grand old house in a small village by the sea. The villagers hint at the house being “bad,” and a string of deeply unsettling things begin to occur in past and present timelines. A feminist ghost story with a haunted house where time isn’t quite fixed or linear, A Good House For Children is gorgeously creepy with many marvelously cozy elements, and the writing was lovely & soothing like the author also writes about knitting & baking in their spare time.

Looking Glass Sound by Catriona Ward Looking Glass Sound lulls you with the setting and circumstances of a coming-of-age experience that takes place among three friends over the course of an ill-fated summer in the late 80s. It’s one of those stories that softly strangles with a fraught, undefined sense of doom and vague, looming dread that has nothing to do with horror but rather the sweetly unbearable, eerily desperate poignancy of the passage of time, how hope and youth and friendship and loyalty will never feel the same again after you cross a certain threshold. It becomes a kind of fever dream, turned around and bewildering, where the people and their stories keep changing, moving, slipping from your grasp; nothing’s as you thought, and maybe you never properly understood the stakes of the story to begin with–or even whose story it really was. Circuitous and labyrinthine in its leading one towards and away from the truth, depending on whose truth it was, Looking Glass Sound left me with the most breathtakingly frustrating and beautiful ache in my heart, and honestly, it’s all I could want in a book by Catriona Ward.

Spin a Black Yarn; Novellas by Josh MalermanIt’s not enough to say this collection of stories was “weird.” I read a lot of weird stuff. I genuinely can’t say, story or theme-wise, if this collection was any more or less weird than anything else. I guess I mean to say it was a bit weird in tone and consistency. These five stories were at turns sinister and suspenseful, with two tales that actually elicited a proper goose-fleshed shiver, but then two other stories were a bit of a slog. The good: a nice balance of haunted house eerieness, cosmic horror mental deterioration, and creepy deathbed confessions. The not-as-good: a horrible couple gets what they deserve, and Russian brothers avenge the murder of their sibling. This last story read almost like something by Dostoevsky, with all the suffering, nihilism, intensity, and tedium I recall from Crime and Punishment or The Brothers Karamazov. I will always read a new title from Josh Malerman. Will I always love them? Probably not. And I can’t say that I loved this one, but the three stories I enjoyed in this collection were particularly good.

No Child Of Mine by Nichelle Giraldes I typically enjoy ghost stories with haunted houses and family curses, but this story of a couple’s unraveling after moving into a new house and learning of their unplanned pregnancy really missed the mark for me. It wasn’t the dual timeline element; I really enjoyed learning of Essie and Sanjay’s relationship in the present day, as well as Ana and Isabel’s beautiful bond in the past; it wasn’t the slow-burn pacing, I can appreciate taking the time to thoughtfully build a story up. No, I think what was missing is that the circumstances which connected these two couples across time was a more complicated situation than the author ultimately addressed, and I think the whys and hows of it even occurring at all needed more exploring. I get that the mystery of the paranormal should leave something up to the reader’s imagination, but I think, as a reader, I needed just a little bit more to work with.

The Sight by Melanie Golding Faith has grown up in the Harrington Carnival and loves her life with the performers–but they haven’t always loved her family back. A strain of divinatory curse seems to afflict some of the women in her clan, and the rest of the circus seems to think having death-predicting soothsayers hanging around is extremely bad luck and probably not great for business. Her grandmother Daisy was more or less banished when she spoke of a tragedy she foresaw, and Faith, having acquired the same “gift” as a child, has experienced similar visions –and their consequences in terms of being ostracized from her carnival friends and family. Now a pariah with no income, Faith must find a way to pay for her terminally ill mother’s home care, and along with her best friend Betsy, they hatch a scheme to capitalize on Faith’s gift. But what happens when in one of her “Oracle of Death” visions, it is Faith herself who is seen wielding the knife responsible for a stranger’s death? This is a fairly straightforward thriller with a hint of the supernatural and a twisty bit that I will admit I saw coming about 3/4 of the way through, and I won’t say what it’s about or who it pertains to, but if you’re paying attention to what’s there in front of you–and maybe what’s not actually there–it will fall into place for you as well. I thought this was a fairly compulsive read weaving together ideas of fate and destiny, family and tradition, and death and loss.

The Stranger Upstairs by Lisa Matlin Social media influencer and self-help author/therapist Sarah Slade thinks she’s hit upon a great idea–buy a notorious murder house, make renovations while documenting the whole thing and hopefully getting lots of likes and follows along the way, and then sell the restored home for a tidy profit. Right away, things seem a little weird; her husband barely wants to sleep in the house, no one local wants to do any work on the place, not only do the neighbors refuse to interact with them, but someone is actively trying to drive them away with threatening notes and dead rats, and even Sarah’s cat, Reaper, is acting off. The house, however, is the least of Sarah’s problems. The glossy social media facade hides a failing marriage, a past scarred by secrets, and, as it turns out, a host of mental, emotional, and pathological personality issues; Sarah is not the person her clients and employers believe her to be and for all of these reasons and more, she is probably not the best choice for providing anyone any therapy or counseling. As we watch as Sarah becomes ensnared in the house’s grip, we wonder if it’s the house itself or Sarah’s spiraling mental decline (and if you’ve read enough haunted house books in the past decade, you may have some other theories.) I enjoyed this story for its atmosphere and tension, and I loved the bones of the story itself. I even loved the *idea* of Sarah. I am not sure that I loved how the character herself was handled, especially all the wine-drinking. Far be it from me to say how characters suffering with substance abuse issues should be written, but something about Sarah’s drinking feels sloppily approached. Then again, alcoholism is kind of a sloppy thing to deal with (my family is full of them, so I feel like I can comment on this somewhat.) And this could just be a me-problem. But I found those portions of the book very uncomfortable to read. Otherwise, The Stranger Upstairs was pretty solid.

Dark Corners by Megan Goldin So a lot of this murdery thriller following a true-crime podcaster took place around Daytona Beach. And as a more or less lifelong resident of the place (I moved away last year), I was curious to see if they could convey the true and utter nastiness and skeeziness of the shitty little town I grew up in. I don’t want to give the author too much of a hard time or focus on the wrong thing here. but a major plot point was an “influencer convention” that was being held at a hotel in Daytona, and the main character was unable to find a room anywhere because there were IT, energy, and medical conferences being held in town at the same time, and all of the hotels were full. Yeah…no. No one will ever have an IT, energy, medical, OR influencer convention in Daytona Beach, FL. Bikeweek? Sure. NASCAR? Of course. Anything that requires a few more IQ points is most assuredly not going to happen in Daytona. And the influencer convention would have to take place somewhere much more glamorous than the sandy cesspool of Daytona could offer. All that aside, the story of this podcaster getting pulled in by the FBI to find a missing influencer was compelling enough to tear through it in a few days, and I will say that reading about social media influencers is a lot of fun, like reading about rich people is always a hoot. It’s a trip to see how the other half lives. And technically, while I found the writing and the language to be pretty plain and simple, no bells or whistles, the pieces of the story came together in a satisfying way in the end.

Mister Magic by Kiersten White Is there anything weirder and eerier than a childhood mystery recalled through an adult lens? Something you may have done or experienced or been a part of that, in retrospect, as an older person, just seems so surreal and farfetched and bonkers that there’s no way that could have happened, you must have dreamed it or imagined it? That’s how a swath of internet users of a certain age feel about an eccentric show called Mister Magic that mysteriously disappeared from the airwaves many years ago and which, strangely, one can now find no evidence of having existed. There are no producers, transcripts, camera people, or records of the show online–the blog posts and message boards even speculating about it seem to vanish without a trace. But the child stars who were at the heart of the show are quite real and are being gathered together for a podcast interview, which may, in fact, be heralding a reboot of the show. Once reunited, the characters start to feel pieces of themselves clicking back into place, it feels like being home–but at the same time, something strange is happening, and the reconnecting that’s happening is more than just lonely adults reunited with old friends. Wounds are being reopened, and traumas are surfacing. There is so much from their past with this tv program that has been repressed or that they never realized the truth of, to begin with, and there is more at stake with the reboot than they could possibly know. The author seems to be exorcizing some intensely personal demons with the book–which once you think about the locale and start putting pieces together, you guess it before the story gets there. But whether you relate to or have experiences with that kind of trauma or not, this was a great read, and I tore through it in less than a day.

Maeve Fly by CJ Leede Oh my god. Imagine a love letter to Los Angeles, written by a savage, sociopathic Weetzie Bat; a Takashi Miike film inspired by a series of Lana del Rey songs; a main character who is a Disney Princess channeling Patrick Bateman. Imagine there is also a reference to “Werewolf Bar Mitzvah” in these pages. You guys–the perfect book really does exist.

All the Dead Lie Down by Kyrie McCauley I really connected with our main character Marin. Always anxious, with a perpetual pit of dread in her belly, constantly fretting at how things can go wrong, a permanent state of caution and worry. And a perfect foil to Evie, the beautiful eldest sister to the girls Marin has been charged with nannying after her mother has died, and she has accepted an invitation to live with the Lovelace family at their secluded New England estate. Evie is bold and brash, and beautiful, and Marin is instantly intrigued. But the sisters are hiding something, and strange, unsettling things are happening in the old home and on the spacious, increasingly spooky grounds, and as Marin and Evie’s romance blossoms, a sinister decay deepens. I didn’t realize this was YA before I read it, but I found it to be the perfect balance of cozy-creepy atmosphere and charming love story, with some delightfully disturbing surprises.

 

Bluebeard’s Castle by Anna Biller So you take the Bluebeard story and give it a contemporary setting by way of a heroine obsessed with gothic romance tropes and 1950s Hollywood glamour and wrap it up in Anna Biller’s exquisitely packaged campy ambiance that borders on satire (but is it satire, or is it a very genuine homage?) as well as her very specific feminist philosophies revolving around catering to the male gaze and misogyny as a form of agency and empowerment, throw in some sketchy ghosts, family trauma, toxic friendships, terribly chic fashion, and salacious food porn and you have this head-scratcher of a book that you can’t seem to put down even though you find this brand of feminism too uncomfortable to either contemplate or participate in.

The Chateau by Jaclyn Goldis Four friends convene for a girl’s trip at a luxurious French estate, the ancestral home of grande dame Seraphine, who has called the women together for reasons of her own. There are tensions between the group from the start, and it’s not an entirely comfortable visit, despite the opulent accommodations. A shocking murder delays Seraphine’s revelations, however, and the four work mostly separately and against each other to unravel the mystery of the brutal crime–and why they were summoned to the chateau in the first place. Much in the way of secret, scandal, drama, and tragedy tangles these women together, and they’re not the most likable bunch, so it’s tough to know who to root for with these unpleasant characters. Despite that, this is definitely the sort of summertime twisty suspense r that I’m always happy to find and immerse myself in over the course of a June or July evening.

You Can Trust Me by Wendy Heard I had such a good time with this one! At first, as the story and the characters were being built up, I didn’t quite know where things were headed. Summer and Leo are two kindred spirits who found each other at just the right time in their lives. Summer is unbearably lonely having lived off the grid, with virtually no identity for her entire life, and gets by on her clever thievery and pickpocketing skills. Leo is a young woman who experiences a terrible tragedy, leaves home and winds up desperately panhandling in the streets of L.A. Their paths crossed, Summer took Leo under her wing, and they now live a free-spirited, nomadic lifestyle, stealing from clueless strangers and scamming bored rich men. And then, having come upon what she thought was a major score, Leo unknowingly targets the wrong billionaire and disappears somewhere on his luxurious private island. Frantic to reunite with her one true friend, Summer uses every trick up her sleeve to scam her way onto the island during an investor’s retreat so that she can get to the bottom of everything and bring Leo home safely. Despite being a somewhat twisty thriller, I loved how the themes of friendship, found family, and long-term effects of grief and loss were woven into the fabric of this story, and overall, I thought it was a really good time (which I always feel weird saying about murdery books, but eh, you like what you like.)

The Only One Left by Riley Sager The anticipation for a new Riley Sager book is exciting and nearly overwhelming. The plots, usually consisting of a woman realizing she’s in a strange/perilous/weird/haunted situation and trying to get to the bottom of things while staying alive, are the sorts of tales, written in Sager’s relatable (but never “basic”) voice and propulsive storylines, that immediately hook you and leave you breathlessly tearing through the pages. And then you get about 3/4 of the way through the book and realize, “Huh. Riley Sager’s done it again. I’m gonna hate how this ends, aren’t I?” The Only One Left, the story of a 30-something caregiver with a troubled past put in charge of caring for an old woman long suspected of murdering her entire family in an enormous crumbling cliffside mansion, is another one to add to the list. The stories sail along so thrillingly and adroitly, you can’t imagine how they’ll be wrapped up in a clever bow at the end…and that’s the thing. They never are. They always go off the rails in the most head-scratchingly unsatisfying way. This one plays out the same way. I know reviews are for readers, not authors, but Riley Sager, if you ever read this–I do actually love your books quite a bit, and I will be chomping at the bit to read every single new one you write. I don’t love how most of them end, but honestly, that’s a minor complaint. If I’ve enjoyed the journey–and I always do, Riley Sager– the ending isn’t the most important thing.

My Darling Girl by Jennifer McMahon If you’ve been looking for the Hallmark Christmas movie cozy-times version of an “is it family trauma or is it demonic possession?” horror novel, Jennifer McMahon’s My Darling Girl is everything you’ve been pining for. And you might think I’m saying that in a snarky, sneery way, but you know what? I am totally not. My advice? Save this for December when the wooly socks, hot chocolate, and twinkle lights come out of storage, and have a good time with it.

Her Little Flowers by Shannon Morgan Prickly middle-aged loner Francine lives with her occasional lodgers and her full-time ghosts in the relative isolation of her family’s crumbling estate. She spends her days tending her garden, immersing herself in herbal lore and the language of flowers, and silently communing with the various spirits on her property. Francine’s sister Madeline comes home to stay for a spell after the death of her 7th (!!) husband, and with Madeline’s arrival–which happens to coincide with the arrival of a handsome new lodger– there is no small amount of sudden and terrifying upheaval. Francine’s small world, kept so quiet and well-guarded, explodes around her in a whirlwind of long-kept secrets, terrible tragedies, and ghostly heartbreak. I found this story to initially be a bit meandering, but it picked up near the final chapters, and near the end, I was weeping uncontrollably.

The Fetishist by Katherine Min This book was an unexpected jolt, a startling “zjzjzjzzttt!!” metal fork to the socket of my reader’s soul. I had no idea what it was meant to be about other than a philandering Asian fetishist of a mediocre white man–but really, that’s just dumb Daniel, and that’s not even the whole of him, and he’s not even the half of it. There’s dazzling, dizzyingly passionate, and talented Alma, the love of his life, but whose orbit he felt eclipsed by; brittle desperate Emi whose affections he spurned; and furious, grief-stricken Kyoko–Emi’s daughter, hell-bent on vengeance, for she is convinced her mother died by suicide after Daniel ended their affair. Tackling themes of classism, racism, colonialism, and exploitation, as well as of regret, revenge, and redemption, and motifs of art and music and beauty, and language and imagery that is at turns bleak and playful (a passage in which comatose Alma, her coma toes, coma tossed comes to mind, hee!) these characters are full of surprises and The Fetishist is a singular and extraordinary book.

 

Malice House by Megan Shepherd Bamboozles and bonkers! I began reading this book because I thought it was one thing but it veered in a weird and wild direction and has become something else entirely! Is there a specific term/phrase/genre for the kind of book where everything goes along all normal-like, and then the story just veers sharply and becomes super weird and crazy? I am not talking about speculative fiction or magical realism. Have you read this book? Can you talk to me about what I’m getting at here. I also thought it was kind of funny that the character name-dropped Kelly Link (well, she mentioned Get in Trouble) and Victor LaValle.

Upgrade by Blake Crouch (audio book)Who knew being preternaturally smart could be so annoying?

Station Eleven by Emily Saint John Mandel People, patterns, the passage of time. Humanity, the interconnectedness of it all, this beautiful, lonely planet. This story is not at all what I thought it was going to be.

Good Neighbors by Sarah Langan A suburban neighborhood turns against a new family in a series of flashbacks and have never had a book make me feel so distressed and uncomfortable.

The Wanderers by Chuck Wendig in which I finally read a Chuck Wendig book and learn I am perhaps not a Chuck Wendig fan. Was this the wrong book to start with? It left a horrible taste in my mouth.

Carmilla: The First Vampire by Amy Chu this was an interesting adaption of Sheridan Le Fanu’s story, but is it weird to say that I wish that beautiful sofa had featured more prominently in the plot?

The Death of Jane Lawrence by Caitlin Starling was my first DNF of the year. I had to read 74 titles before I found one I couldn’t force myself to read; that should give you an idea of how patient I can be. I had my suspicions about it but gave it a go anyway. It turns out that I truly hate love stories. I got about a quarter through the book when I realized I was just wasting my time and could/should be reading something I enjoyed. Shortly thereafter, I had to do the same with The Quiet Stillness of Empty Houses by L.V. Russell (which sounds like something I should have enjoyed from the title, so I’m still a little sad about that one.)

Every Heart A Doorway by Seanan McGuire A really beautiful YA (?) thriller (?) about a school for children who tumble through doorways or portals to fantasy lands but who are cast back into the real world and who are now unmoored and adrift. The boarders at the school begin dying in brutal ways, and they must solve the mystery of what’s happening. I think this is a series?

Baby Teeth by Zoje Stage Psychopathic Hannah terrorizes her mother because she wants her papa all to herself. It was an interesting premise, but I found Hannahs’s machinations remarkably sophisticated for a seven-year-old? I think I might have really enjoyed this book anyway.

Such Pretty Flowers by K.L. Cerra In investigating her brother’s gruesome death, Holly cozies up to (and with) his shady girlfriend Maura, a florist, who lives in an amazingly atmospheric gothic apartment, which was almost a character itself. And that’s…all I remember. I really loved the idea of that apartment, though.

The Island by Adrian McKinty Against her better judgment Heather, a young, new stepmother, goes on a side trip with her bratty stepkids and her husband to a remote Australian island, and not long into their jaunt, they meet a strange pair of brothers, part of the larger clan that owns the island, and a terrible tragedy occurs. Poor choices and bad decisions worsen things, and Heather and her family soon realize they may not make it off the island alive. I had a weird time with this book. Half the time, Heather annoyed me, I thought every time she opened her mouth, she made the situation worse, and yet she really was a great character, and this book had some unexpectedly beautiful writing, far more gorgeous than you’d think a story like this might have called for.

 

SO. YEP…I READ ALL OF THESE…

Then She Was Gone by Lisa Jewell

The Night Shift by Alex Finlay

The Chalk Man by C.J. Tudor

Creeping by Mike Richardson

The Decacon House Murders by Yukito Ayatsuji

We Had To Remove This Post by Hanna Bervoets

The Marigold by Andrew Sullivan

…again, just because I don’t have anything to say about these books doesn’t mean they weren’t good, or even great (looking at you, The Marigold!) My head’s just not in it at this point. Anyway, that’s it for this quarter!

 

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Birthday, Dorothea Tanning, 1942

The Art of Fantasy: A visual sourcebook of all that is unreal has gone to the printer! I *think* it’s safe to begin sharing a few small peeks?

What was your first brush with the fantastical? For me, and undoubtedly for many, it was a naughty little rabbit in a blue jacket stealing Mr. McGregor’s veggies. For others, it may have been a maddening and enigmatic cat teasing a girl lost in Wonderland and who disappeared, leaving only a grin. Or, for an unfortunate few, it may have been lions, tigers, bears, and OMFG, ARE THOSE FLYING MONKEYS? A terrifying squadron of soaring simians swooping down from the sky to snatch up unsuspecting little dogs and haunting nightmares for many years to come!

 

Excuses, Schmexcuses, Femke Hiemstra, 2022
Shining Apples, Carisa Swenson, 2015

Though our grown-up appetites for fantasy creatures may have evolved beyond those of adorably floppy-eared childhood friends and expanded to include all manner of beasts with wings and horns, tails, and scales, we can’t deny that friendly or scary, naughty or nice, these creatures sparked our imaginations, populated our dreams and built the foundation for future stories and adventures. These small creatures were the gateway – or the guardians at the gate – to the magical critters and beasties that populate the fantasy media we consume as adults.

Today I am sharing a few of my favorite spreads from the Creatures Great and Small chapter of my forthcoming book. In these pages, you will find some old favorites, some older works that you may not have seen before, and loads of fantastical art from brilliant contemporary artists, too!

 

Straight on Till Morning, Maggie Vandewalle, 2018

 

Scowl, Annie Stegg Gerard, 2020

The marvelous menagerie seen in this gallery today includes work from Maggie Vandewalle, Annie Stegg Gerard, Femke Hiemstra, Carisa Swenson, Brett Manning–and of course, Dorothea Tanning (and I am not the layout designer, but I love that they put artists with rhyming last names in the same spread, how fun!)

Faerie Music, Brett Manning, 2021

Thank you to these wonderful artists for permitting me to include their magical creatures in my little art book, and I do hope that -if you are not already familiar with them–you will peruse their accounts and websites and come to adore their creations as much as I do!

And I cannot wait to share more such fantastical art and artists in the upcoming days! In the meantime, you can pre-order The Art of Fantasy wherever books are sold, and I hope that you do! As you hear all the time from every author friend, preorders are incredibly helpful & so on and so forth.

So kindly do so, or perhaps consider sharing this post or tagging a like-minded friend with a penchant for art, fantasy, and all things marvelous and magical. Thank you!

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Did you watch Darryl Hannah in Splash at a young age and dream for the next decade of diving into the ocean and magically becoming a mermaid with a sparkly orange tale? Did you regale your siblings with stories about fairy kingdoms and unicorn friends and revel in the imaginary worlds you created? Did you long to soar on a luck dragon, visit the Gelflings on the planet Thra, or envision yourself friends with a Fraggle? Were you a little weirdo who sat alone at recess or in the lunchroom, totally oblivious to what was going on around you, lost to the imaginative realms of immersive library books? Did you obsessively read pages and pages of D&D handbooks and manuals, familiarizing yourself with all kinds of monsters and spells and silently cursing yourself for being so shy and squirrelly because you’d love to actually have fantastical adventures with like-minded companions?

That was me! I did those things! (Or, in the case of Dungeons and Dragons, I never really did the actual thing, but that’s okay, RPGs are too much for this introvert!) I lost myself in fantasy via colorful fairytale picture books when I was younger; as a pre-teen, I grew into epic novels of the sword and sorcery variety, action-packed comic books, gritty contemporary folklore and fables, bizarre speculative fiction and weird tales, and of course, vast cinematic otherworlds –and whole other galaxies! – the fabulous and fantastic writ large on the big screen. And let’s not forget how I became a MtG enthusiast in my mid-30s!

I have been slipping into the other worlds of my imagination for as long as I can remember. It’s my favorite getaway, my default move. In short: I can’t help it! There is something irresistible about the imaginary, the uncharted and the unknown, worlds full of magic and mythical creatures, epic journeys across otherworldly landscapes filled with secrets and treasures. And I bet you’ve let me blather on about this for several paragraphs before busting out with I KNOW SARAH! I KNOW BECAUSE I DO THIS TOO! Well, okay, jeez.

So where is it that you disappear when you set reality aside, become entangled in a web of daydreams or lost in your own little world, and vanish into the fantastical landscape of your imagination? How are these far-flung realms of all that is incredible and unreal portrayed in the canvas of your mind? I don’t know about you, but I’d never be able to translate these highly imaginative but weirdly nebulous visions in my brain into some sort of tangible art form, but lucky for us, artists have explored imaginary worlds and fantastical creatures for centuries, expressing the mystical and mythical via various marvelous mediums.

Our most madcap adventures and extraordinary flights of fancy – the impossible stuff of daydreams and reverie – this is the fabulous realm of fantasy, and the spectrum of fantastic art is an abundant, richly diverse wonderland to explore. Artists throughout history have offered us myriads, multitudes, and multiverses of fantastical visions.

And I, in 2023, am pleased to announce that my forthcoming book, The Art of Fantasy: A Visual Sourcebook Of All That Is Unreal, is brimming with these irresistible artistic impulses…and it is available for preorder today!

Okay, so I’ll be honest with you. There are a lot of commercial enterprises tied up with fantastical art, some of them very big deal Intellectual Property, copyright, or franchise type of things, and so many artists/galleries/estates associated with these works are too big to notice lowly me or be particularly interested in contributing to my book. This made acquiring many of the works you might expect to see in a book like this pretty challenging; just look to my references in the first paragraph for an example or two of things I might have liked to have, but it was an utter impossibility*.

But you know what? Even with these struggles and issues, we were able to include SO! MANY! amazing artists and incredible works! I’m so unbelievably grateful for every single one of these creators, and there aren’t words enough to express my thanks. Some are beloved old favorites to soothe your soul, some I guarantee will be exciting new treats and surprises to thrill your eyeballs, and several for me personally– total dreams come true!

*I’m mentioning the absence of specific works or artists because I foresee a lot of fantasy-nerd-bros coming at me, hollering, “You forgot x/y/z!” and no, bro, I probably didn’t. Also, don’t be a bully; we’re all nerds here, we know better.

Anyway, here it is! Due out into this terrestrial realm on September 12, 2023, The Art of Fantasy is the third installment in my “Art in the Margins” series, along with The Art of the Occult and The Art of Darkness. I hope you will consider pre-ordering a copy today or, you know, sometime! And please check back here at Unquiet Things over the next few months for some sneak peeks, previews, and extra goodies!

PREORDER THE ART OF FANTASY NOW

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3 Apr
2023

”A Flutter of Gauzy Fabrics,” Miles Aldridge for Vogue Italia 2006

Despite the fact that my first read of the year was a major, super gross dud, I’ve read so many amazing books during the first few months of 2023! I almost didn’t want to include that crappy one in this list; I’d rather not review “bad” books (believe it or not, I like to say nice things!), but because it was actually the first book I chose to read this year, I do feel an obligation to disclose that yes I read it and to share my few thoughts.

So how am I doing with my goal to read 200 books in 2023? I’d say it’s going along pretty well–I have read, in total, 55 books in this first January-March quarter. Everything counts, from wordy novels to audiobooks to single-issue comics. And it’s a lot to get to, let alone write about afterward, so I’m not reviewing everything I read. For posterity’s sake, I am at least listing all of the titles below, and if it affected me enough to write about, or maybe more importantly, if I remembered it well enough to write about, you’ll find a review for it.

Gothic by Phillip Francassi Were you a young horror fan in the 80s? Did you cut your teeth on stories full of misogyny and the male gaze and jam-packed with sexual violence? Do you long for times when stories were just, you know, a lot rapey-er? If so, Philip Fracassi’s story of an ancient evil lurking in a cursed desk and the washed-up horror author who falls prey to its thrall is definitely going to tickle your disgusting fancy, you disgusting piece of shit. Crawl back into your hole and read this gross, awful book, I guess.

The Spite House by Johnny Compton  Eric and his two daughters, Dessa and Stacy, are on the run, skipping from town to town, taking odd and dangerous jobs, and generally just evading…something. Eric finds a situation that could mean a lucrative payout for him, thus ensuring the safety and security of his girls, even though this strange situation is anything but safe or secure. He has applied to live for a time in a possibly haunted house…a spite house. Which I had never even heard of until I read this story, but look them up; they’re a thing. His employer? An old woman who has a vested interest in the property for reasons of her own, reasons which hinge on his findings. I found myself rooting for the family and compelled by the story, which, while I don’t think I have read anything quite like this story, it wasn’t really breaking any new ground, either. Not quite “just another haunted house story,” but …close enough.(

Burn the Negative by Josh Winning I do have a soft spot in my heart for horror novels about fictional horror movies, and Burn the Negative is twisty-plotted and swiftly paced, with compelling, and cinematic elements as if it were already an actual movie itself! Laura, a former child actor renowned for her role in a cult fan-favorite but “cursed” horror film where tragedy befell almost everyone involved, has escaped her life of traumatized childhood stardom and now makes her living as a journalist in England. As luck would have it, though, she is sent on assignment back to LA to cover a reboot of the scary movie that made her famous. And once again, people start dying in horrific ways that correspond with the script. I read Burn the Negative while also reading Jeannette McCurdie’s I’m Glad My Mom died. There were so many interesting parallels with regard to the horrors of child stardom, especially the mentally unstable mothers obsessed with Hollywood fame, celebrity, and perfection. Growing up in that kind of environment is horror story enough, never mind the murders and the slasher villain and the various supernatural/haunted/thriller aspects. But with this story, you get all of the above, and it’s a pretty intense ride.

Silver Nitrate by Silvia Moreno Garcia. Fans of Gemma File’s Experimental Film or Archive 81 on Netflix will love this one! In 1993 Mexico City, Montserrat is an audio editor deeply obsessed with old movies and horror films. She’s tough as nails and suffers no fools…except for her lifelong pal, Tristán, a film industry veteran himself with a soap career that has all but dried up, as well as a massive man-baby who is incredibly self-involved and all said, a pretty terrible friend. You spend most of this book wanting to punch him in his stupid face. Tristán and Montserrat become friendly with an old-timer who lives in Tristán’s building, the elusive but once-famous director, Abel Urueta. Abel draws them in with his Golden Age stories, and a general air of mystery that hints at the occult, and then convinces them both to assist him with a weird little project that involves dubbing strange lines over an unfinished old film. What ensues magic, menace, and mayhem in equal measures. I enjoyed the heck out of this romp, except for the final few pages. I won’t elaborate, but when you get there yourself, you’ll probably (?) understand and agree.

In Natural Beauty by Ling Ling Huang our unnamed narrator (which becomes a more and more interesting choice the further into the story we delve) is a former musician of formidable talent, who has abandoned her passion for the piano after her beloved parents are in a terrible accident. The story opens as she is struggling in NYC, living in a cruddy basement apartment with crappy roommates, barely eking out a living, let alone earning enough money to pay for her parent’s rehab facility. She is then offered the opportunity to work at Holistik, a boutique selling wildly coveted, expensive–and perhaps experimental– products and services to beauty, age, and wellness-obsessed celebrities. The story is a beautiful meditation on grief, and family, and beauty itself. And while it skewers the cult of beauty in a surreal and, I might even say satirical way –it also it feels utterly, gorgeously sincere. The writing is lyrical but it doesn’t veer purple. And the story is at turns beautiful, horribly grotesque, and very sad. If you like the imaginative strangeness of Mona Awad’s books, the crusty, bodily grossness of Otessa Moshfegh, or if you enjoyed the weirdness and WTFery of A Touch of Jen by Beth Morgan then you may dig this one. Magical realism, alternate reality, speculative fiction? I don’t know what you call these stories, but if you gravitate toward books like this, Natural Beauty will be a favorite.

The Woods Are Waiting by Katherine Greene. I was pretty excited about this book; theoretically, it sounded like a great idea, and initially, I thought it ticked all of my boxes: the superstitious and isolated small town, the sinister traditions and local legends involving evil entities, basically all of the folk horror kind of stuff that I usually love. But getting through this story was a struggle and a slog. I didn’t enjoy getting to know the characters, and it didn’t help that the perspective kept switching between them. I couldn’t muster any interest in a single one of them or what they were going through. And the plot itself just moved so agonizingly slow. I found myself switching out to another book to reenergize my brain, and more and more frequently, I found that I dreaded the thought of even switching back to The Woods Are Waiting. Eventually, I stopped trying, and so I imagine this book will probably remain unfinished.

Dead of Winter by Darcy Coates grips you from page one with an intensity that may not allow you to catch your breath again before turning the final page. In this story, a group of strangers is traveling via a private tour to a remote resort in the snowy wilderness when they are stalled along their journey by a felled tree across the road. The book opens with our main character Christa and her fiance Kiernan attempting to find their way back to the bus after taking a short hike to stretch their legs after the long ride. Lost in the rough weather and whiteout conditions, they become separated, and next thing you know, Christa topples off a ledge and is buried under the snow. She awakes, injured, in a cabin, surrounded by the other passengers on the bus. As the story unfolds, we learn just enough about the other characters in the claustrophobic confines of the cabin to realize that no one is trustworthy and may, in fact, be rather treacherous–which they discover as, one by one, members of the group are each brutally murdered. Are these strangers really strangers to one another, or are they brought together by design? What is it that ties them all together, and will any of them remain alive to learn the truth? Caveat: while I did enjoy the story, I did piece together what was happening pretty early on. I don’t know if it’s because the twist was fairly obvious, or if I’ve read enough of these stories to look for the clues, but the clues–they are there. Even so, I was riveted from beginning to end.

Graveyard of Lost Children by Katrina Monroe. Part mystery/horror/psychological drama with themes of intergenerational trauma and the various things you can thank your family for–such as a genetic propensity for mental illness or inherited curses and the likelihood that your baby will be swapped for a changeling–and told from two different mother/daughter perspectives and timelines, Graveyard of Lost Children is an eerie, unsettling story of motherhood, madness, and myth. It was a bit of a slow burn, which isn’t always a bad thing, but the pacing felt a little weird, picking up and quite suddenly zooming toward an ending. An ending that felt strangely frustrating. (But if I’ve enjoyed the journey, a sour ending isn’t a huge deterrent for me, and I did find it a very hard book to put down once I got started–for what it’s worth!)

The Drift by CJ Tudor is a book I finished in the course of a day. I began it with my morning coffee, devoured it on my lunch break, and read desperately late into the evening, keeping me up way past my bedtime because I was so keen on discovering what it was all leading up to. An addictive, adrenaline-filled story of three separate groups of people suffering dire circumstances and carnage while trying to reach a place called the Retreat in the midst of a horrifying viral outbreak. This uniquely structured story was brutal, twisty, and intense, and it blew the top of my head right off!

The Puzzle Master by Danielle Trussoni There were so many interesting facets to The Puzzle Master— history and lore, mysticism and technology, puzzles and porcelain, and creepy antique dolls (my favorite thing in the world!) — that I don’t even know where to begin. So I’ll start by saying that if you like the idea of this particularly esoteric combination of ideas, entangled in a thriller, interwoven with the supernatural, you’ll enjoy this story. Mike, a man with an exceedingly rare medical condition involving patterns and puzzles, experiences a strangely deep and profound connection with Jess, a woman serving prison time for murder, and they are drawn into an ancient–and dangerous– mystery. Aside from the romantic aspect of the story, which I never love in any story, this was right up my alley and a great deal of fun. If you are not a fan of purple prose or a flowery turn of phrase, you’ll appreciate the direct, uncomplicated tone and writing style here. I found this a bit weird because I recall Trussoni’s The Ancestor being a bit more descriptive, with more ornate prose and poetic language. But The Puzzle Master reads more like a fast-paced, pulpy mid-century men’s adventure story. I’ll have to read more from this author to get a more complete sense of their range, I suppose.

White Cat, Black Dog by Kelly Link is everything I love about dreams, fairytales, and stories told by imaginative misfits and oddballs, shaken, stirred, and served up with a twist and a flourish in a teacup spilling with the wildest, most wondrous nonsense. These are tales you think you know–ballads, lore, bedtime stories you barely remember– but turned inside out and upside down and unraveled and zigzag-patchwork-rebound until they are all but unrecognizable…and yet they still sing to something familiar in your blood. The twists, turns, and surprises are bizarre, sure–but they also feel beautifully and exquisitely inevitable. Kelly Link dreams up the weirdest of cozy, comfort reading, and I guess that’s where all my analogies of teacups and stitched quilts come from; these stories are pretty bonkers and follow only the logic of dreams…but for daydreamers, woolgatherers, stargazers–that’s our sweet spot, our safe space, our favorite place to be.

The Quiet Tenant by Clémence Michallon It’s unfair to say you wanted “more” from a book when you can’t articulate what “more” means or how that would look. But I wanted more from this story of trauma, survival, reclaiming one’s power, and most terrifyingly, the invisible power one exerts over generally sensible people simply by presenting a handsome, “good” and “normal” face to the world. At first blush, this was a riveting read. Multiple narrators: all of the women close to Aidan, a charming family man/pillar of the community/twisted serial killer–his captive “Rachel,” a woman he has kidnapped and inexplicably kept alive in a shed for the last five years; Cecelia, his teenage daughter who seemingly adores him; his new girlfriend Emily who obsesses about him constantly, and the myriad voices from beyond the grave of all women he has murdered. Strangely, we don’t hear the voice of his dead wife, which is a shame because I would have loved to have heard her POV. Early in the story, the setting shifts as Rachels goes from being chained up in a shed to being locked in a room in a new house, more-or-less in plain sight; Aidan has explained to his daughter that they have a tenant living with him. I found myself really rooting for “Rachel,” who has endured so much and is doing what she can to survive, to make it out of a hopeless situation alive and intact. (Along these lines, there is much in the way of sexual violence that is only hinted at in these pages, for which I was grateful. I found absolutely nothing gratuitous about any of it.) It’s hinted that Cecelia has secrets of her own, but that is maddeningly something that is never explored. And we don’t get much internal life, if any, from Aidan, so we have no idea what is driving these violent urges; we never learn the “why” of it. And on one hand, that’s fine–that’s often how it is in real life, too. We may never know what causes humans to act like monsters. But I feel these things–the dead wife’s POV, the daughter’s secrets, the killer’s motives, and backstory (even just a hint at something!)–might be the missing elements that would have made this story stronger and more impactful for me.

How to Sell a Haunted House by Grady Hendrix. Don’t get me wrong; I always love a Grady Hendrix story. This one is about squabbling adult siblings left to deal with their recently deceased parents’ haunted and/or possessed home, and it was fine. And that synopsis isn’t exactly accurate, but to be any more specific would be giving too much away. Grady Hendrix is a funny guy, so it made me laugh (“Christian puppet ministries”? That alone is comedy gold, never mind the haunted taxidermied squirrel nativity!) And he knows how to craft emotionally compelling relationships and storylines, so the unresolved sibling dynamic and their finally-maybe connecting and coming to terms with each other made me cry, as well.  It had some tense moments and pretty horrific imagery; it even grossed me out in some of the more brutal/gory scenes. And it had one of my FAVORITE spooky tropes. But it wasn’t very …scary? Then again, for me, Grady Hendrix falls more on the horror-comedy side of things, so I don’t know what I expected. And come to think of it, what has really scared me lately, horror novel-wise? I can’t think of a single title. So why am I expecting miracles from Grady Hendrix? That seems unfair. Maybe I didn’t want a scarier story. Maybe I don’t know what I want. How to Sell a Haunted House had a lot going for it, it was a lot of fun, and I enjoyed it while I was reading it– but after the fact, it’s left me a little lackluster. But you know what? Don’t listen to me. I think, ultimately, it doesn’t matter if I loved the story solely for the duration of time that I read and immediately forgot it or if I adore it just as intensely decades later and can recite it word for word. I just love that this book even exists and that Grady Hendrix is here writing this weirdness in the same world that I happen to be living in.

What Have We Done by Alex Finlay Four friends, foster kids who bonded over trauma and secrets, are now being targeted as adults. Who can they trust, and how far-reaching are the ties of loyalty and friendship? Again, this was fine.

A Flicker In the Dark by Stacy Willingham Like The Quiet Tenant, a Flicker in the Dark is built around the theme of fathers and monsters and a placid facade masking the darkness and violence within. But you could almost say that A Flicker in the Dark begins where The Quiet Tenant ends. Chloe’s father is in prison for the murder of six teenage girls; the disappearances and murders occurred when she was a child, and ultimately, she was the one responsible for her father’s capture. As an adult, she has channeled all of her trauma and PTSD into her occupation as a successful psychologist, and she’s engaged to a handsome guy she’s wildly in love with. Things seem to be going well on the surface, but obviously, there are still a lot of unresolved issues, and she’s been self-medicating her guilt and paranoia for a long time–so when teenage girls start to go missing again, with a pattern very similar to her father’s crimes, it becomes immediately apparent how fragile a grasp she really has on her own life. For the most part, I enjoyed the story and its unexpected twists, but I found myself increasingly frustrated with Chloe and her decisions, and I literally started to hate her as she navigated her way through the unfolding drama.

They Never Learn by Layne Fargo. I utterly inhaled this book over the course of a day, but unfortunately, that was almost two months ago now, and I barely remember it. I suppose you might typically think of a smart, successful professor killing shitty dudes on campus as “unhinged,” but I don’t think I even once thought Scarlett was unhinged. Brilliant? Yes! Hilarious? Oh my gosh, for sure. Did I have to suspend some disbelief if I thought too much about how she got away with all of these murders for all of those years? Absolutely, but details, details. Whatever! I wanted a whole series of books about this snarky, beautiful vigilante taking out the male trash of the world! But in lieu of a more in-depth review (I remember how amazing the story made me feel, I had a smile that nearly split my face in two all through the reading of it, but at this point, I recall very few details), I will instead endeavor to find and read and immerse myself in more of Layne Fargo’s writing.

Rock, Paper, Scissors by Alice Feeney I’ll be honest with you, I don’t remember this one. There was a husband and a wife and a remote getaway and a twist that I thought was really stupid

The Pale Blue Eye by Louis Bayard It’s funny, I found this mystery involving gruesome murders, a grizzled detective, and a young eccentric cadet Edgar Allan Poe pretty lackluster, and for some reason I blame myself. Anyone else read this?

The Sensitive Plant by Percy Bysshe Shelley, with Illustrations by Charles Robinson. A fairytale-poem with gorgeous, distinctive artwork that I wrote more about here.

”A Flutter of Gauzy Fabrics,” Miles Aldridge for Vogue Italia 2006

 

I have listened to more audiobooks in the last three months than I have in my entire life…and I’ve really been enjoying it! So I think the reason this has been working so well for me is that there are often books I check out from the library– books I’ve really been looking forward to! — except for whatever reason, they get pushed to the bottom of the stack, and I never get around to reading them. They’re books I really want to read…but maybe they’re not as high a priority as other titles. So they continually get returned unread. These are the books that I have been choosing to go with their audio versions, and it’s been working out really well!

Run Time by Catherine Ryan Howard.  A struggling actress gets a last-minute offer to star in a horror film in a remote location, and spooky things begin to happen on set that mirror pieces of story in the script.

The Family Upstairs by Lisa Jewel A woman learns she has inherited an abandoned flat in a posh neighborhood; she inherits the dark legacy, secrets, and mysteries of the former occupants as well.

The Pallbearer’s Club by Paul Tremblay Two friends and a memoir of the weirdness that happened between them. The weirdness is…really weird.

Stay Awake by Megan Goldin A woman wakes in the back of the taxi with no memory of how she got there. Nothing in her life is as she remembers, and every time she falls asleep, she forgets everything again. Also: murder.

The Maidens by Alex Michaelides A group therapist with a troubled past investigates a string of university student murders at her alma mater; her preoccupation with the past may blind her to what’s really going on.

Give Me Your Hand by Megan Abbott A woman working in a research lab realizes that the new colleague joining the team is a former friend that she learned a chilling secret about in high school

The Honeys by Ryan LaSala At the Aspen Conservancy Summer Academy, Mars endeavors to solve the mystery of his beloved-though-estranged twin’s death by getting close to a group of rich, secretive mean girls known as “The Honeys.”

I’m Glad My Mom Died by Jeannette McCurdy Child actor struggles, fucked up mothers fucking up their kids.

Hide by Kiersten White Deadly hide-and-seek competition in an abandoned amusement park and there’s definitely reasons the chosen contestants are the type of people no one will miss.

Hawk Mountain by Conner Habib  The resurfacing of a childhood bully throws the life of a small-town New England man looking for a fresh start into chaos. This book is frustratingly, almost unforgivably tense–and I loved that.

”A Flutter of Gauzy Fabrics,” Miles Aldridge for Vogue Italia 2006

Okay, these are some books I read, and while a few of them were freaking amazing (I noted these with a string of *****), even the thought of trying to talk about why I loved them is exhausting. So what I’ve done is checked my kindle highlight notes and shared passages that either sum up the book for me or else, at least in one instance, I found amusing.

Don’t Fear The Reaper by Stephen Graham Jones: “Listen,” Jade tells her, readjusting herself under Letha’s arm, which is trying to pull Jade’s hair out by the roots, “and I think you of all people will appreciate this. I didn’t come here to die, right?”

Such A Pretty Smile by Kristi De Meester: “They would never understand the inherent trepidation that came as a result of being wrapped in girl flesh.”

The Cloisters by Katy Hays: “That’s the real task of the scholar, to become a necromancer.” ******

A History of Fear by Luke Dumas: “…his likeness having parted company with his face when his head smashed a rock.”

Tender is the Flesh by Agustina Bazterrica: “Without the sadness, he has nothing left.” ******

The Push by Ashley Audrain: “I don’t want you learning to be like me. But I don’t know how to teach you to be anyone different.” ******

Fairytale by Stephen King: “There’s a dark well in everyone, I think, and it never goes dry. But you drink from it at your peril. That water is poison.”

”A Flutter of Gauzy Fabrics,” Miles Aldridge for Vogue Italia 2006

 

The following is a list of graphic novels and poetry collections that I read over the last three months; they’re all relatively recent releases (the last 2-3 years or so?) and the graphic novels all fall squarely in the horror genre.

The Autumnal
The Night Eaters (She Eats the Night Vol. 1)
The Closet Vol. 1
Killadelphia Vol. 1
The Nice House on the Lake
Joe Hill’s Rain
The Suicide Forest
The Plot Vol. 1
I Walk With Monsters
Homesick Pilots Vols 1 and 2
Dying Is Easy
The Dollhouse Family
Daphne Byrne 
House of Slaughter Vol. 1

Under Her Skin – I was suckered in by the cover but I do not recommend this collection
The Book of Gods and Grudges by Jessica Walsh – absolutely recommend this one
The Trees Witness Everything by Victoria Chang – recommend with reservations (get a copy from the library first)

 

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A Walk With the Beast and Dark Interval from my personal collection.

I first officially learned of Argentinian artist Hector Garrido when attempting to figure out the artist of the livid, crimson-shrouded book cover with an aggressive succubus hollering at a raven under a bright, glowing full moon. “Hey, bird! Fuck you, bird!” is what I imagine that she’s shouting for reasons of her own, none of my business, probably.

I had originally seen it posted on someone’s Instagram, and those images are more annoying to grab for reverse image search purposes, but not impossible, so I found it (on Will Erickson’s blog, of course!) and here we are–it’s Hector Garrido!

…and it turns out that I have been enjoying Garrido’s art for YEARS without realizing it.

Hector Garrido cover art for Nancy Drew Enemy Match
Hector Garrido cover art for The Ghost Belonged to Me

Of course, the Nancy Drew mystery books that I read when I was much younger were the hardback editions with a more dated look from an earlier era and a different artist, but a few years later, when I was 9 or 10 or so, I definitely recall finding the newer paperbacks in the library and being gobsmacked that you were allowed to update and change the way the characters in these books looked! But a pretty, intrepid young detective creeping up a cobwebby dark staircase is dreamy to my eye rendered by any artist’s hand, and I got used to the changes and even found myself getting excited to see various artistic interpretations of the stories and series that I love–and I remain thrilled to this day.

Another book I was surprised to see displaying the work of Hector Garrido was The Ghost Belonged to Me, by Richard Peck, one of the eerie Blossom Culp stories I loved as a child. I’ve written before of another one in this series, Ghosts I Have Been with cover art by Rowena Morrill, and I’m always so tickled when my search for a cover artist inevitably leads me back to these beloved tales and characters.

Garrido also did a lot of G.I. Joe art, but eh. Not interested in that. I know, I know, iconic formative stuff for lots of folks! Just not my bag. However, he also did covers for several of the Avon Satanic Gothic titles in the 70s and that most definitely would have been my little ten-year-old jam!

 

Hector Garrido art for A Walk With The Beast

 

Hector Garrido art for Dark Interval

Sadly, while looking into his life and work, I only learned today that Hector Garrido passed away in 2020. In his own words, here’s a bio on this prolific artist of the lurid and lovely, baleful and beautiful.

“As a young artist I immigrated to the United States. I was professionally active here beginning in the 1950s. Beginning around 2000, I went into semi-retirement, painting devotional subjects. I am now retired.

I am best known to fans of GI Joe and for such book series such as The Three Investigators (I painted all the Crimebusters covers), Danny Dunn, the Hardy Boys, Nancy Drew, The Destroyer (Remo Williams), and the Baroness.

My original artwork for GI Joe was featured on the 1980s-era merchandise packaging. For book publishers, I painted the covers of numerous sci-fi, (gothic) romance, and thriller/horror books. Perhaps most notably in the horror genre, I painted the iconic covers for TM Wright’s “Strange Seed”/”Children” series. I was also a Time Magazine cover artist, and my 1969 cover, “Astronauts” is in the permanent collection of the Smithsonian National Portrait Gallery.”

You’ll find several albums of original paintings in Garrido’s flickr account, and here is a list at ISFDB of much, much more cover art that he was responsible for– though I don’t believe it to be at all comprehensive.

Below I’ve shared some of my favorites among the gothic romance covers he did, brimming with ghostly damsels and their requisite candelabras, haunted castles looming and leering, and ridiculously sumptuous with atmosphere and tension.

 

Hector Garrido cover art for The Devil’s Dance

 

Hector Garrido cover art for The Dark Gondola

 

Hector Garrido cover art for The Girl from Yesterday

 

Hector Garrido cover art for Storm House

 

Hector Garrido cover art for The Medea Legend

 

Hector Garrido cover art for Beast in View

 

Hector Garrido cover art for Pray for a Brave Heart

 

Hector Garrido cover art for Lodge Sinister

 

Hector Garrido cover art for The Lucifer Cult

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