You’d imagine that after obsessing about fragrance all throughout the day I would give it a rest, so to speak, as night falls, and I ready myself for bed. Surely, you think, there is no need for perfumes and potions while you are dead to the world for 6 to 8 hours a night.
Not so, friends!
Bedtime is without a doubt, my favorite time of all the times. After a long, tiresome day I have been known to run toward the bedroom murmuring bedbedbedBedBedBEDBED with increasing urgency before flinging myself onto the bed with a satisfying thwunk! as I sink into our approximately 100 year old mattress.
Whether this is because I long for several hours of uninterrupted me-time with no one making any demands of me, or because I love my dreamland adventures, I don’t quite know for sure, but I can tell you that before clocking out for the evening, I do like to treat myself to a scented nightcap.
I don’t think I am alone in this practice. Whether you like to spritz a fragrance all over the bed linens in a puff of decadence, or just dab a soothing scented oil on your wrists–bedtime is a lovely occasion to swath yourself in cozy comfort with a scent that is neither complicated nor intricate or –on the opposite end of the spectrum–it’s a great time to test out a new fragrance you might not want to wear in public just yet.
Some folks have favorite warm night or chilly evening fragrances that work best for them, some prefer aromas that send them straight to the snoozes, and some seek out special scents that amplify and intensify their dreams–personally, I probably do all of these things.
What scents work best for these purposes? Well, I think it is a matter of preferences. I know that lavender oil is highly touted as having a somewhat sedative effect that is good for anxiety and restlessness, but I find the odor too sharp and camphorous to be conducive to calm. Chamomile, also said to be a calming scent, is one that I find much more tolerable with its sweetly herbal, mildly apple-y fragrance. Though to be honest, I think I prefer it as a cup of tea before sleep rather than a blanket of scent in which to wrap myself. (Actually, I don’t pay any attention to any of holistic, aromatherapeutic stuff most of the time. It either smells like sleepy dreams to me, or it doesn’t.)
One such dreamy scent is the Warm Milk & Honey Sleep Body Mist from Bath and Body Works. I don’t know that this was necessarily something I would have purchased on my own, but it was in a gift bag from my best good friend, and I was thoroughly surprised by how much I love it. So of course it is probably discontinued (here is a link to the lotion). I think it’s like your very favorite mug–that lovely big one with the chipped ridge–filled with softly sugared, steamed milk, in which a lovely stick of cinnamon has been steeping. It’s a spice that’s been tempered and lullabied by creaminess and a warm sweetness that’s not terribly cloying–just enough to promise the best sort of dreams. For what it’s worth, my beau says it “smells like bread”.
Moonrise was a collaboration between Alchemologie’s Julianne Zaleta and Phantasmaphile’s Pam Grossman, and is inspired by plants historically connected to the moon. Notes are “…artemesia, inspired by the Greek goddess, Artemis, who represents the new moon. Artemis is portrayed in the fragrance by a few spare drops of wormood in the top note, supported by bergamot and petitgrain. The heart of the perfume is made of luminous jasmine, honey absolute and balanced with rose. Sandalwood, frankincense and oak moss form the base chord.” I find most moon-inspired fragances to be pale, wan things but Moonrise is not that at all. Upon first application it’s got a really delightful, heavy, old fashioned dressing table sort of feel, a powdery, balsamic chypre, but with time and wear becomes quite glowing and luminous. I dare you to apply this at the base of your throat while glimpsing peeks of the full moon from an open window–it’s absolutely magical and transportive.
Astral Projection from ForStrangeWomen is composed of plant essences known for their sedative & dream-inducing properties: sweet lemon myrtle in a powdery bed of chamomile, hops, and lavender creates a relaxing aura. Valerian anchors the blend to a deep undercurrant that pulls you further into your dreams. The sedative effects of these plants are combined with the lucid clarity induced by Clary sage, cedar, and clove. When dreams are vivid, lucid, and oddly profound, it is said, you have reached the astral plane. I don’t know that I find this a very comforting scent, but I break it out when I am feeling adventurous. Unfortunately I do not record my dreams as regularly as I used to, so I can’t say what sort of subconscious thoughts or images it may have conjured! Perhaps I will give it a go this evening.
TKO from Black Phoenix Alchemy Labis soft, sweet, chilly herbs, lavender, and vanilla sugar, and a few drops in your bathwater before bed makes for the loveliest night’s sleep.
I’m afraid that some of the scents I’ve mentioned here are discontinued…though I find, as with most things in life, it never hurts to ask! Sometimes businesses have excess stock lying around that they may sell to you. Sometimes not. But you never know if you don’t reach out to them and ask the question.
I will, however, add that for before bedtime in warm weather I love a cooling spritz of Comme des Garçons Incense Series Kyoto (incense, cypress oil, coffee, teak wood, vetiver, patchouli, amber, everlasting flower, Virginian cedar), which is austere and meditative and calls to mind a dark prayer in a cool, shadowy forest temple. In cool weather I’ll envelop myself in Serge Lutens Chergui (honey, musk, incense, tobacco leaf, hay sugar, amber, iris, rose and sandalwood), which is an intoxicating scent that smells foreign and familiar all at once; like maybe if your idea of “exotic” is from the sumptuous illustrations in a well-worn book of fables from a far-away land. It’s all lofty sandalwood, honeyed musks, and and liquid amber tea on me, and it makes me feel like a desert queen in a strange, dusty tale.
What about you? Do you have special bedtime scents? Fragrances that encourage sweet slumbers or crazy dream trips? Tell me all about them in the comments!
If you are interested in reading previous installations from my Year In Fragrance series, see below for 2016’s entries thus far:
If you enjoy posts like these or if you have ever enjoyed or been inspired by something I have written, and you would like to support this blog, consider buying the author a coffee?
Well, last year my fascination was with all things K-Beauty; this year I have moved on to an utter obsession with the ubiquitous lapel pin. I received my first pin, a little death’s head moth, as an extra when I purchased a piece of grim stitchery from embroidery artist Adicopere …I remember looking at it and thinking “huh, this is cool… but what am I supposed to do with it?”
A search on instagram for #pingame or #pingamestrong will show you many such images of heavily laden, pin-studded jackets, but no doubt most of you already know that by now–and are either in on the madness as a collector, or if you are an artist you are cashing in on the trend hand over fist. And I don’t blame you–the people want what they want, so if you can make some money off of their desires with a gorgeous, high-quality product, you should totally do that! Sadly, I fall into the money-spending, not money-making camp.
Not a wearer of leather jackets (in Florida? Good lord no), I began impaling an asymmetrical black jacket/sweater/thing that I had on hand, but was acquiring these marvelous little pins at an unholy speed (as far as my obsessions go, this one is pretty cheap and led to frequent purchases) and I soon ran out of material and space!
What to do?
I had something in mind for display purposes: a special corkboard for the pins that were not being worn at the time. But in my minds-eye, this was a very specific design. It must be coffin-shaped, and the cork pinning part must, must, must be black. Finally, at the end of an exhaustive search, I found Life After Death Design, whose etsy shop held a few things that might fit the bill. I contacted the exceedingly helpful Rachael for a custom order, and in a flurry of emails she revealed that they had just made the exact thing for another customer…for the very same reason. Perfect! And if you are in the market for a coffin-shaped lipstick orgaziner, (why wouldn’t you be, right??) an exquisite spiderweb filigreed coffin-shaped shelf, or probably whatever coffin-shape thing you can dream up, these folks will take care of you.
It arrived yesterday, and I could not have been more pleased…
If you are interested in any of the artists/designers, I have mapped them out for you below! {Note: some of these were limited editions and may be sold out!}
Are you a pin collector? Are you in on the pinsanity? What are some of your favorites? How do you wear them, or display them? Tell me all!
I think I am just hardwired to have expensive tastes. I don’t quite know where that comes from, for growing up, I think we were probably what you would call a lower middle-class family. Maybe not even that. My mother was divorced with three children, didn’t receive adequate (or sometimes any) child support, and for most of the time I was still living at home, she did not have a job.
Our groceries, clothing, utilities, mortgage–maybe everything– was taken care of by my grandparents. Without them we might have been in a pretty bad way, but as it is, I can’t remember wanting for much of anything. We were very, very lucky in that regard, and I’m certain I’ve never properly expressed my gratitude to them–but then again, I don’t think grandchildren ever do.
I do recall constantly sneaking into my mother’s room to sniff at her perfumes and play with her lovely makeup collection. She owned some beautifully enticing products. Thinking back upon it now…for a lady with no money, she sure had a lot of Lancôme and Clinque and many other not entirely inexpensive cosmetics. I’m not one to begrudge someone their beautiful things, but that is a bit of a head-scratcher.
When it came time for me to begin painting my face, well, let’s face it. I had been spoiled. I couldn’t just buy Wet-n-Wild from Wal-greens, no way, no how! And so I would save my baby-sitting dollars (and later, my hamburger flipping monies) and spend it all on department store makeup counter treasures.
Later, as I grew into my fascination for perfumes and began to explore the myriad options presented by niche and independent perfumers, I never forgot my early loves from the Christian Dior and Clinique counters in the mall. Though they are not as fancy as say, a Serge Lutens bell jar scent or an Exclusive Collection Guerlain fragrance, they’re certainly not cheap, either. I know many people would find the thought of spending $300 on a bottle of perfume absolutely ludicrous, but no doubt there’s quite a few who would feel no less offended at the thought of a $75 dollar fragrance (the category into which most of the scents pictured above would fall.)
Aromatics Elixir is described by Clinique as an “intriguing non-conformist fragrance”, and sure, I suppose that is one way to describe it. It’s a bitter, balsamic, astringent, herbal, alien thing–not at all the sort of scent that I imagine most people are used to smelling in a perfume bottle.
Aromatic top notes are verbena, sage and chamomile, which give way to the floral notes of geranium, rose and white flowers, with oakmoss and patchouli note at the base. Described by some reviewers as “a chypre on steroids”, it somehow smells both of a different time, something quite classic, and yet also wholly strange and new.
Chandler Burr describes it as “deep” and “thoughtful” and remarks that if one were to judge it by the first hour, it would be a two-star scent. However, he says, “…judge it after it has unfolded, breathed, burned off the shadows and begun its work, and it has to be five.” It never struck me as particularly shadowy, but you know how it is, once you’ve read something and it strikes a chord, no matter how fanciful. Now it’s difficult to smell it any other way. I wore this scent when I was 19 years old, attending community college and floundering about–it reminds me of failings and indecision and the gnawing pit in one’s stomach when one’s future is unclear, and yet somehow when I am most troubled, it is a very comforting thing to smell.
Addict by Christian Dior quite honestly reminds me of an Esquire Magazine cover, but back during the time when they featured more women and lots of cleavage on the front pages. It would have been in black and white. Eyes, heavily rimmed with kohl and smoldering. She’s probably chomping on a cigar.
Addict is an Oriental fragrance that smells like a statuesque, expensive, night blooming call girl. With notes of mandarin leaf, orange blossom, Bulgarian Rose, bourbon vanilla, Mysore sandalwood, and tonka bean, it is breathy, velvety, and narcotic. I’m not certain that this scent is, or ever was, very “me”, but I think it’s quite beautiful in the overblown erotic femininity of Anna Nicole Smith as shot by the tastefully provocative Ellen Von Unwerth sort-of-way.
I wore this when I was 28 and in transition, in the winter months while packing to move from Florida to New Jersey. It reminds me of waiting for the other shoe to drop and asking myself why did I want to be with someone when it felt like they loathed me. And maybe I despised him as well. Obviously, I don’t wear Addict very often anymore, but I will always appreciate the imagery it conjures.
Dune, also by Christian Dior, never fails to surprise me with its presence on my shelf. My mother owned and wore this scent, but I cannot remember smelling it on her. I recall stealing a small spritz here and there in my senior year of high school and thinking that it seemed a somber, yet transparent and inoffensive fragrance.
I forgot about it entirely until I purchased the marvelous Perfumes A-Z Guide by Luca Turin and Tania Sanchez (and I am not embarrassed to tell you this was perfect by-the-toilet reading for several years! Seriously, get a copy for that purpose alone.) With notes of vanilla, mandarin, and peony, Dune is officially described ” an oceanic fragrance, created in harmony with nature … radiant, fresh and subtle accord captures the landscape where the sky meets the sea in a warm, oceanic floral bouquet.” And while I suppose it may smell like driftwood and beach glass, it’s more a deserted beach on a cloudy day sort of thing.
Furthermore, if Luca Turin is to be believed, Dune is a “disenchanted, lady-like gem…unsmiling from top to bottom”. He suggests that “true, menacing darkness” is to be found in this fragrance, and it is a strong contender for “the Bleakest Beauty in all perfumery”. I am sure it is no surprise to you that I am dreadfully influenced by this sort of hyperbole and you can bet I had purchased a bottle for myself within seconds. This was six or seven years ago, and I am still not entirely convinced Dune is the bleakest thing I have ever smelled (edit: I’ll be straight with you. It’s Viktor & Rolf’s Flowerbomb), but it is rather evocative nonetheless and puts me in an interesting frame of mind when ever I wear it.
I shared the book’s description with my sister, who has also developed an appreciation for fragrance, and now every time she visits me, she sniffs at my scents and ask if she may try something. Nine times out of ten, she will settle on smelling bleak.
I am having a difficult time concentrating on much of anything, and no doubt my focus and attention span will not improve as the week goes on. So while there are things I have done, read, smelled, tasted lately that I would like to share with you…I couldn’t for the life of me tell you what they were.
My grandmother is not doing well, and while that is not much of a surprise–after all, she is 96 years old, and has been generally unwell since before my grandfather passed on last year–I do feel like at this point we are all just waiting, waiting.
I believe she is ready to let go, and I think that we are ready to let her go, which is a rather “dizzying, nauseating, emotional contradiction” because it sort of feels like you are wishing someone you love, dead, doesn’t it? Of course we are not, but regardless of what anyone wants or wishes, it seems like her body is stubbornly, obstinately clinging to life. Which I suppose is commendable, in a way? But it is also very sad and exhausting for everyone, and I think we all sort of feel stuck in limbo just a bit.
She has the look that my grandfather had a few days before he died. A mushroomy pallor. A sort of deflated slackness in the face. Except where he was a little loopy at the end, she is, so far, totally lucid. I’m not thrilled that I have begun to recognize the look of a human who is about to wink out of existence. This is never knowledge I hoped to have.
But then again, what do I know? A long time ago, we decided that my grandmother was a vampire. Immortal. For all I know she will live another ten years. At least! Wouldn’t that be something?
You’ve carefully cultivated your strange, unearthly beauty and gothic mystique, and as a finishing touch you must pair it with a fragrance befitting the vision of dark decadence you’ve conjured forth.
Indulge me, won’t you? Over at Haute Macabre I’ve a few scented recommendations for dark muses and femme fatales alike that I think will complement your All Black Everything wardrobe perfectly.
Oh, what’s that? You require wardrobe selections, too? Well, you know I will never disappoint you…
I have often spoken of my mother’s love of perfume, but I suppose I never considered where that might have stemmed from. A peek at her mother’s–my grandmother’s–perfume tray reveals a shimmering collection full of both beautiful bottles and a small number of beloved scents, and I think this is an interesting glimpse of the woman herself. A lover of birds and cut glass and loyal in her lifetime to a scant handful of fragrances, her influence has clearly inspired several generations.
My great-grandmother wasn’t the type (that we know of) to go in for the vanities of this world. She was, to quote my youngest sister, into “rhubarb pie and good bread and Baptist churches.” I imagine her only daughter though, one girl among seven brothers and after spending so much time among so many males, probably developed a fondness for whatever frivolities were available to her. A love which would grow, slowly, and steadily and sensibly over time.
It must be said that, that although this love of fine things was passed down through my grandmother to both my mother and I…well, the good sense–not so much.
Towards the back of that mirrored tray is a bottle of Youth Dew by Estée Lauder. I have no idea how old it is, or when my grandmother last wore it, but my guess is that it’s been around for a great, long while, sadly unused.
Youth Dew is a scent from childhood visits to my grandparent’s home in Ohio, when I was very young. I would spend the whole weekend there, watching Dallas and Hee Haw with my grandfather, or helping my grandmother make a pot of chicken and dumplings…there must have been a lot of reading and walks in the woods and no small amount of undignified begging of the grandparents to take me to the toy store for something new.
Usually, at least once per visit, I would convince my grandmother to allow me to rifle through her jewelry box. This was a small but crucial ritual for me at that young age– I’d usually threaten that I wouldn’t be able to fall asleep without it! Permission granted, I would then begin the process of removing the sparkling brooches and dangling earrings and line them up one by one, pretending that I was a fancy grown up lady, and I had my choice among baubles for a ball. The truth was, I probably would have worn all of them at once, to bed, if I could have gotten away with it.
The scent of that box of jewels, a sort of musty, metallic tang, is entangled in my memories of Youth Dew. The fragrance was, as I recall, a strange witches brew of heady, formidable glamour and unexpected comfort. It’s been over 30 years since I’ve smelled it (I couldn’t even bring myself to uncap it and sniff the sprayer this past weekend, when I took the photograph featured above) and so my memory may be playing tricks on me. The comfort might have been from the bosomy grandma-hugs, and not the perfume at all, but I couldn’t tell the difference then, and I suspect I can’t today, either.
Youth Dew is described as a heavily spiced oriental, and apparently everyone’s grandmother wore it–to the extent that I think it’s often described as a “grandma/old lady scent”. I personally hate that phrase, for what it’s worth, but I also do not think there’s really anything “youthful” about the scent. With notes including bergamot, peach, aldehydes, clove, rose, ylang-ylang, frankincense, amber, tolu, benzoin, oakmoss, and vetiver (and many more, I left a lot out), its aura has always seemed to me one of aggressive grandeur and luxury, the kind that takes a certain maturity to pull off.
Recently, in conversations with a fellow fragrance enthusiast, I was bemoaning my lack of knowledge regarding the technical language in describing perfumes. Most of the time I couldn’t tell you if something smells indolic or lactonic or if it is a soliflore or if it’s the original or reformulated. But you know, my brain doesn’t really break things down like that. Sure, I guess it would behoove me to educate myself more fully on notes and their nuances and learn how to recognize those facets of a scent, but I’m pretty sure I’d continue to process them and talk about them as I always have.
So while I can tell you that it’s a sticky, darkly balsamic scent, a warm resinous amber, and a bit of powdery vanilin at the dry down, what I really mean to say is that it smells like a velvet backed, diamond choker. Or, basically, like this:
I can’t say for certain that’s what my grandmother was going for, but 30 years later my own love for baubles and jewels has not lessened one bit, so maybe I do need to spritz myself liberally next time I visit. I sincerely doubt I will ever have any such riches or glittering trinkets in my own jewel box and the imagery summoned by a luxe waft of Youth Dew is as close as I am likely to get.