I don’t know that Adele’s really my cup of tea – which isn’t to say I actively dislike her or anything, it’s just sort of a “meh” situation. But that coat she’s wearing in her sepia toned, depressing as hell, windy autumn woodland video, ‘Hello‘? The coat that looks like it is comprised of several dozen fine muppet pelts? I am all about that dead muppet coat.
Also, why are there abandoned, vine-covered phone booths in the middle of the woods? Where’d they come from? What’s their story? Weird, right? If Adele sang more about phantom forest phone booths and less about boring broken-record broken heartedness, I might be more inclined to listen to her music.
Today I am going to write at length about one of my favorite humans on the planet.
But first, some backstory:
2009-ish, I guess that’s 6 years ago now – that was a strange, awful year for me. It had actually been a strange and awful number of years. I was floundering and feeling like a desperate mess. I had moved to New Jersey from Florida five years previously and things were not working out at all, which was some kind of bullshit, I can assure you. I had left everything I’d known behind for this opportunity and it was turning out to be the worst kind of hell. It was to get worse, and then get better, but I did not know that then.
Everyone’s got their coping mechanisms. For some it’s a kitten video binge on youtube, for others, it’s a tall glass of something cold and intoxicatingly potent; for me, at that time, it was obsessively seeking out horrors beyond my comprehension in the form of obscure cinema. I was fascinated with bizarre horror films at that time – well, I had been for as long as I could remember, but now it was so much easier to seek out and find these strange cinematic gems, and to connect with the like-minded souls who enjoyed them.
It was a Friday night, probably February. I view my time in New Jersey through the lens of a perpetual February -dull grey skies, relentless cold, dirty sidewalk slush that appears as if its been piled by the curb since the dawn of man and will never fully melt, even sometime in the future when the stars have all died. At the end times, there would still be a pile of pissed-on slush next to a dumpster, with an old boot next to it, somewhere in New Jersey. February in that place was the worst month to be a lonely person.
The hour had struck midnight and I was wide awake, and, of course- alone. Due to the unfortunate circumstances I had gotten myself into, all of my weekends were spent in my own company, which I don’t mind telling you, was pretty bleak. I was searching for reviews on a certain film and I unwittingly stumbled across the blog of one Tenebrous Kate, Love Train For The Tenebrous Empire. “Lurid. Weird. Fantastique.” promised the header, and after several feverish hours of devouring every entry and every lurid, weird, fantastic review I concluded that it was indeed all that and more.Occult nonsense and gothic horror? Women in prison? Necrophilia and Nunsploitation? Check, check and check. Cheeky kink? You betcha. Did she bring the weirdness, as promised? Fuck yeah, she did.
Brimming with wry humor, marvelously keen insight, and more knowledgeable on all my favorite subjects than perhaps any mortal has any right to be (because she’s actually a wizard, I suspect), Kate, I was to find, was more than just a damn good writer – she’s a talented artist as well, across several mediums. For years she’s consistently wowed me with her wicked Halloween costume prowess, she’s an illustrator and painter, as well as, a sometimes public speaker – which I believe is an art form into itself – and a wrangler of artists and writers for her mico-publishing imprint, Heretical Sexts. I would learn these things as they unfolded over the next several years, but at that specific point in time, I knew I had discovered a remarkable human woman and my life would never be the same.
I’m certain it took me at least a year to work up the nerve to even leave a comment on her blog, and yet somehow here we are, years later and you are about to read an interview that she graciously agreed to do with me. How did the stars align to even make this happen? I still don’t rightly know, but I am honored and privileged to have gotten to know Kate and I hope you will enjoy reading further and learning more about her background and her weird and fantastical projects as well.
S. Elizabeth :Lurid. Weird. Fantastique. That’s been tagline on your blog header for as long as I’ve been stalking you. (I sort of think of it as a mantra or an incantation now, ha!) Tell us about what those themes/concepts mean to you and how they translate to the various projects you summon forth to share with the world.
T’Kate:You know, I’ve always struggled with defining the “stuff” I enjoy, because I feel like genre labels tend to restrict discovery of interesting things instead of assisting after a certain point. I chose “Lurid, Weird, Fantastique” because my favorite things combine a bit of sexiness, plenty of strangeness, and an element of imagination, whether it’s psychedelia, fantasy, or decadence. That tagline wound up being a good match because, though I initially began writing strictly about movies, it also lets me play with art, books, and music without feeling like I’m veering off topic!
I’d love to know Tenebrous Kate’s origin story! I imagine a little 5 year old T’Kate toddling around in enormously oversized Black Sabbath tees alternately peeping at dirty magazines and staying up late to watch lesbian nazi exploitation flicks. How far off am I? When did your strange fascinations begin to take hold? And how did you come to channel them into your art and writing?
I was an extremely sensitive child (like, creepy, Poe protagonist levels of nervousness and sensitivity to stimulus), plus I was the first kid in my “generation” of the family. What this meant is that I was sheltered from a lot of media, plus I socialized exclusively with adults for the first several years of my life. My parents are both former English teachers, so I read a lot–early exposure to Tolkien and those Time Life Enchanted World books had a huge impact on me. There was definitely forbidden media, and it’s hilariously tame in retrospect: I wasn’t allowed to watch MTV after my mother decided that Duran Duran’s “Girls on Film” video went far beyond the limits of good taste. It took me to age twelve to get up the nerve to sneak downstairs after everyone had gone to bed and taste a few delicious minutes of “Headbangers Ball.” I didn’t start seeking out more extreme movies until my love of heavy metal and goth pointed me in that direction in my teens. What started as a way to test my adolescent nerves turned into a real passion after I recognized that there was more to some of these films than one might guess from the “gore checklist” mode of appreciation that was the norm in the 90s. Involvement in AOL chatrooms connected me with Scott Gabbey, who was developing what would become Ultra Violent Magazine, and that solidified my involvement in the world of “writing my thoughts about weird stuff.”
Photo credit: Sylvie The Camera
I think I found your blog through – of all things – a search for reviews on the film Hostel II (and was surprised to see someone give it a decent review!) – but it was your referencing and reviewing of gloomy, decadent occult artists, films, and music that really drew me in. I would love to talk about your interests in this vein – whether they are spiritual, literary-minded, aesthetic or whatever – and what are some of your beloved favorites that you’ve either reviewed for Love Train or that you’d recommend for a like-minded weirdo?
Oh boy–this is difficult for me! My favorites shift in focus over time, and I love different books, movies, art, and music for different reasons. I just seek out art (we’ll lump all creative output into this word for now) that resonates with me, and I feel like this shared creative vibration links all of the disparate things I enjoy. A great example of movies that really hit me where I live would be Tinto Brass’ historical epics–I think Salon Kitty and Caligula are absolutely captivating because there’s this combination of lush beauty, historical fiction, theatrical violence, melancholy, and taboo that just makes my brain and my eyes leap around, not knowing where to land. That’s the experience I’m looking for in art. Maybe the most perfect movie that captures this mindset, though, is Ken Russell’s “The Devils.” It’s so perfect that I’ve never written about because it’s just so vast in its imagery and implications, and it’s better if one just experiences it without vivisecting and destroying through over-analysis.
Die Mensur, debuting at the Saint Vitus Halloween Flea Market on Sunday 10/25
Delving into your various endeavors -your latest project, Die Mensur, “an exploration of the secretive world of German fencing fraternities” and a collaborative effort with with Gilles de Rais of the band Porta Nigra – Secret German fencing fraternities! Who knew such a thing even existed? Please tell us about how you stumbled upon this secret society of swordsmen and how you brought this amazing thing into being. How did it end up as the beautifully bound booklet that it is today instead of oh, say, working it into a blog post…or a painting, or even including in story arc for Super Coven?
I first became aware of Mensur (which is a form of non-sport/non-honor-duel fencing that has been practiced by student fraternities in Central Europe since the mid-1800s) from my long-time partner, whose family is of German descent. The powerful image of two men standing perfectly still while waving a blade towards one another’s faces had this combination of posture discipline, severity, and ritual that fascinated me. There are photographs of the aftermath of the Mensur that show these handsome young men with completely bloody faces and it’s really unforgettable. As a person who’s into body modification, I was intrigued by the dueling scars that were worn as a badge of honor. There’s not a lot of information in English on the Mensur since it’s an entirely oral tradition passed down through the fraternities, but it’s popped up on my radar over time (the mondo movie Ecco features what I’ve since learned is an accurate re-enactment of the Mensur, for example).
I read a review of the German decadent metal band Porta Nigra’s 2015 record Kaiserschnitt that included a photo of the band wearing Mensur protective gear and that’s what made me stop and listen to their music. Kaiserschnitt is an incredible record, and Gilles de Rais, the lyricist, is clearly a person who knows a lot about history and literature. After I wrote about the record on my blog, I wound up connecting with Gilles, who put me in touch with his contacts at a fencing fraternity in Cologne. I was honestly shocked that the fraternity brothers were willing to speak to me! Talk about being an outsider–I’m an American woman artist, and these are pretty conservative young men who are part of what’s essentially a male-only secret society
As to why I chose to make a book on the topic, it’s very important to me that, when I speak to people who clearly take their beliefs and passions seriously, I take those things equally seriously even if they’re different from my personal world view. Mensur is just such an interesting topic on its face that I felt anything other than a direct, documentary approach would have been doing it (and the people who were generous and candid enough to speak to me) a disservice.
My Dream Date With a Villain, Forever Doomed, and Witch Women, available from Heretical Sexts.
Die Mensur is just one of several projects published by Heretical Sexts, the micro-niche publisher focusing on the dark and the bizarre that you founded in 2014. Billed as “Weird Words on Dead Trees” and giving a platform to “those outside the status quo”, you’ve published ‘zines chronicling fictional dream dates with villains (two volumes to date!), explorations of femininity and the occult, as well as your own personal collections of essay and arts in Forever Doomed. Why do you think there is a need right now for these kind of publications? Why is it important to give these discerning creeps a voice, and who is it that you imagine your audience to be? And if you can share, what are some topics or themes that you hope to tackle going forward?
Honestly? It started with a desire to create more valuable work while controlling the context of some of the topics I wanted to discuss. I don’t really like genre labels and I’m not much of a joiner, so the “orthodoxies” of certain internet conversations bum me out tremendously. By creating printed pieces, it means a couple of things: 1) readers are demonstrating a real desire to read what’s on the page, which means their minds are probably more open already and 2) the act of reading on paper (or eReader–I fully cop to reading on a Kindle sometimes) creates the kind of immersion you just don’t get from internet reading. I want to offer an experience where people aren’t getting upset by the comments or distracted by social media or whatever. Like, just sit and think about what you’re reading and looking at in an open-minded way.
I am also lucky enough to know a lot of incredibly talented, intelligent people, and I feel that combining their voices and viewpoints can elevate everyone involved. Collaborative work just feeds my soul in an amazing way, and those that have agreed to work with me really commit to the concept and deliver remarkable art and writing that, in turn, inspires me. I think it’s important to publish humorous work (like the My Dream Date with a Villain zines) alongside more serious pieces (like Die Mensur or certain pieces in Witch Women), because life is complicated and our human brains are messy and contain multitudes. I’ve got a bunch of stuff in the pipeline right now! Jack Shear, who has had a hand in every single piece I’ve done with Heretical Sexts and who has been an amazing sounding-board for ideas, is developing a piece on Gothic fiction, and I’ve been pitched some great ideas on a very grown-up activity book that I’m pretty stoked to help bring to life.
Super Coven. All documented, all true.
Getting back to Super Coven, your web comic about friends and bandmates Andy, Jess and Red and the “monsters, heavy music, and all manner of occult nonsense”, that makes up their day to day goings-on – I know you’ve had to step back with the updates due to general busyness and other projects, but can you talk a little bit about where we left off? Without giving away any spoilers, we’ve encountered everything from bigfoots to nazi vampires to a burlesque dancer in a relationship with her motorcycle – what’s next for our intrepid stoner friends? And I have to ask -these characters seem so relatable, I feel like I could know these guys, maybe I AM these guys… – I have had so many of these weird, late-night, bar closing conversations about crazy monster theories and conspiracies and god knows what else. How much of this is pure imagination and how much can you attribute to actual real-life stuff? (Please tell me this motorcycle loving Lorna is based upon a real person!)
Oh sure! I still love Super Coven, and it’s been a really important project for me because it got me into the habit of producing (and sharing) my creative work on a regular schedule. I have the whole storyline laid out for this arc (which Jack Shear co-authored with me), plus there’s another story I’ve got a half-baked idea for that involves the character of “Draculigula” because most of my best Super Coven ideas are basically just portmanteaus.
As to how the comic developed, I really loved Scooby Doo and Dark Shadows as a kid, so I nicked the “pals solving mysteries” concept from the former and the “everything AND the kitchen sink” approach from the latter and blended it with my own worldview. I wanted a concept that would support all of the things I’m interested in (occult matters, history, folklore, gothic/decadent literature, various kinds of music, witty banter…) in a universe where those things could conceivably be blended. I’d like to think there’s an audience that likes monster fights and Huysmans references, anyway.
Writing and illustrating a long-form, serialized piece has been challenging, and I realize in hindsight that “conversations in a bar” do not make for scintillating visuals, but I’ve amped up some of the action stuff in this most current story (which I do intend to complete!). I’d like to think that occasional werewolf fights and motorcycle love-making offer enough to keep people reading.
This makes me wince as I type it, but I’ve been going to weird shows, bars, and clubs in New York for well over two decades now, so yes–there’s a good deal of “slice of life” stuff in Super Coven. The whole “real vampyre” thing is definitely drawn from my personal interactions. Sadly, I’ve never encountered an objectum sexual as fashionable and enchanting as Lorna.
You have got so many irons in the fire – if you’re not webcomicing, you’re working on a new book for Heretical Sexts, or you’re blogging a fantastic review on an obscure giallo film teeming with blood and bare breasts, or you are writing for various other publications – Ultra Violent Magazine, Occult Rock Magazine, Slutist, and most recently Dirge Magazine, OR you are making live speaking appearances at pop culture variety shows in NYC. Damn, lady! What do you do in your downtime? Do you have any downtime? What are some current loves and favorite things that you’re enjoying?
That IS what I do in my down-time! I’ve just cut out most of the aspects of what I was doing that I didn’t really enjoy. There was a time in about 2010 or so where I felt compelled to write about EVERY movie I watched or to “give a chance” to a lot of things I really knew I wasn’t going to dig. Now I write only about the things that inspire me and have given myself permission to stop reading or watching at the point where I’m no longer engaged with a thing. I’m also kinder to myself when I need to shift my focus from project to project, or if I need a break. I only work with people I like on projects that excite me–I’m just fortunate enough to know a lot of great people with exciting concepts. In fact, I have a wishlist of people I’d love to work with, so we’ll see!
Great Moments In Historical Sluttery: Anita Berber, The Scandal of Weimar BerlinCommissioned art for Gilles de Rais of Porta Nigra
I know I’ve asked this with regard to various projects above, but on the whole – what is next for Tenebrous Kate? What is left to conquer? I am hoping it is some sort of crazy-kinky memoir, but that’s just me. Any thoughts?
I’m always cooking up something! I really love working on the Historical Sluttery series that I’ve been doing for Slutist so I plan on continuing that, plus Dirge has been the kind of place that lets me write lengthy pieces where I get to showcase GIFs from silent films so I dig working with them. In addition to the couple of projects I mentioned above for Heretical Sexts, I’m writing some really lurid historical fiction that I plan to illustrate and bind in way that mimics early 20th Century pornography. I just like ambitious things that shouldn’t have an audience, whether I’m seeking them out or making them myself!
Erotic Rites of the Nazgûl in Forever DoomedCurrywurst with Kroenen in My Dream Date With A Villain (vol.1)
Though popular media (or, you know, your friends on Instagram) might lead you to believe that autumn’s return is heralded by Halloween décor at Home Goods or the the-much-reviled-by-a-certain-idiot-food activist (and therefore much beloved by me) Pumpkin Spice Latte from Starbucks – well, no. You are all wrong. Those in the know have come to recognize that with the arrival of Black Phoenix Alchemy Lab’s annual limited edition Halloween scents, or “weenies” as they have affectionately been called, we can now officially welcome the start of the fall season.
For the uninitiated: Black Phoenix Alchemy Lab specializes in formulating darkly compelling fragrance blends and “masterfully molded scent environments that capture legends and folklore, poetry, and the stuff of dreams and nightmares.” By utilizing their knowledge of homeopathy and aromatherapy, the conceptual theories of hermetic alchemy, and the aesthetic artistry of perfumery, they have “mastered the art of encapsulating allegorical ideas into singular olfactory experiences.” In short, they make things that smell good for weirdos like us.
“The skies have darkened, and summer’s last bright green leaf has turned”; thus begins the introduction to the 2015 Halloween collection on their website, and my melancholic poetry loving, fragrance fanatic fangirl heart is already ensnared and dreaming of darkened myrrh and icy funeral lilies – but they’ve got something for all Halloween children, I assure you! Whether you’ve a hankering for ALL PUMPKIN EVERYTHING, candied fruit and sugar skulls, or piles upon piles of sweetly rotting, desiccated leaves, you will without a doubt find your holy grail for All Hallow’s Eve in this deliciously haunting line up.
This year’s offerings include several favorites from ‘weenies past, including the aforementioned Sugar Skull, All Souls (incense mingled with the soft, sugared currant soul cakes) and Samhain (damp woods, fir needle and black patchouli, pumpkin, spices, and sweet red apple) – just to name a few.
Or perhaps you’d prefer bobbing for apples (razors here? Pffft!) Try Apple I (apple with oats, honey, sweet cream), Apple II (green apple with pink pepper, juniper, lemon) or Apple III (Appalachian black apple with tobacco, patchouli, orange blossom).
Do your tastes run to less complex scents? BPAL offers Halloween “single notes”, their cheeky interpretations of iconic autumnal scents. Less treat and more trick, here: Clown White, Stage Blood, and Polyester Spiderweb certainly sound like they could layer together and create some interesting olfactory imagery!
Most intriguing to me was this year’s Pickman Gallery scents: Hecate’s Inheritance, inspired by thirteen exquisite depictions of witches and their craft, and Sympathy for The Devil, an interpretation of seven visions of He Who Shuns the Light. Some of my favorite BPAL ‘weenies include:
The Sorceress by Jean van der Velde II: An evocation incense of frankincense, styrax, lavender buds, mastic, and white sandalwood mingled with moonflower, violet absolute, tuberose, and dark musk. Truly the dark floral to end all dark florals, people.
La Femme de Satan by Nikolai Kalmakoff. Red musk and cacao with clove, caramelized tobacco, aged patchouli, red currant, black leather, and vanilla-infused amber. This is the scent of a party girl possessed by a demon and she will fuck your shit up.
And lastly, Witches’ Kitchen by Frans Francken. Belladonna accord, sprigs of rue, crushed hyssop, white sage, beeswax, mandrake leaf, bay rum, black honey, hemp, and myrrh. Sweet herbs steeped in dark honey and the delicate scent of infernal hexes wafting on the breeze.
Art by gwendal (inspired by Young Love #80, June 1970)
I’ve got an unfortunate case of the blarghs. You know that feeling – nothing you do feels good enough, you feel like all of your friendships are the built upon pity (for you are a sad, pathetic creature) and you really just don’t amount to much of anything. Why are you here? What’s the point? You just can’t even, and it feels like maybe you never could and never will again.
The blarghs have plagued me for going on a week now. I took ill with a wretched head cold and it all went downhill from there. When you’ve low energy and feeling unwell I think it’s a lot easier for those fat-dumb-ugly thoughts to start sneaking in, and man, I am afraid they’ve hit me super hard.
I know you are supposed to be kind to yourself during times like these, but I really just feel like slapping myself in the face and maybe lying down in the middle of the road. I mean I don’t want to get run over or anything – Jesus, calm down, I am not that bad off – but I sort of feel like I just need to lie face down in a muddy puddle or something. Like, rub my own nose in how bad I am feeling. Why would I feel like that? Why would I want to do that? I don’t rightly know. But I can tell you that I am having a hard time mustering kindness for myself at this moment in time.
It’s funny though…I always think that when I am feeling badly about things and myself and life in general…maybe kindness toward others will help. Maybe I should be giving away what I need the most? I don’t know. My brain is fuzzy and dumb today and I can’t think straight or articulate things real good.
What do you do when you’ve got the blarghs and the ughs and the blues and the worst feelings? I could use some suggestions folks, because I’m sure I don’t need to tell you, this is not a nice way to feel.
The Action Of Memory, Andrew Hargreaves | A Glimpse, Rafael Anton | The Path, Zoë Keating | November, Max Richter | The License To Interpret Dreams, Antonymes | their memories, harold budd and brian eno | Grounds, Poppy Ackroyd | Reverie, Ludovico Einaudi | Krómantík, Soley | Idlewild, Julia Kent | Bedded deep in longterm memory, The Caretaker | Ritual, Adam Hurst | Strange Dreams, The Mount Fuji Doomjazz Corporation | Lament, Jacaszek | Déjà vu, Fabrizio Paterlini | Stille, Lucy Claire by ft. Alev Lenz | Les Soirs, Oskar Schuester
“Music to wear perfume by” – upon reading the title, this would seem to be my most frivolous playlist yet…or is it? I believe that if you listen closely, within these sounds you’ll find my true heart.
Dressing Lady Gaga for American Horror Story – Are you watching this? I was going to pass but I feel myself getting pulled in again by The Countess’ striking, glamorous outfits…
I recently had the pleasure of interviewing Bill Crisafi;in addition being a marvelous, magical artist, he is one of the nicest humans I have ever had the opportunity to chat with. Thanks so much, Bill! This interview was originally published at Dirge Magazine.
An artist’s ability to not only move with ease between mediums, but to transcend them, is a rare talent. Illustrator, photographer, and sculptor Bill Crisafi is adept in this regard. In summoning his uncanny inner narrative and powerful visions, Crisafi draws inspiration from nature, feminine strength and energies, and the, “remaining echoes of the Victorian era that haunt the landscape” of his native New England.
He shares this otherworldly imagery with the viewer through a variety of lenses, both literal and figurative. Feral witches and their familiars frolic, mystical woodland rituals are illumined, and the deeply dreaming, fog-shrouded forest holds sway over all in his starkly surreal, whimsical illustrations and eerie woodland photography. These themes can also be found in the earthy mysticism of the jewelry he creates for Burial Ground, with long-time friend and collaborator Jamie Mooers.
I recently caught up with Crisafi and chatted about his melancholic art and dark obsessions, the eternal autumn otherworld he inhabits, and his deep love for the magical New England landscape.
As an illustrator, photographer, sculptor, and jeweler – and soon to be a tattoo artist – you’re very much a visual storyteller. Where do you conjure the dark tales that you share with the world from – can you talk about your influences and inspirations in this vein?
Yes! I am apprenticing with my good friends who own The Black Veil Studio, that’s opening very soon. I am beyond lucky to be learning the trade from these guys.
I think I am most directly influenced by, but not limited to, film & folklore. When I was in college at the School of the Museum of Fine Arts, I substituted all of my art history courses for film history. Among those courses, I was able to study the work of Alfred Hitchcock, David Lynch, Martin Scorsese, as well as take a course on German film & the Grimm Brothers, where we compared films to the tales. These courses fueled my obsessions with darker themes. I loved learning about the uncanny and German Expressionism and it has stuck with me.
It’s hard to say where my true heart is. I love all mediums for different reasons.
I’ve read that you attended the Fashion Institute of Technology in NY for a time but the call of the wild brought you back to the woods of your native New England. Can you talk about how this woodland yearning shaped your path as an artist? Do you feel any influences from your time in the city and with FIT creeping into your work – how do you reconcile those two somewhat opposing influences?
A lot of my work at FIT was directly influenced by the New England landscapes I left behind. I have one clothing collection in particular that I illustrated which was heavily influenced by my walks through Maudslay State Park in Newbury, MA. Among my ‘fabric swatch page’ was an assortment of specimens from the park: milkweed, twigs, dead flowers, etc.
I think the aching I had to be home, in the woodland environment, made me obsessively keep it alive and breathing through my work when I had to be in the city. This theme lives on today in Burial Ground. All of the twigs & natural elements used are found in places that are sacred to Jamie and me.
I was never keen on illustrating as I was instructed to at FIT. I’ll never forget a project where we had to draw a collection for J. Crew and it resulted in big headed models with frizzy orange hair that had deer antlers jutting out of their heads.
Your illustrative work focuses quite a bit on witches, ritual, and all manner of creatures/familiars/shapeshifters haunting both land and air – spiders, bats, wolves, etc. It’s all imbued with this sense of feral mysticism. Can you talk about these obsessions ?
There is a drawing at my parents house I did in 2nd grade that is a book of “What I liked doing the most during the year” and one page says, “I liked it when we worked on the witches,” and my drawing to accompany that is a naked hag with white hair, standing over a bubbling cauldron
I remember as a child rolling around the forest in the fallen leaves by myself wearing a cloak, mixing potions at the kitchen sink, and making frequent trips to Laurie Cabot’s store in Salem to beg my parents to buy me a book, a wand, or something that I could use to conjure magic. Those are some of the best memories I have and feel like there is a dialogue between myself and nature that magic helps me communicate.
I also see a connection with these ideas and my mother. She is honestly the hardest working and strongest person I know. I see the presence of female strength, sacrifice, and wisdom in witchcraft and it is really comforting to me.
It wasn’t until I was 19 or 20 that I did really start to address it in my work and use it as a tool for communicating my beliefs.
What can you share with us regarding your work space where you create and cultivate these mythic, melancholic narratives? What sorts of objects do you surround yourself with? What’s the most vital, invaluable item in your studio?
I was spending my days in the upstairs corner of the Hawthorne Hotel in Salem drawing on a couch that had a window overlooking the grand ballroom. I love it there and will probably still utilize that space from time to time to get work done. I finally purchased a desk so now I can draw right in my bedroom.
My space is very important to me and directly determines my drive to make work. I hope to turn my room into a mixture of a Sabbath scene from the film Haxan and a Victorian treehouse, then I’ll never have to leave! I will forever be obsessed with Victorian objects, particularly mourning ones. The most invaluable item would probably be the human skull Jamie’s grandmother gifted me on my birthday some years ago. She is also an artist and used to use it as a reference when drawing. I do think it may be a close second when I pick up the taxidermy still-born goat I have been making payments on.
As you can tell, my priorities are in order.
In 2014 you and longtime friend and collaborator, Jamie Mooers, relaunched Burial Ground with “The Way of The Mystic” collection, which, as you state, “reflects our shared path and the symbols that captivate us.” Brimming with earthy mysticism, these pieces wonderfully echo the motifs seen and felt in your other works. As your paths forge forward, what can we expect to see in future collections from Burial Ground?
We have a small collection of jewelry set to debut in just a few weeks. Our first collection focuses on familiar symbols with concrete meanings that are easy to resonate with.
As we move forward from that, we are still working with casting twigs from areas that are sacred to us, but trying to create a dialogue between the wooded sculptures and the stones we set in them. Some pieces transform from twig into limb, referencing our connection to nature. We are also branching out – we will be offering photographic prints, illustrations, patches, and even some really exciting housewares.
There are also some collaborations in the works that we have been dying to get started as well.
Bill Crisafi and Kris Hatch. Photographer: Courtney Brooke
Speaking of collaborations and collections, you work with some really fantastic artists who are relatively well-known in their own right. Courtney Brooke of Lightwitch, for example, is the first who comes to mind. She shot the look book for The Way of the Mystic and quite frequently shows up in some of your own photography. Can you tell us about your relationships in this community and the almost collective vision that you seem to share?
I feel like I am a chip off of the same block as Courtney. She is one of the most inspiring and true humans I have the pleasure of knowing. There are some people that you meet who don’t even really need to be given an explanation of what you’re going for creatively and they already get it. Courtney is that person.
The Way of the Mystic lookbook is a prime example of a dream collaboration day. It was our first time working with the makeup talent, Steffanie Strazzere (@sstrazzere), and the combined skillset she has with our art direction, Courtney’s vision, and Kris Hatch’s modeling was the most magical thing I’ve ever seen.
I think there is an understanding for artists from New England that are into similar things as us. It goes back to the rich and haunting history of Massachusetts, and although it resonates differently in each of us, I think there is a bond from that we share. I wouldn’t trade New England or its people for anything.
Now it’s a week that I have been back from Portland and these experiences are not nearly as fresh in my mind …so I think this will be a massive photo dump along with some recommendations. Sound good? OK, let’s go!
As with our stay in 2012, we paid Voodoo Doughnuts a visit. I think a lot of the locals will tell you this place is over-hyped, and maybe waiting in line for a half an hour with a bunch of derpy tourists will certainly color your experiences a bit – but we were in and out of there in 5 minutes, so I still think it is a pretty okay spot for morning (or whenevertime) pastries. Pictured are the Maple Bacon bar, The Loop, and the Cock-n-Balls. Which we group shared. Of course!
Other doughnut places visited:
Blue Star – these doughnuts seemed… little more high-brow? If you can even say that about doughnuts, I guess. We shared the blueberry bourbon basil, which was understated and lovely.
Pips – these guys are tiny fried bits of deliciousness. A member of our group took it upon himself and hunted them down at 6 in the morning to take advantage of a birthday special that they offer. I had the honey and sea salt, which was a sweet, salty, greasy revelation.
After stuffing ourselves full of cheese samples and wine at The Wedge fest (watch the video at the top of that site and you’ll see two of my favorite beardos!) we wandered around the city looking for a proper meal. I am not sure how we ended up at the Bit House Saloon, but I am glad that circumstances led us there, for we had several rounds of wonderful cocktails between games of Fluxx. I used to feel sort of weird about showing up at a bar and playing card games, but now I find that I really enjoy it – how about you? My favorite cocktail of the afternoon was The Grandmaster Flowers: bourbon, nectarine, chamomile, grapefruit, lime, and dandelion & burdock bitters. Also, that punch bowl. Gimme!
Still not having put food in our bellies, we attempted to get seated at Katchka right across the street for “Russian food in a space that looks like your communist grandmother’s basement”, but once we heard about the 3-4 hour wait, we decided to hoof it down to Noraneko for some ramen. And who should we accidentally run into but our friend’s husband, with whom we had just shared drinks at Hale Pele the previous night! We all cozied up for noodles, but to be honest, it was the few light bites we enjoyed beforehand that really made me happy. Who knew that dried squid could be so sweet and chewy and delicious? Paired with an oolong highball, I felt like Murasaki Wakkako in Wakakozake! Pshuuu….!
I think we all can agree that no trip to Portland is complete without a trip to Powells, but what trip to Powells is complete without purchasing a copy of Kanye West – Reanimator? Ponder that, if you will.
Early on I knew that I would want to make a sojourn to ALTAR which boasts a magical collection of “Northwest Alternative Handmade” objects and apparel, home goods and body care items. When she rung up my purchases, the lovely owner (whose name I sadly did not catch. Or even ask for. Whoops!) assured me that I had picked out one of all of the best things in the store. Among my favorites: dark, wild scents from lvnea, dreamy tees from Wolf Child, jewels from Morgaine Faye, and the gorgeously illustrated wooden tarot deck from Skullgarden. What I did not bring home with me, though I wish I could have, was one of Tyler Thrasher‘s beautiful crystal encrusted creatures. So exquisite! So delicate! So not going to make it home in one piece! It was a treat though, to be able to see them in person and up close.
The first place – and one of the last places -that I visited in Portland was my beloved Paxton Gate. A treasure trove of taxidermy, oddities, curiosities and natural wonders, I could spend hours upon hours in there taking in all of the delights and grotesqueries! I would then of course become bankrupt and have to live in a cardboard box…but these are just minor inconveniences, you see. Just look at those fancy mice! I would love to have them cavorting with me forever! And that raccoon – his face! Ah, I love this place. On my first visit, a silver tentacled ring wrapped its way around my finger, and upon my last, my heart was stolen by a wee mummified bat. Too many good things!
Oh, Portland. I already miss your weirdness and your fantastic happy hours and your wonderfully friendly folks. We will be back again, mark my words!
Back in 2012, my fella and I visited Portland, OR and had a lovely time -delicious foods were devoured, delightful cocktails were quaffed, old friends met for the first time. It was a marvelous trip and we have been talking about it ever since.
It only made sense then, to make a return visit -this time with several friends in tow! And since I have a dreadful habit of glossing over the human aspects of my adventures, let me say that I could not hope for finer traveling companions. Everyone’s personality is so different in our group – boisterous and exuberant; clever and droll; taciturn and brilliantly observant -but they all add up to the most wonderful circle of friends! And it feels strange to say that, “friends”. These gentlemen were originally comrades of my beau* but over time, as I’ve gotten to know them, I feel like they might actually be friends of mine, as well.
*(I don’t mean to sound pretentious, but I hate the term “boyfriend”, so I’ll use just about every other descriptor I can wrangle.)
We found a fantastic place to stay via Air BnB, a spacious and welcoming spot to call home base whilst exploring the city. A renovated 1920’s bungalow, it offered four bedrooms and two bathrooms, a large kitchen, and plenty of community space for boardgames and D&D and Dark Adventure Radio Theatre (we’re a nerdy group, you know). Again, we stayed in the Mississippi neighborhood and reveled in the chance to revisit some previous loves while staking out some new favorites with my fellow travelers.
If you’ve a hankering to visit the City of Roses, perhaps you will consider the following suggestions? Portland friends, commence the eye-rolling now.
At Mac! you’ll find all sorts of macaroni and cheese related shenanigans. We shared enormous plates of their Truffle Mac, Cheeseburger Mac, Artichoke & Spinach Mac, and Cordon Bleu Mac. Somehow we lived through it.
We had a few breakfasts at Sweedeedee, a small corner cafe which is an excellent place for people watching and listening to records and eating pie – if you get there early enough, before the place starts to fill up. Recommended: the egg sandwich with shredded lettuce and avocado on the most delicious thick-cut, molasses bread. Also, salted honey pie. Skip: the breakfast burrito (too much mealy, undercooked potato).
At Hale Pele, in the lurid glow of torchlight and under the baleful glare of the gods, we sacrificed our dignity with friends and fellow fire drinkers. I am fairly certain I had just about one of everything on the menu, and I will admit, near the end I am not even sure what I ordered. I have to recommend, however, the Corn ‘n’ Oil, which as the menu would suggest, is indeed a strange name for an amazing drink. If you are looking for a nosh, they have several things to munch on; my favorites were the fried taro chips and the tuna poke. I love tiki bars for their kitschy escapism and potent cocktails, and Hale Pele now sits at the top of my list.
Elsewhere in the city, I met thesetwo magical humans for art and cocktails; at Antler Gallery for the Unnatural Histories show – where I finally got to see one of Jessica Joslin’s exquisitely crafted bone and brass menagerie in person – and at Victoria Bar, where the drinks were Princess Bride inspired!
Normally I am not keen on photos that other people take of me, because I have only like, 1/8 of a good side and no one knows how to capture it properly. That’s not their fault, of course. I just don’t photograph well. I shudder to think that I might actually look like a poor photo all of the time… but I suppose that’s a possibility that I can’t rule out, no matter how much it bruises the ego. I do love this picture, however, taken at Tidbit Food and Farm food truck pod thingy whatever you call it. I don’t recall what we were discussing, but the look on my face is ridiculous and I love Minna for meeting up with us to visit, and for making me make that face. I also do not recall what was eaten, but there was rice and noodles and karaage and takoyaki and I felt like the heroine of an action packed food anime trying to stuff it all in. Afterward, Minna marched us over to Fifty Licks for boozy adult ice cream super fun times. Pictured above is the Velvet Shiso made with plum wine, Riesling, and their Coconut Lemon Saffron sorbet with is spiced with saffron, star anise, and cardamom. It was amazing as it sounds. The only thing missing from this wonderful evening was our good friend Robyne, who was nursing a cold. Hopefully we will see you in January, Robyne!
The Lan Su Chinese Garden is a beautiful spot to gaze quietly upon art, architecture, design and nature, and I was just enamored this time around by the mosaic courtyards with their poetic names – “Plum Blossom On Cracked Ice” being the best-loved by my ear and my favorite to speak aloud. I have heard that the guides sometimes suggest walking barefoot on the stones to feel the different patterns and such, and I think that sounds like a lovely idea and a pleasant exercise in mindfulness (…or something? At least it sounds like a nice massage for the feet!)
Also, if you ever wonder if I actually wear the things that I have purchased from Stitch Fix, I present to you Exhibit A: the Everly Peter dress from Fix #10. I wore it with leggings and an asymmetric black Helmut Lang jacket and it was super cute. This photo, by the way, was taken in a startlingly clean nerdy game shop bathroom.
Next up: roses! more cocktails! doughnuts All of the shopping!
Are you reading Tenebrous Kate’s Great Moments in Historical Sluttery over at Slutist? Well, you should be. In this column, Kate gives us a fascinating glimpse into the lives of brilliant, shameless feminist icons and visionaries; the last installment, Rose Kelly, Scarlet Woman, Wife of the Beast, and Oracle of Thelema, is too good to miss!
I love this review for Windhand’s new album at tinymixtapes. It’s kind of dopey and weird but I love it. These are the kind of reviews I like to read. I don’t want to hear about how technically great something sounds, I want to hear how about whatever it conjures up in your mind -whether it’s a memory or a dream or an experience or a sensation, maybe about that time you got beat up at someone’s funeral or your aunt’s pierogi recipe or your mother’s dying words. At the end of the review I actually don’t care if you’ve told me a single thing about the thing you’re reviewing if you told me a good story.
I missed it earlier in the year, but Bibian Blue’s Spring/Summer 2015 SKIN collection is fantastic! Perfect to wear for the opening night of Attack on Titan, heh! (ok, I stole that from Becky.)
Every time I look at this image of three startled kittens riding a catfish, I can’t help but to smile. (Artist: Ayako Ishiguro)
Great Northern Knitting Pattern Book Inspired by Twin Peaks
Are you reading Tenebrous Kate’s Great Moments in Historical Sluttery over at Slutist? Well, you should be. In this column, Kate gives us a fascinating glimpse into the lives of brilliant, shameless feminist icons and visionaries; the last installment, 
